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nodepression has been a member of Linktree for 6 years and joined in June 2020. Resources nodepression has populated their site with include: • ALBUM REVIEW: ‘One Track Mind’ Explores the Early Songs of Honky-Tonk Genius Gary Stewart • In The Deep End With Rodney Crowell • ALBUM REVIEW: Slow Accordion Improvises an Infectious Self-Titled Debut • ALBUM REVIEW: Neon Moons Make Their Honky-Tonk Debut With 'Day Late & a Dollar Short' • FRESH TRACK: Andrew Sa - "Lavender Cowboy" • THROUGH THE LENS: From Australia to Pennsylvania, Five Festivals Offered a Variety of Ways to Explore Roots Music • ALBUM REVIEW: Aaron Lee Tasjan Celebrates the Outsiders and Also-Rans on 'Get Over It, Underdog' • BONUS TRACKS: New Music From Alabama Shakes, Mary Gauthier, Rhiannon Giddens, A Dolly Parton Musical, and More Roots Music News • SPOTLIGHT: Molly Tuttle on ‘The Best Gig I’ve Ever Played’ - No Depression • ALBUM REVIEW: Tray Wellington Finds Two Types of Flow on 'Heart on the Table' • ALBUM REVIEW: Sophie Wellington Shimmers on 'Her Bright Smile Haunts Me Still' • ALBUM REVIEW: Allison Russell Finds Joy in Community on 'In the Hour of Chaos' • Bonnaroo 2026 Continued Its Jam-Packed, Neo-Hippie Woodstock Experiment • Low Cut Connie Grapples With Belonging on New LP 'Livin in the USA' • NEW FRESH TRACK: Rachael Sage - Nexus (Acoustic) • THE READING ROOM: The Best Books of 2026 (So Far) • QUEER COUNTRY: The Lavender Cowboys Carrying Patrick Haggerty’s Legacy • QUEER COUNTRY: Riding Towards Utopia • THROUGH THE LENS: Celebrating America’s 250th Birthday Is Also a Celebration of Roots Music • SPOTLIGHT: River Shook on 'The Superpower We Share' [ESSAY] • BEST OF BLUES: Smithsonian Folkways Classics, Swamp Dogg, and Joe Krown • BONUS TRACKS: Updates from the FreshGrass Foundation, New Release From Shooter Jennings, Tribute to Buddy Guy, and More Roots Music News • Tift Merritt Is Back to Sing Love Into the World • QUEER COUNTRY: Queer Country Artists to Watch in 2026 • SPOTLIGHT: River Shook - "Fading" [VIDEO] • ALBUM REVIEW: Sad Daddy Drill Down to What Really Matters on ‘Ozark Shine’ • ALBUM REVIEW: American Aquarium Serves Up Country Music Comfort Food on 'New Ways to Lose' • Album Reviews - No Depression: Roots Music and Culture Journalism • FOUNDERS KEEPERS: Visiting With Iris DeMent’s Sublime ‘The Way I Should’ 30 Years On • In The Deep End With Fruit Bats • A Post Card From Pharis & Jason Romero • BONUS TRACKS: Blaze Foley Tribute LP, Two New Woody Guthrie Videos, and More Roots Music News • THE READING ROOM: Colin Asher’s 'The Midnight Special: The Secret Prison History of American Music' • ALBUM REVIEW: Candace Hastings Dazzles on ‘A Soft Place to Land’ • ALBUM REVIEW: The War and Treaty Reach New High on Personal Album, ‘The Story of Michael and Tonya’ • ‘A Trip In The Country’ Proved Roger Miller Was More Than a Novelty • THROUGH THE LENS: Rooster Walk & Railbird Festivals Offered Contrasting Takes On Appalachian Music Festivals • By Going Offline, Josiah and The Bonnevilles' Music Is More Plugged In Than Ever • nodepression.org • SPOTLIGHT: River Shook Finds Security in The Unknown on Self-Titled Solo Debut • VOTE for Your Favorite Roots Music Albums of 2025 in Our Reader Poll • ALBUM REVIEW: Joshua Ray Walker Ponders Mortality and Earthly Possessions on ‘Stuff’ • BONUS TRACKS: World Cup Fever, New Music From Wynona, Peggy Seeger, American Aquarium, and More Roots Music News • ALBUM REVIEW: Emma Swift’s 'The Resurrection Game' is End-to-End Melancholy • QUEER COUNTRY: Six Degrees of Karen Pittelman • No Depression's Best of March 2025 Playlist - No Depression • ALBUM REVIEW: Samantha Fish Burns the House Down • ALBUM REVIEW: Duane Betts' Cinematic ‘Isle of Hope’ • ALBUM REVIEW: Alex Amen is Rooted in Reverence, Alive in the Present on Debut, ‘Sun of Amen’ • THROUGH THE LENS: Topanga Banjo Fiddle & Albino Skunk Festivals - Throwbacks in Time • SPOTLIGHT: The Honky-Tonks Are For All [ESSAY] • No Depression’s Best of May 2026 Playlist • BONUS TRACKS: Changes at Folk Alley and IBMA, New Music from Keb' Mo' and Wyatt Flores, and More Roots Music News • ✨Access the Full Archives✨ • Become a Supporting Member • Reach 100K Roots Music Fans • ALBUM REVIEW: Charlie Marie Finds Herself in the Great Unknown on ‘Signs’ • NO DEPRESSION SESSIONS at Wild Coyote: Cat Clyde • Deer Tick's Top 5 Songs Right Now • THE READING ROOM: ‘Color Me Country: A Celebration of Black Women Who Shaped Country Music’ • Donate • ALBUM REVIEW: Bella White Exposes Dark Places in the Heart on ‘A Sign in the Weather’ • ALBUM REVIEW: Futurebirds Take Flight on ‘Far Out Country’ • ALBUM REVIEW: On ‘Heavy Thrill,’ Caleb Caudle Mixes Country and Pop Sensibilities • THROUGH THE LENS: Vinyl Update - Uncle Tupelo, Robert Johnson, Tony Rice & Other Legends • In The Deep End With Renée Fleming and Béla Fleck • Dida Pelled's Top 5 Songs Right Now • QUEER COUNTRY: The Revolution Will Be Twang-ified • BONUS TRACKS: RIP Sonny Rollins, Return of The Highwomen, and More Roots Music News • ALBUM REVIEW: Lone Piñon Uncovers a Lost World of New Mexican Folk Music on 'Hot Carne Seca' • NO DEPRESSION SESSIONS at Chelsea Studios NYC: John Gallagher Jr. • BEST OF BLUES: May 2026 • ALBUM REVIEW: Joshua Ray Walker Calls His Pain By Name On 'Ain’t Dead Yet' • ALBUM REVIEW: The Songs of Tom Waits and Kathleen Brennan Get a Revealing Spin in ‘Where the Willow and the Dogwood Grow’ • Marisa Anderson Brings a World of ‘UnAmerican’ Music To Her Guitar • FOUNDERS KEEPERS: The last word on Slim Dunlap, a Two-Part Glen Hansard Set and More • THROUGH THE LENS: Southern California Roots Music at the 2026 Stagecoach & BeachLife Festivals • BONUS TRACKS: New Ma Rainey Box Set, Smithsonian Folkways Blues Collection Reissue, and More Roots Music News • ALBUM REVIEW: Steep Canyon Rangers Tell Stories of Their ‘Next Act’ • THE READING ROOM: Peter Blackstock Revisits Guy Clark's 'Old No. 1' • After Founding Member Steps Away, Steep Canyon Rangers Navigate a New Road - No Depression • ALBUM REVIEW: Thomas Csorba’s Gratifying, ‘Tender Country’ Music • ALBUM REVIEW: Ben Chapman’s ‘Feet On Fire’ is a Powerful Gospel of Growing Up • CROWDFUNDING RADAR: Christa Joy and the Honeybees, Township & Range, and Ro Myra • THROUGH THE LENS: New Orleans Jazz & Heritage Festival 2026 Was a Feast For the Eyes, Ears, and Taste Buds • SPOTLIGHT: Emily Nenni - "What Have I Done Wrong" [VIDEO] • BONUS TRACKS: John Prine's 80th Birthday Tribute, Fall Records from Pokey LaFarge and Thee Sinseers, and More Roots Music News • ALBUM REVIEW: On ‘Face the Feeling,’ Jobi Riccio Rocks as She Reflects • NO DEPRESSION SESSIONS at Lucinda's: 49 Winchester • ALBUM REVIEW: Ramsey Thornton’s debut LP 'I Called It' Reveals a Fully-Formed Folk Fusion Songwriter and Composer • ALBUM REVIEW: Peter Framton Comes Alive Again on 'Carry the Light' • ALBUM REVIEW: Kevin Morby Walks Off into the Sunset on the Expansive ‘Little Wide Open’ • THROUGH THE LENS: High Water and Sun, Sand & Soul Fests Offered Singular Roots Music Experiences For Discerning Fans • In the Deep End With Taj Mahal • BONUS TRACKS: New Allison Russell LP, The Mavericks Tribute Tour, and More Roots Music News • ALBUM REVIEW: Ashley McBryde’s ‘Wild’ Offers Raucous Redemption and Hope • THE READING ROOM: Revisiting Dave Mason’s ‘Only You Know and I Know’ • If I May Be So Bold: An Essay by Hayes Carll - NO Depression • ALBUM REVIEW: On ‘These Are the Days’ Michaela Anne Finds the Sacred in the Everyday • ALBUM REVIEW: India Ramey’s Feminist Outlaw Country Kicks Ass on ‘Villain Era’ • Through the Lens: MerleFest 2026 Was a “Traditional Plus” Triumph! • The Milk Carton Kids' Top 5 Songs Right Now • BEST OF THE BLUES: April 2026 • BONUS TRACKS: RIP David Allan Coe, New Punch Brothers, A Bob Dylan/Bon Iver Crossover, and More Roots Music News • ALBUM REVIEW: Hiss Golden Messenger Promise Hope Amidst Trying Times with ‘I’m People’ • With 'Middle of Nowhere,' Kacey Musgraves Finds Equilibrium In The Great Unknown • SPOTLIGHT: Emily Nenni Steps Out with Newfound Confidence on ‘Movin’ Shoes’ • THE READING ROOM: Erin Osmon’s ‘Won’t Back Down: Heartland Rock and the Fight for America’ • QUEER COUNTRY: Putting It All On the Line • SPOTLIGHT: Vincent Neil Emerson - Blue Stars Gumbo [ESSAY] • ALBUM REVIEW: Paisley Field’s ‘Are U Mad At Me’ is an Instant Country Classic • FOUNDERS KEEPERS: Drivin' & Cryin' Scatter Memories Across 'Crushing Flowers' • I’m With Her Is Always A Band • THROUGH THE LENS: Bruce Springsteen, Gillian Welch, David Rawlings, and Other Photos of the Week • SPOTLIGHT: Vincent Neil Emerson Stays True To Himself on 'Blue Stars' • Reese McHenry Forever • A Postcard From Tyler Ballgame • BONUS TRACKS: 4/20 Song by Shooter Jennings and Willie Nelson, Health Updates from Indigo Girls and Bill Strings, and More Roots Music News • ALBUM REVIEW: Terry Allen Brings a Family Full of Blood Sucking Maniacs on Latest Album • SPOTLIGHT: Vincent Neil Emerson - "Blue Stars" [VIDEO] • Taylor Dallas Vidic Soars on Marvelous 'Cat & Mouse' • ALBUM REVIEW: On ‘Goodbye Blues,’ Kiki Cavazos’ Stories and Voice Are Timeless • JOURNAL EXCERPT: Noah Kahan Weaves Mental Health Messages Into Everything He Does - No Depression • THROUGH THE LENS: Treefort Music & Tucson Folk Fests Rally Roots Music Fans Out West • BONUS TRACKS: No Depression Reporting Fellowships, Brandi Carlile Scholarship, RIP Don Schlitz, and More Roots Music News • Benjamin Tod Balances 'Vengeance and Grace' On Road to Self-Fulfillment • ALBUM REVIEW: On ‘Blues For Dexter Linwood,’ Todd Albright Performs Straightforward Standards • ALBUM REVIEW: Dirk Powell Showcases Clever, Wide-Ranging Artistry on ‘Wake’ • CROWDFUNDING RADAR: Three Worthy ‘World Music’ Campaigns • THROUGH THE LENS: Cayamo 2026 Captivated Roots Music Fans While Cruising In The Caribbean • ALBUM REVIEW: Mikaela Davis Plays With Genre On ‘Graceland Way’ • NO DEPRESSION SESSIONS at Chelsea Studios NYC: The Brook & The Bluff • ALBUM REVIEW: Retro Folk Rock Purrs From Fantastic Cat • ALBUM REVIEW: On ‘Total Dive’ Brown Horse Balance Originality and Derivation • THROUGH THE LENS: John Prine Was One of Us - No Depression • ALBUM REVIEW: Nashville Rebel Tenille Townes Reboots Her Music on ‘The Acrobat’ • No Depression’s Best of March 2026 Playlist • THROUGH THE LENS: Three Phenomenal Roots Music Gatherings in Texas — SXSW, Luck Reunion, and Todd Snider Rules! • Country Music Gets a New Starr: Ringo Starr Partners with T Bone Burnett for a Ride Into a New Musical Frontier • ‘A Community Rather Than a Sound:’ Inside the Crust Punk to Folkie Pipeline • BONUS TRACKS: RIP Jon Dee Graham, Greensky Bluegrass Documentary, and More Roots Music News • ALBUM REVIEW: Jessye DeSilva ‘Glitters Up the Dark’ • ALBUM REVIEW: Thomm Jutz Practices the Alchemy of Songwriting on ‘Ring-A-Bellin’’ • ALBUM REVIEW: Maria Taylor Juggles Hope and Despair on ‘Story’s End’ • In The Deep End With Tinariwen • THROUGH THE LENS: Big Ears 2026 Was a Homecoming • ALBUM REVIEW: Big Harp Lives with ‘Runs to Blue’ • The Hard Balance of Real Life Renders Jon Dee Graham’s Body of Work All The More Impressive • BONUS TRACKS: Tom Waits Tribute, RIP Ronnie Bowman, and More Roots Music News • ALBUM REVIEW: Flatland Calvary Display Breadth of Signature Style on ‘Work of Heart’ • ALBUM REVIEW: Andy Hedges Sings Cowboy Songs for Now on ‘The Westerner’ • THE READING ROOM: Charles K. Coffman’s ‘Clowns in the Burying Ground: The Grateful Dead, Literature, and the Limits of Philosophy’ • ALBUM REVIEW: On ‘Hurts Like Hell,’ Charlotte Cornfield Lets It All In • BEST OF THE BLUES: March 2026 • ALBUM REVIEW: Jim Lauderdale Returns As the King of Broken Hearts on ‘Country Super Hits, Volume 2’ • ALBUM REVIEW: Drayton Farley Wrestles with Big Feelings, Offers Even Bigger Sound on ‘A Heavy Duty Heart’ • THROUGH THE LENS: Vinyl Update & Other Roots Music Releases • FOUNDERS KEEPERS: The Triumphant Return of Crooked Fingers, Plus New Music from the Delines, Steve Poltz and More • ALBUM REVIEW: The Montvales Chronicle Hard Lives of Everyday Americans on ‘Path of Totality’ • BONUS TRACKS: New Country Music From Ringo Starr, Bob Dylan Center Songwriter Fellowship, and More Roots Music News • NO DEPRESSION SESSIONS at Lucinda's: Gráinne Duffy • QUEER COUNTRY: Looks Like We Made It • THE READING ROOM: Joe Bonomo’s ‘Play This Book Loud: Noisy Essays’ • Journey Through 30 Years of No Depression! • ALBUM REVIEW: With ‘Future Soul,’ Tedeschi Trucks Band Range Far and Wide • Leah Blevins Dresses for Success on Her Sophomore LP 'All Dressed Up' • CROWDFUNDING RADAR: Pug Johnson and others • ALBUM REVIEW: Jack Studer Creates an Approachable Slacker Vibe on 'Falling Forward' • SPOTLIGHT: Cat Clyde - "Night Eyes" [VIDEO] • THROUGH THE LENS: Vero Beach Blues Festival 2026 — The Blues Is a State of Mind • ALBUM REVIEW: Leyla McCalla Rises Up on ‘Sun Without the Heat’ - No Depression • ALBUM REVIEW, What We Missed: Buddy Guy ‘Ain’t Done With The Blues’. Not Even Close. • BONUS TRACKS: FreshGrass Presents Big Thief, Surprises from Dan and Peggy Reeder and Allison Russell, and RIP Country Joe McDonald • ALBUM REVIEW: On Dance Record ‘Mutiny After Midnight,’ Johnny Blue Skies Mixes Fire and Fun • ALBUM REVIEW: Tony Trischka’s 'Earl Jam 2' Pays Tribute to Bluegrass banjo Great, Earl Scruggs • POSTCARD FROM: Joshua Burnside • JOURNAL EXCERPT: Don't Forget to Write, by John Prine - No Depression • ALBUM REVIEW: Sweet Petunia Gets Raw and Real about Mental Health on 'Foggy Mountain Mental Breakdown' • THROUGH THE LENS: Baseball & Roots Music — Two Great American Pastimes Converge At The Innings & Extra Innings Festivals • BONUS TRACKS: No Depression Fellowships and More Roots Music News about Utah Phillips, from Shakey Graves, and More • NO DEPRESSION SESSIONS at Lucinda's: Steve Earle • Reporting Fellowship Application • PRESS RELEASE - No Depression Fellowship 30th Anniversary Announcement • ALBUM REVIEW: Trey Hensley Lays Down a Guitar Masterpiece on ‘Can’t Outrun the Blues’ • ALBUM REVIEW: With 'Watterson Hall', William Clark Green Embraces a Mainstream Sound • ALBUM REVIEW: Chemistry, Storytelling Propel Sons of Town Hall’s ‘Of Ghosts and Gods’ • ALBUM REVIEW: Brit Taylor's ‘Land of the Forgotten’ Is One Banger After Another • No Depression’s Best of February 2026 Playlist • THROUGH THE LENS: Wintergrass Festival 2026 Celebrated the Radical Traditional! • ALBUM REVIEW: Pert Near Sandstone Shine Compassion into a Troubled World with ‘Side by Side’ • ALBUM REVIEW: Rose's Pawn Shop Take Stock of Twenty Years of Music on ‘American Seams’ • A Postcard From Robert Francis • BEST OF THE BLUES: February 2026 • BONUS TRACKS: RIP Willie Colón, Fundraising Campaigns, Live Albums, and Other New Releases • NO DEPRESSION SESSIONS at Bristol Rhythm & Roots Reunion: Trey Hensley • SPOTLIGHT: Big Richard on Where They Get The Audacity [ESSAY] • THE READING ROOM: Ani DiFranco and Lauren Coyle Rosen’s ‘The Spirit of Ani: Reflections on Spirituality, Feminism, Music, and Freedom’ • ALBUM REVIEW: Buck Meek’s Trick of ‘The Mirror’ • ALBUM REVIEW: Julianna Riolino Gives Her All on Deluxe ‘Echo in the Dust’ • ALBUM REVIEW: Lil’ Ed Williams Goes ‘Slideways’ and Sets His Guitar on Fire • ALBUM REVIEW: With 'Let Us Clap' Lamisi Celebrates the Traditional and the Au Courant • THROUGH THE LENS: 'Blonde On Blonde' Tribute, Molly Tuttle, and Other Photos of the Week • O Brother, Where Aren't Thou?; The Two-Decade Cultural Impact of 'O Brother, Where Art Thou?' • FOUNDERS KEEPERS: A Change is Always Going to Come; The new music of Ben Sollee • SPOTLIGHT: Big Richard - "Alaska" [VIDEO] • BONUS TRACKS: Industry News from Wasserman Group, Nashville Taxes, and New Music from Milk Carton Kids, The Deslondes, and Sturgill Simpson's Johnny Blue Skies • NO DEPRESSION SESSIONS at Chelsea Studios NYC: Gogol Bordello • ALBUM REVIEW: Jesse Appelman’s First Solo Album Features Original Instrumentals and Curated Covers • QUEER COUNTRY: Don't Stand So Close to Me, The Art of Queer Line Dancing • The Band of Heathens' Top 5 Songs Right Now • CROWDFUNDING RADAR: Chris Pierce, Wyatt Edmondson, The Longest Johns • ALBUM REVIEW: Tim Easton Prioritizes Art, Songcraft on Sturdy Indie Release fIREHORSE • THROUGH THE LENS: The 2026 Tucson Jazz Festival Served Up the Many Flavors of Jazz • Center of The Universe - An Essay by George Jackson • ALBUM REVIEW: Celebrating Life with The Lone Bellow on ‘What a Time to be Alive’ • ALBUM REVIEW: Clay Street Unit Debuts Ear Worm, Fearless Newgrass on ‘Sin & Squalor’ • Bringing Back Revelations - by Eugene Hutz of Gogol Bordello • BONUS TRACKS: Gigs from Brandi Carlile and Gillian Welch and David Rawlings, Updates from Newport Jazz Festival, and More Roots Music News • NO DEPRESSION SESSIONS at Bristol Rhythm & Roots Reunion: Jim Lauderdale • Become a Member to Support No Depression! • THE READING ROOM: Jonathan Bernstein’s ‘What You Do When You’re Lonesome: The Authorized Biography of Justin Townes Earle’ • ALBUM REVIEW: Boy Golden Turns Suffering into Hope on ‘Best of Our Possible Lives’ • ALBUM REVIEW: Jeremy Ivey’s Home-Recorded 'Its Shape Will Reveal Itself' is Unvarnished and Honest • ALBUM REVIEW: On ‘The Knot’, The Waymores Stay True to Their Roots, Tweak Their Vintage Sound • THROUGH THE LENS: Neil Young Tribute & Dwight Yoakam Benefit Highlight Roots Music During Grammy Awards Weekend • In The Deep End With Melissa Carper and Theo Lawrence • BONUS TRACKS: Just Keep Spinning • NO DEPRESSION SESSIONS at Bristol Rhythm & Roots Reunion: Denitia • SPOTLIGHT: Big Richard Skewers The System With Bluegrass • ALBUM REVIEW: Sneaky Troubadour John Craigie Weaves a Strange Web on ‘I Swam Here’ • SPOTLIGHT: The Intentionality and Virality of Mon Rovîa • No Depression’s Best of January 2026 Playlist • THROUGH THE LENS: Folk Alliance International 2026 Rises Up! • Queer Country Artists to Watch in 2026 • SPOTLIGHT: Mon Rovîa - "Witching Hour" • 2026 Grammys Go to Tyler Childers, Mavis Staples, Billy Strings, and More • BONUS TRACKS: Talking Nashville and Minneapolis Blues • NO DEPRESSION SESSIONS at Chelsea Studios NYC: Courtney Marie Andrews • BEST OF THE BLUES: January 2026 • ALBUM REVIEW: Emily Scott Robinson’s Soul-Stirring Stories on ‘Appalachia’ • In The Deep End With Lucinda Williams • FOUNDERS KEEPERS: New year, new tunes from the Salt Collective, Vince Gill, Lori Carson, Gwil Owen and More • THROUGH THE LENS: Florida’s 30A Songwriters Fest Kicks Off the 2026 Roots Music Festival Season • ALBUM REVIEW: Della Mae Returns with Joyous, Soul-Affirming ‘Magic Accident’ • CROWDFUNDING RADAR: Rachel Sumner and Traveling Light, Seth Kibel, and Marc Gunn • ALBUM REVIEW: On ‘Scenes from Above’ Julian Lage’s New Quartet Delivers New Stunning Blues, Jazz, and Soul Quartet • BONUS TRACKS: International Folk Music Award Winners and More Roots Music News • NO DEPRESSION SESSIONS at AMERICANAFEST: Alex Lambert • ALBUM REVIEW: Sophie Gault Lets Her Freak Flag Fly On ‘Unhinged’ • ALBUM REVIEW: The Lowest Pair’s 'Always as Young as We’ll Ever Be' Pushes the Duo to New Musical Realms • ALBUM REVIEW: Sammy Brue honors, but does not imitate, Justin Townes Earle on 'The Journals' • ALBUM REVIEW: Stillness Is the Sweet Spot on The Paper Kites’ ‘If You Go There, I Hope You Find It’ • Imarhan's Top 5 Songs Right Now • THROUGH THE LENS: ND Photographer Astrida Valigorsky’s Adventure in Performance Photography • BONUS TRACKS: RIP Bob Weir • NO DEPRESSION SESSIONS at Lucinda's: The National Reserve • ALBUM REVIEW: Britain’s James Hunter Recharges Classic Soul Sounds on ‘Off the Fence’ • THROUGH THE LENS: The Roots Music Lovers Guide to Analog, Part 7 • Langhorne Slim Reinvents Himself With ‘The Dreamin’ Kind’, Embracing Fuller Sound • NO DEPRESSION SESSIONS at Bristol Rhythm & Roots Reunion: Pigeons Playing Ping Pong • Dead & Co – Final Tour Reflections from Jim Brock • SPOTLIGHT: Far-seer [ESSAY] • Tom Petty 'Wildflowers' Releases Take His Legacy To A Higher Place • THE READING ROOM: Books from Musicians We Lost in 2025 • ALBUM REVIEW: Folk-Music Vets Celebrate Lives Well Lived in ‘Together Again’ • A Postcard From The SteelDrivers • QUEER COUNTRY: The Best Queer Roots Music of 2025 • ALBUM REVIEW, What We Missed: Austin Quintet Ulla Makes Magic with Traditional Sounds of the British Isles On ‘Ulla II’ • YEAR-END READER POLL: Our Readers' Favorite Roots Albums of 2025 • THROUGH THE LENS: 2025 In Review - The Best of Everything • ALBUM REVIEW, What We Missed: Katie and Allison Crutchfield Reunite as Snocaps, Offer a Catchy, Upbeat Set on Self-Titled Debut LP • CRITIC'S POLL: No Depression Writers, Editors, and Photographers' Favorite Roots Albums of 2025 • ALBUM REVIEW, What We Missed: Joelton Mayfield Unleashes a Tidal Wave Of Emotion on Killer Debut, ‘Crowd Pleaser’ • THROUGH THE LENS: Our Favorite Roots Music Photos of 2025 • CROWDFUNDING RADAR: Jill Sobule, Emily Portman, and River Road • Joe Ely Digs Into His Archives For Songs of 'Love And Freedom' - No Depression • BONUS TRACKS: RIP Raul Malo and More Roots Music News • ALBUM REVIEW, What We Missed: The Poet Laureate of Your Local Bar Just Might Be Ryan Davis • NO DEPRESSION SESSIONS at AMERICANAFEST: Zandi Holup • ALBUM REVIEW, What We Missed: Nefesh Mountain's Little 'Beacons' Shine Bright • ALBUM REVIEW, What We Missed: Australia’s Folk Bitch Trio Dazzles on the Debut ‘Now Would Be a Good Time’ • Raul Malo: Music and the Power to Change • THROUGH THE LENS: ND Photographers’ Favorite Roots Albums of 2025 • SPOTLIGHT: The History of the ‘Two of Hearts’ [ESSAY] • NO DEPRESSION SESSIONS at Bristol Rhythm & Roots Reunion: Kris Truelsen and Country Casserole • In The Deep End With Chris Thile • ALBUM REVIEW: With ‘Mercado 48,’ Daniel Knox Offers a Stripped-Down but Compelling Set of Stories • ALBUM REVIEW: Lettuce Heats Up the Season with Serious Funk on ‘Cook’ • FRESH TRACK: Mavis Staples - “Beautiful Strangers” • THROUGH THE LENS: ND Photographers’ Favorite Roots Music Concerts of 2025 • ALBUM REVIEW: Dude Cervantes and the Panchos Are ‘Ride or Die’ • NO DEPRESSION SESSIONS at Lucinda's: Hunter Root • 10 Roots Music Releases for Your 2025 Record Store Black Friday Shopping List • THROUGH THE LENS: Overlooked and Neglected Roots Music Releases of 2025 • Sabine McCalla - "Two of Hearts" for No Depression • BONUS TRACKS: Roots Music News from Dolly Parton, Rhiannon Giddens, The Lone Bellow, and More • NO DEPRESSION SESSIONS at AMERICANAFEST: Travis Bolt • ALBUM REVIEW: Merle Haggard Gets His Double-Due With a New Willie Nelson Set and A Top-Rate Tribute Reissue • SPOTLIGHT: Sabine McCalla Is Free To Be Herself • THE READING ROOM: The Best Music Books of 2025 • CROWDFUNDING RADAR: Eliot Bronson, Little Moon Travelers, Danni Nicholls • Fresh Favorites Reaching Beyond Borders • ALBUM REVIEW: Amy Speace Delivers on Emotional New Album, 'The Blue Rock Sessions' • THROUGH THE LENS: From Pennsylvania to Florida, Four Roots Music Fests Light Up the Autumn Sky • Chasing Songs Around: The Reach of Todd Snider's Troubadour Life • BONUS TRACKS: RIP Todd Snider and More Roots Music News • NO DEPRESSION SESSIONS at Bristol Rhythm & Roots Reunion: Shadowgrass • ALBUM REVIEW: The Bros. Landreth Hope for Better Days Ahead on ‘Dog Ear’ • ALBUM REVIEW: On 'Memories and Empties' Colter Wall Turned Up a Notch • ‘Pain Puts Us In Our Bodies’: A Music Journalist Investigates How Cancer Changes Musicians’ Lives (And His Own) • ALBUM REVIEW: North Carolina songwriter Abigail Dowd Grooves from the Lows to the Highs in 'Saints & Warriors' • ALBUM REVIEW: On Full-Length Debut, ‘You’re No Island,’ Andrew Daly Frank Captures the Beauty of Flux • ALBUM REVIEW: The Sound of Something Wild: Winterpills’ Triumphant Return with 'This is How We Dance' • NO DEPRESSION SESSIONS at AMERICANAFEST: Jake Owen • FRESH TRACK: The Morrison Band - "The Games You Play" • ALBUM REVIEW: Paul Kelly Tells The Stories Only He Can Tell on ‘Seventy’ • BONUS TRACKS: Grammy and Folk Music International Award Nominees and More Roots Music News • No Depression’s Best of October 2025 Playlist • ALBUM REVIEW: Posthumous collection The King is Back paints a full, deep picture of the late Luke Bell • NO DEPRESSION SESSIONS at Dee's: Ghost Hounds • THE READING ROOM: The Dead’s Epic Wall of Sound in Minute, Exquisite Detail on Brian Anderson’s ‘Loud and Clear’ • ALBUM REVIEW: ZDAN Offers Plenty of Reasons to Care on 'So What' • ALBUM REVIEW: Mavis Staples’ ‘Sad and Beautiful World’ Shines a Light in the Darkness • ALBUM REVIEW: Tristen Finds Harmony between Domesticity and Desire on ‘Unpopular Music’ • THROUGH THE LENS: Wet Leg, Sierra Hull, Wilco, and Other Roots Music Photos of the Week • ALBUM REVIEW: JJ Grey and Mofro Bloom Again on 'Orange Blossoms' Vinyl Re-Issue • SPOTLIGHT: William Prince Blasts Off ‘Further From The Country’ and Into the Galaxy • FRESH TRACK: Brennen Leigh - "Tell Me" • BONUS TRACKS: Roots Music News from Lucinda Williams, Marcia Ball, Kaitlin Butts, and More • FRESH TRACK: Rachael Sage & The Sequins - "Live It Up" • Joy and Uplift Star on Alison Brown and Steve Martin Collaboration, ‘Safe, Sensible and Sane’ • ALBUM REVIEW: With Mammoth, Lydia Luce Embraces Silence, Finds Peace • ALBUM REVIEW: Nick Shoulders’ ‘Refugia Blues’ Is a Hymnal for the Here and Now • Greensky Bluegrass Discovers The Deeper Meaning With The Help of Their Friends on 'XXV' • ALBUM REVIEW: Alexa Rose’s Atmospheric Hope After Helene • THROUGH THE LENS • In the Deep End with … Brennen Leigh • SPOTLIGHT: William Prince - "All The Same [VIDEO] • ALBUM REVIEW: Rockabilly Patriarch Carl Perkins Shines Bright on ‘Some Things Never Change’ • ALBUM REVIEW: Jonny Fritz Is Still Goofing — And Still Getting to the Point on ‘Debbie Downers’ • A Postcard from Jillian Jacqueline • FOUNDERS KEEPERS: Re-Release of Tony Joe White’s ‘The Real Thang’ Certainly Is • ALBUM REVIEW: On ‘All Hat’, Joshua Hedley More Than Plays the Part • ALBUM REVIEW: Dion, ‘The Rock ‘n’ Roll Philosopher,’ Sums It All Up • THROUGH THE LENS: Suwannee Roots Revival 2025 — Music, Connection, Love • SPOTLIGHT: William Prince on Origins [ESSAY] • NO DEPRESSION SESSIONS at Bristol Rhythm & Roots Reunion: The Teskey Brothers • BONUS TRACKS: Covers by Iron & Wine and I'm With Her, Hayes Carll and Jobi Riccio, and More Roots Music News • THE READING ROOM: A Fresh Twist on Jimmie Rodgers in Paul Burch's 'Meridian Rising' • ALBUM REVIEW: Mariel Buckley Guides Us on The 'Strange Trip Ahead' • CROWDFUNDING RADAR: New Album Campaigns from Amelia White, Jon Latham and the Lifers, and Emily Scott Robinson • FRESH TRACK: The Shootouts - "Only You" • THROUGH THE LENS: California’s Ohana Festival and Rhode Island’s Rhythm & Roots Festival Light Up the Skies with Roots Music • QUEER COUNTRY: Will You Let Queer Country Be Outlawed? • THROUGH THE LENS: Healing Appalachia & Bristol Rhythm & Roots Reunion Stake Their Claim on Roots Music • SPOTLIGHT: Amanda Shires - 'Lose It For A While' [VIDEO] • ALBUM REVIEW: Christone “Kingfish” Ingram's 'Hard Road' Explore Past and Present With Equal Fluidity • ALBUM REVIEW: Robert Plant Climbs a Stairway of Heavenly Harmony on Latest Release 'Saving Grace' • BONUS TRACKS: New Music from Trey Hensley, Theo Lawrence and Melissa Carper, The Mountain Goats, and More Roots Music News • ALBUM REVIEW: On ‘Darling Blue,’ Marcus King Finds the Light • ALBUM REVIEW: Jeff Tweedy’s ‘Twilight Override’ May Not Be Life-Changing, But It Sure Gets Things Done • ALBUM REVIEW: Ramona and the Holy Smokes Smoke the Dance Floor • THROUGH THE LENS: Bumbershoot 2025 Was a Musical Adventure • BONUS TRACKS: IBMA Winners, Steve Earle's Opry Induction, and More Roots Music News • SPOTLIGHT: ‘Nobody’s Girl,’ Amanda Shires, Returns Stronger Than Ever • ALBUM REVIEW: The Pink Stones’ Hit Slacker-Twang Sweet Spot on ‘Thank the Lord…it’s The Pink Stones’ • FRESH TRACK: Brian Dunne - "Rockland County" • BONUS TRACKS: New Music From More Author-Songwriters • Prose Offers Songwriters Like Will Johnson, Steve Earle, and More Another Way to Tell Their Stories • THE READING ROOM: The Best Books from 2025 AmericanaFest Panelists • Sierra Ferrell, Gillian Welch and David Rawlings, and More Win at 2025 Americana Music Awards • ALBUM REVIEW: West Texas Exiles Come to Town on ‘8000 Days’ • ALBUM REVIEW: Carson McHone’s Dazzling ‘Pentimento’ Pursues Higher Truths in the Real World • FRESH TRACK: Brandon Whyde - "Self-Medicated" • THROUGH THE LENS: The Insiders Guide to AMERICANAFEST 2025 • BONUS TRACKS: Another New One from Willie Nelson, Banjo Lessons from Kaïa Kater, and More Roots Music News • ALBUM REVIEW: With ‘Double Infinity’ Big Thief Are Even-Tempered and Introspective • THROUGH THE LENS: Healing Appalachia Offers Hope & More in the Battle Against Addiction • ALBUM REVIEW: Grant-Lee Phillips Confronts Strange Days on ‘In the Hour of Dust’ • No Depression's Best of August 2025 • NO DEPRESSION SESSIONS at MerleFest: Humbird • BONUS TRACKS: Trombone Shorty, Cha Wa, and More Honor 20 Years Since Hurricane Katrina • Cha Wa Shares the Stories and Sounds of New Orleans With the World • ALBUM REVIEW: Rodney Crowell Takes Flight Down the ‘Airline Highway’ • THE READING ROOM: Tamara Savino's 'Poets and Dreamers: My Life in Americana Music' • ALBUM REVIEW: Anna Tivel Explores Her Final Frontier on 'Animal Poem' • ALBUM REVIEW: Five Decades In and Counting, Asleep at The Wheel is Still 'Riding High in Texas' • FOUNDERS KEEPERS: Sing it Like You Mean It. Love, Woody Guthrie • SPOTLIGHT: Dean Johnson - "Shake Me" [VIDEO] • FRESH TRACK: Paul Cebar - “We Sure Got Enough” • ALBUM REVIEW: East Nash Grass’s ‘All God’s Children’ Solidifies Their Place in Bluegrass • ALBUM REVIEW: Judy Blank is a Bright Songwriter for a Crappy Future on 'Big Mood' • BONUS TRACKS: New Music from Steve Martin & Alison Brown, Another Surprise from Joshua Ray Walker, Featured Exhibit at the Woody Guthrie Center, and More Roots Music News • THE READING ROOM: ‘Born to Run’ Comes to Life in ‘Tonight in Jungleland: The Making of Born to Run’ • CROWDFUNDING RADAR: Amy Speace, Secret Emchy Society, and Trevin Nelson • ALBUM REVIEW: Kathleen Edwards Finds Her Edge Again on ‘Billionaire’ • ALBUM REVIEW: Tommy Prine is Unguarded and Eloquent on ‘Love Circle’ EP • SPOTLIGHT: Dean Johnson’s Journey from Seattle Bartender to Beloved Indie Folksinger • FRESH TRACK: The Black Keys - 'No Rain, No Flowers' • THROUGH THE LENS: Vinyl Update & Other New Roots Music Releases • In The Deep End With...Tift Merritt • ALBUM REVIEW: With ‘So Long Little Miss Sunshine,’ Molly Tuttle Loses Her Way on the Road to Reinvention • Another Side of Woody Guthrie: Recently Discovered Collection Captures the Sounds of ‘Woody At Home’ • NO DEPRESSION SESSIONS at MerleFest: Cristina Vane • ALBUM REVIEW: Troubadour Cass McCombs Explores a World of Disquiet on ‘Interior Live Oak’ • THROUGH THE LENS: Harley-Davidson Homecoming & Newport Jazz Festivals Demonstrate Roots Music Is Everywhere • ALBUM REVIEW: The Name Droppers’ Legacy Rock of Ages • On ‘We’re Only Human,’ Hayes Carll Offers an Honest and Authentic Reflection of Himself and the World • BONUS TRACKS: Updates from the FreshGrass Foundation and More Roots Music News • No Depression's Best of July 2025 • ALBUM REVIEW: The Art of the Cover, Laid Bare on Baiman and Viv & Riley Collaboration, ‘Kissing Other People’ • THROUGH THE LENS: Joy & Resistance at the Newport Folk Festival • ALBUM REVIEW: Rebecca Porter Tackles Tough Themes On 'Roll with the Punches' • ALBUM REVIEW: Wild Mountain Mystics’ Debut ‘Fire & Honey’ is Infectious from Start to Finish • BONUS TRACKS: Texas Flood Relief Efforts and More Roots Music News • In the Deep End With…Lucius • FOUNDERS KEEPERS: A tale of three cities: Fresh sounds from Nashville, Austin and the NC Triangle • SPOTLIGHT: Tami Neilson’s Heart and Life Shine Brightly on ‘Neon Cowgirl’ • ALBUM REVIEW: The Beauty is in the Loose Ends and Contrasts in Josh Halper’s ‘Schlemiel’ • QUEER COUNTRY: Paisley Fields' Limp Wristed Country Revolution • Roots Music Runs Deep in National Parks, but Government Cuts Mean the Song Cannot Remain the Same • THROUGH THE LENS: The Blues Come Alive — Briggs Farm Blues & Winthrop Rhythm & Blues Festivals • BONUS TRACKS: Rest In Peace Ozzy Osbourne • ALBUM REVIEW: Tyler Childers Doubles Down on Grit, Wit, and Heart On ‘Snipe Hunter’ • SPOTLIGHT: 'Exactly Where You're Meant To Be' [ESSAY] • ALBUM REVIEW: A Reckoning and a Renewal on Patty Griffin’s ‘Crown of Roses’ • THROUGH THE LENS: This Land Is Our Land - Woody Guthrie & Blue Ox Music Festivals • ALBUM REVIEW: Reggae Greats The Mighty Rootsmen Breathe New Life Into ‘70s Pop Standards • SPOTLIGHT: Larkin Poe on The Dark Prince of Old-Time Singing Traditions - No Depression • CROWDFUNDING RADAR: Phil Keaggy, Vandalia, Alex Sharpe • ALBUM REVIEW: Koko Taylor Tribute 'Crown Jewels' Celebrates Legendary Blueswoman In Her Own Voice • Hitchhiking the Appalachian Trail: An Essay by Ketch Secor • BONUS TRACKS: BJ Barham for NC City Commissioner, IBMA Nominations, Jeff Tweedy's Triple-LP, and More • SPOTLIGHT: Tami Neilson - "Salvation Mountain" [VIDEO] • QUEER COUNTRY: Six Degrees of Karen Pittleman • ALBUM REVIEW: Alex Williams Proves His Metal • FRESH TRACK: The Pleasures - "WAS IT SOMETHING I SAID" • ALBUM REVIEW: Cam's 'All Things Light' Searches for Solid Ground Through Small, Intimate Moments • ALBUM REVIEW: On 'Homegrown' Cole Quest and the City Pickers Deftly Move the Legacy of Woody Guthrie Along in All the Right Ways • ALBUM REVIEW: On 'Who Wants to Talk About Love?' Jade Bird Does • THROUGH THE LENS: The 2025 Waterfront Blues Festival Presented an Eclectic Mix of Blues, Soul & Funk to a Discerning Audience • ALBUM REVIEW: Rick Faris Explores Life’s Ups and Downs on 'Life’s Parade' • BONUS TRACKS: "Ditch" 4 Tennessee Governor, Spotify Drama, and More New Roots Music News • NO DEPRESSION SESSIONS at MerleFest: Thee Sinseers • ALBUM REVIEW: The Swell Season Reconciles an Emotional Past with a Grounded Future on ‘Forward’ • ALBUM REVIEW: Old 97’s Mainstay Murry Hammond Flies Solo on the Wistful ‘Trail Songs’ • ALBUM REVIEW: It Shows that Brent Cobb ‘Ain’t Rocked In A While.’ Thank Goodness, He’s Doing It Anyway. • ALBUM REVIEW: Old Sounds Become New on The Wildmans’ ‘Longtime Friend’ • THROUGH THE LENS: Jackalope Jamboree 2025 Added Roots Music to Oregon’s Diverse & Rich Cultural Histories • Billy Allen + The Pollies Are A Quintessential Muscle Shoals Band • No Depression's Best of June 2025 • ALBUM REVIEW: Stillhouse Junkies Deliver Ambitious Concept Album, 'The Ballad of Charlie Avalon' • The Best Albums of 2025 So Far • FRESH TRACK: Willi Carlisle - "Beeswing" • NO DEPRESSION SESSIONS at MerleFest: The War and Treaty • ALBUM REVIEW: 'A Tribute To The King Of Zydeco,' Stellar Array of Artists Pay Tribute to Clifton Chenier • BONUS TRACKS: Dolly Parton's Upcoming Las Vegas Residency and Unearthed Led Zeppelin Cover, Plus More Roots Music News • ALBUM REVIEW: Willi Carlisle’s Ardently Queer, Class-Conscious Take on Country-Folk Traditionalism Gets Wilder and Friskier on 'Winged Victory' • ND Sessions at MerleFest: The Fretliners • THROUGH THE LENS: Nelsonville Music Festival 2025 Digs Roots Music in Southeast Ohio • A Postcard from Vandoliers • ALBUM REVIEW: Guitarist Nathan Salsburg Delivers Searching Meditation on 'Ipsa Corpora' • SPOTLIGHT: Sister Sadie - “Prodigal Daughter” [VIDEO] • BONUS TRACKS: New Songs for "No Kings," Juneteenth, and Pride Month • ALBUM REVIEW: Kelsey Walden looks to the future while interrogating the past on 'Every Ghost' • CROWDFUNDING RADAR: Brandy Zdan, Kam Franklin, and Julia Nunes • ALBUM REVIEW: Love, Legacy, and the Long Road to Lukas Nelson’s 'American Romance' • Radio Bristol’s 'High-Tech Vintage' • ALBUM REVIEW: S.G. Goodman’s ‘Planting by the Signs’’ Heat Lightning, Hymns, and Other Forces of Nature • ALBUM REVIEW: D.K. Harrell Struts His Stuff in High Style on ‘Talkin’ Heavy’ • THROUGH THE LENS: Julian Taylor, the Gene Shay Awards Show, and Other Roots Music Photos of the Week • SPOTLIGHT: Sister Sadie's Certainty and Synergy on 'All Will Be Well' • Grammy-Winning Singer-Songwriter Ray LaMontagne Celebrates 20 Years of ‘Trouble’ • BONUS TRACKS: Sly Stone, Brian Wilson, Margo Price, The Americana Honors & Awards and More • ESSAY: Joshua Ray Walker’s ‘Tropicana’ and Music as Refuge • In The Deep End With...Māhealani Uchiyama and Kalani Pe'a • FRESH TRACK: Mike Delevante - "Don't Count Me Out" • Fire and Feather: Cultural Preservation and Climate Justice from the Perspective of a Black Masking Indian Chief in 2025 • ALBUM REVIEW: Neil Young Speaks His Mind Without Apology on ‘Talkin to the Trees’ • THROUGH THE LENS: DelFest 2025 Brings It All Back Home • BONUS TRACKS: Roots Music News from Tony Rice, John Prine, Jesse Welles, and More • Landmark Bluegrass Album ‘J.D. Crowe & The New South’ Celebrates Half a Century • ALBUM REVIEW: On ‘Son of the San Lorenzo’, Jesse Daniel Boldly Showcases How an Artist Becomes • ALBUM REVIEW: On 'Memphis Medicine' Gary Hector Shares Catchy Tunes and Positive Vibes • THE READING ROOM: In New Book Randy Travis Weathers the Storms of Life • THROUGH THE LENS: Rooster Walk & Shakori Hills Roots Music Festivals Thrive in Appalachia • A Postcard From Leftover Salmon • ALBUM REVIEW: Anderson East's 'Worthy' Proves He's Still Worthy • ALBUM REVIEW: Reed Turchi Offers a Fresh Take on the Blues with ‘World on Fire’ • Bonus Tracks: A Curtain Call for ‘Around The Horn’ and Tribute to “All Your Favorite Bands” • Farewell For Now: Inside Mipso’s "Indefinite Break" • NO DEPRESSION SESSIONS AT MerleFest: The Dead South • CROWDFUNDING RADAR: Abe Partridge, Hollie Rogers, and Jake Farr • THROUGH THE LENS: Vinyl Update & Other Roots Music Releases to Savor • SPOTLIGHT: The Magic of Our Little Blue Earth [ESSAY] • BONUS TRACKS: News on AI Policy, The Chicks on Broadway, Ketch Secor, and More • NO DEPRESSION SESSIONS AT MERLEFEST: Woodie Platt & The Bluegrass Gentlemen • FreshGrass | Bentonville 2025 Shines in its Fifth Year • FOUNDERS KEEPERS: Amble basks in Reverie, and old faves deliver the goods • FRESH TRACK: Carolyn Wonderland - "Sooner Or Later" • THROUGH THE LENS: New Orleans Jazz & Heritage Festival 2025 • ALBUM REVIEW: Béla Fleck, Edmar Castañeda, and Antonio Sánchez’s ‘BEATrio’ Is An Unlikely, Yet Natural Collaboration • SPOTLIGHT: Kristina Murray’s New LP ‘Little Blue’ Took Seven Years and Is Worth The Wait • No Depression Sessions at MerleFest: Leftover Salmon • ALBUM REVIEW: Charlie Musselwhite is Strong as Ever on 'Look Out Highway' • ALBUM REVIEW: Carolyn Wonderland Gracefully Shoulders the Weight of the World on ‘Truth Is’ • BONUS TRACKS: New Website, Memberships, and More Music and Media Industry News • THROUGH THE LENS: Australia’s Byron Bay Bluesfest 2025 • THROUGH THE LENS: Changes in the Air at Stagecoach and High Water Festivals • THE READING ROOM: In 'The Lost Voice: A Memoir' Greta Morgan Loses her Voice, and Finds It Again • NO DEPRESSION SESSIONS: Wyatt Flores at MerleFest • Album Reviews - No Depression • Straight from The Source: Jack Daniel’s Tennessee Whiskey and American Roots Music Continue to Go Hand In Hand • No Depression’s Best of April 2025 Playlist - No Depression • ALBUM REVIEW: Esther Rose's 'Want' Is Her Most Settled Record Yet - No Depression • SPOTLIGHT: The Gift of Art as a Service [ESSAY] - No Depression • FRESH TRACK: Steve Bardwil Band - "Send 'Em Love" - No Depression • THROUGH THE LENS: MerleFest 2025 Highlights - Tami Neilson, The War & Treaty, Stephen Wilson Jr., and More - No Depression • SPOTLIGHT: Valerie June - "I'm In Love" [VIDEO] - No Depression • ALBUM REVIEW: Leslie Jordan’s ‘The Agonist’ Tells of a Family’s Lost Soul - No Depression • FRESH TRACK: Mike Delevante - "The Rain Never Came" - No Depression • Inside The Entwined Stories of Loose Cattle's LP 'Someone’s Monster’ and Ex-Broadway Show 'Tammy Faye' - No Depression • ALBUM REVIEW: The Beauty of Willie Nelson and Rodney Crowell's World of Songs - No Depression • SPOTLIGHT: Valerie June Clings to Joy on ‘Owls, Omens, and Oracles’ - No Depression • THROUGH THE LENS: Treefort Music Fest 2025 - The SXSW of the Rocky Mountains - No Depression • In The Deep End With ... Marlon Williams - No Depression • An Oral History of Red Dirt As Told by Those Who Live and Love It - No Depression • Introducing No Depression’s Spring 2025 Journal + Playlist - No Depression • THROUGH THE LENS: Roots Music Roars Through Austin, Texas During SXSW 2025 - No Depression • BONUS TRACKS: Michael Hurley Passes Away at 83 and More Roots Music News from Bruce Springsteen and Kelsey Waldon - No Depression • Michael Hurley - Snockgrass - No Depression • ALBUM REVIEW: Ashleigh Flynn & The Riveters Bring the Light on 'Good Morning, Sunshine' - No Depression • THROUGH THE LENS: Big Ears Festival 2025 Digs Deep - No Depression • FOUNDERS KEEPERS: Basia Bulat, Gary Louris, Benmont Tench and more - No Depression • BONUS TRACKS: Fare Thee Well and a Sister Rosetta Bio Pic, and New Music from Guitarist Marc Ribot - No Depression • ALBUM REVIEW: Palmyra Builds Something Big on Debut Album ‘Restless’ - No Depression • CROWDFUNDING RADAR: Nefesh Mountain, Laura Mock, and Gloria Anderson - No Depression • SPOTLIGHT: Music Is A Service Industry [ESSAY] - No Depression • ALBUM REVIEW: Kid Ramos' 'Strange Things Happening' is a Raucous Good Time - No Depression • ALBUM REVIEW: Alison Krauss and Union Station’s Arcadia Is Worth the Wait - No Depression • ALBUM REVIEW: Bobby Rush and Kenny Wayne Shepherd Cross Generational Gap on the Lively ‘Young Fashioned Ways’ - No Depression • THROUGH THE LENS: Willie Nelson’s Texas Luck Reunion & Australia’s Blue Mountains Music Festival - No Depression • ALBUM REVIEW: Lola Kirke's 'Trailblazer' Blends Down Home Country and Rock 'N Roll - No Depression • BONUS TRACKS: FreshGrass | North Adams Announces Lineup for 2025 and More Roots Music News - No Depression • ALBUM REVIEW: Kinky Friedman Makes Elegiac Exit With 'Poet of Motel 6' - No Depression • Sister Rosetta Tharpe & Me: Remembering Sister Rosetta Tharpe’s Profound Effect on Music on Her 100th Birthday - No Depression • SPOTLIGHT: Olivia Ellen Lloyd "Live With It" [VIDEO] - No Depression • ALBUM REVIEW: 'Cunningham Bird' Honors Illusive 'Buckingham Nicks' Album - No Depression • ALBUM REVIEW: David Ramirez finds peace and confidence on 'All the Not So Gentle Reminders', his first record in four years - No Depression • THROUGH THE LENS: Cayamo and Outlaw Country Cruises Provided Roots Music Fans Memorable Experiences on the High Seas - No Depression • ALBUM REVIEW: Kronos Quartet, Mary Kouyoumdjian collaborate on heartbreaking, haunting portrait of surviving conflict - No Depression • ALBUM REVIEW: Charley Crockett Returns to His Roots, Embraces Vintage Nashville Sound on ‘Lonesome Drifter’ - No Depression • ALBUM REVIEW: With Piano and Voice, Rose Cousins Makes a Daring Exploration of ‘Conditions of Love’ - No Depression • BONUS TRACKS: How Southwest Airlines' New Policy Impacts Musicians and More Roots Music News - No Depression • SPOTLIGHT: "All Risk, All Reward." Olivia Ellen Lloyd is Ready to 'Do It Myself' - No Depression • ALBUM REVIEW: Bluegrass Stalwarts The Seldom Scene Return With 'Remains To Be Scene' - No Depression • Risk and Reward: Sierra Hull Goes Indie for ‘A Tip Toe High Wire’ - No Depression • ‘Still Fighting’: Shelby Lynne Marks Her Return to Nashville With Powerfully Honest New Album - No Depression • THROUGH THE LENS: Arizona’s Extra Innings Festival Knocks it Out of the Park - No Depression • FRESH TRACK: Matt Andersen - "Magnolia" - No Depression • ALBUM REVIEW: The Mexican Standoff Pay Tribute to Mexamerica Sound on 'Hola Texas!' - No Depression • ALBUM REVIEW: Angel White’s ‘GHOSTS OF THE WEST: THE ALBUM’ is a Luxurious, Clever Debut - No Depression • BONUS TRACKS: Nat Myers Crowdfunding, Charley Crockett CD Giveaway, and What We're Listening To - No Depression • THE READING ROOM: ‘Pretend We’re Dead’ Recalls Women Who Rocked and Changed American Music - No Depression • ALBUM REVIEW: On 'Foxes in the Snow' Jason Isbell returns to 'Southeastern' Simplicity - No Depression • ALBUM REVIEW: Mike Farris Delivers Soul from Muscle Shoals - No Depression • THROUGH THE LENS: Folk Alliance International & Wintergrass Gatherings Bring Roots Music to the Forefront - No Depression • ALBUM REVIEW: On ‘Blue Sky Sundays’, JD Clayton Shows Us the Way Back Home - No Depression • ALBUM REVIEW: Them Coulee Boys' 'No Fun in the Chrysalis,' Highlights the Importance of Appreciating Every Moment - No Depression • SPOTLIGHT: Mountains by Cristina Vane [ESSAY] - No Depression • FOUNDERS KEEPERS: After the Fire is Gone; The Last Sessions of Bluesman Elmore James - No Depression • ALBUM REVIEW: Rev Peyton's Big Damn Originals Mingle with Resurrected and Revitalized Blues Classics - No Depression • ALBUM REVIEW: Devil Makes Three Perseveres Through Hard Times on 'Spirits' - No Depression • THE READING ROOM: Song So Wild and Blue: A Life with the Music of Joni Mitchell is Part Memoire, Part Critique - No Depression • THROUGH THE LENS: John Hiatt Tribute & The Vero Beach Blues Festival - No Depression • SPOTLIGHT: Cristina Vane 'Whims of Good Men' [VIDEO] - No Depression • FRESH TRACK: TT - "My Confession" - No Depression • BONUS TRACKS: Folk Alliance International Music Award Winners and Lomax Archives Record Label, Plus New Music from Mumford and Sons - No Depression • CROWDFUNDING RADAR: Justin Golden, David Johansen Cancer Fundraisers; New Albums from Mark Erelli, Jimmy Touzel, and Molly Thomas - No Depression • SPOTLIGHT: Cristina Vane Reclaims Her Roots On ‘Hear My Call’ - No Depression • ALBUM REVIEW: Max Wareham's Debut Album 'DAGGOMIT!' Showcases Banjo and Bluegrass Variety - No Depression • ALBUM REVIEW: Paul Thorn's 'Life Is Just A Vapor' Faces Hard Truths With Hope - No Depression • ALBUM REVIEW: Sunny War’s ‘Armageddon in a Summer Dress’ Keeps the Spirit of Resistance Burning - No Depression • THROUGH THE LENS: A Roots Music Lovers Guide to Analog, Part 6 - No Depression • ALBUM REVIEW: Patterson Hood Matures on 'Exploding Trees & Airplane Screams' - No Depression • ALBUM REVIEW: On 'Last Leaf on the Tree' Willie Nelson Contemplates Still Standing - No Depression • No Depression’s Best of January 2025 Playlist - No Depression • ALBUM REVIEW: Cuchulain Sings About His Loves On 'Window Seat' - No Depression • ALBUM REVIEW: On 'Spirit Ridge," Dean Owens' Celtic Americana Adds Italian Americana Flavor - No Depression • ALBUM REVIEW: Chatham Rabbits 'Be Real With Me' is Endlessly-Appealing Acoustic Americana - No Depression • ALBUM REVIEW: The War and Treaty's 'Plus One' Explores the Power and Promise of Love - No Depression • ALBUM REVIEW: Ron Pope's 'American Man, American Music' Measures Up Something Other Than Toxic Masculinity - No Depression • ALBUM REVIEW: Blackberry Smoke Confirms Southern Rock Bona Fides on ‘Be Right Here’ - No Depression • THROUGH THE LENS: The Eclectic 2025 Tucson Jazz Festival Offered Something For Every Jazz Fan - No Depression • ALBUM REVIEW: Harmony and Heartache on The Altons' 'Heartache in Room 14' - No Depression • ALBUM REVIEW: Tyler Childers Evokes Elvis on ‘Rustin’ in the Rain’ - No Depression • A Postcard from Joel Timmons - No Depression • ALBUM REVIEW: Tom Castro's 'Closer To The Bone' is an Old-School Blues Record - No Depression • ALBUM REVIEW: Sean Thompson's Weird Ears 'Head in the Sand' Makes Peace with Uncertainty - No Depression • THE READING ROOM: Charlie Peacock's Memoir 'Roots & Rhythm: A Life in Music' is Both Literary and Engaging - No Depression • ALBUM REVIEW: Joel Timmons' Debut Solo Album, 'Psychedelic Surf Country' Offers a Musical Kaleidoscope of his World - No Depression • ALBUM REVIEW: Sharon Van Etten & the Attachment Theory Reach for New Heights - No Depression • THROUGH THE LENS: Over 175 Roots Tunesmiths Take Center Stage at the 2025 Florida’s 30A Songwriters Festival - No Depression • ALBUM REVIEW: On 'Precious Bane' Jim White Teams Up with Long-Time Pal for Project Inspired by Book She Gave Him - No Depression • ALBUM REVIEW: On 'Swimming' Sam Moss Searches Out the Light - No Depression • THE READING ROOM: Eddie Huffman Illuminates Doc Watson in 'Doc Watson: A Life in Music' - No Depression • ALBUM REVIEW: Pat Kearns Tells Dusty Tales of Tough Times on ‘Together and Alone’ - No Depression • 2025 Grammys Go to Sierra Ferrell, Gillian Welch & David Rawlings, and More - No Depression • BONUS TRACKS: The Importance of Public Media - No Depression • ALBUM REVIEW: For Lilly Hiatt, "Forever" Means Letting Go of Expectations - No Depression • ALBUM REVIEW: On His Latest Album, John Mailander Wants to 'Let The World In' On His Creative Process - No Depression • English Songbird in a Gilded Cage - No Depression • Mary Chapin Carpenter and Friends Go 'Looking for Thread' and Find Kismet - No Depression • ALBUM REVIEW: 'Long Shadows' is Roger Street Friedman at his Best - No Depression • THROUGH THE LENS: Kris Delmhorst, Miss Tess, and Other Roots Music Releases on the Horizon - No Depression • ALBUM REVIEW: Ty Myers' Debut 'The Select' is Full of Promise - No Depression • ALBUM REVIEW: Charles "Wigg" Walker's 'This Love is Gonna Last' Makes You Believe it Will - No Depression • Violins of Hope Voice Stories of the Past - No Depression • ALBUM REVIEW: On ‘Memory Bank,’ Drew & Ellie Holcomb Revel in the Ups and Downs of Life - No Depression • FRESH TRACK: Kenny Sharp - "Amy" - No Depression • SPOTLIGHT: “It's different when you mean it": Larkin Poe Prove They’re Forever In ‘Bloom’ - No Depression • ALBUM REVIEW: Folk Song Innovator Sam Amidon Reimagines Folk Songs on 'Salt River' - No Depression • THROUGH THE LENS: Jenny Don't & The Spurs, X, Samantha Fish, and Other Photos of the Week - No Depression • FOUNDERS KEEPERS: Ringo Starr, Cecilia Castleman, Jamey Johnson, Yola, Chris Eckman, Gold Star - No Depression • History, Politics, and Bluegrass: "New White House Blues" - No Depression • ALBUM REVIEW: Grace, Empathy, and Crys Matthews' 'Reclamation' - No Depression • BONUS TRACKS: New Albums Coming from Jason Isbell, Sierra Hull, and Lucy Dacus - No Depression • ALBUM REVIEW: Parchman Prison Prayer: Another Mississippi Sunday Morning - No Depression • CROWDFUNDING RADAR: Three Album Projects and L.A. Fire Suggestions - No Depression • ALBUM REVIEW: On ‘Humanhood’ Tamara Lindeman (The Weather Station) Explores the Messiness of Living - No Depression • THE READING ROOM: Martin Luther King, Jr. and Jazz - No Depression • ‘Truly Handmade’ Collects Guy Clark Demos From His Storied Workshop - No Depression • THROUGH THE LENS: Mountain Stage Celebrates 40 Years of Roots Music - No Depression • ALBUM REVIEW: Old 97’s Live for the Moment on ‘American Primitive’ - No Depression • ALBUM REVIEW: Bruce Piephoff Tribute Champions Street Poet's Songs and Legacy - No Depression • BONUS TRACKS: Remembering Peter Yarrow; L.A. Fires; and Other Music News - No Depression • THE READING ROOM: The Best Books By and For The Musicians We Lost Last Year - No Depression • ALBUM REVIEW: Early James Reboots His Music on the Riveting ‘Medium Raw’ - No Depression • ALBUM REVIEW: Humbird's Astute, Bite-Sized 'Astrovan: The Love Song Vignettes' - No Depression • ALBUM REVIEW: Billy Strings Stretches Out on Full-Spirited First Live Album - No Depression • THROUGH THE LENS: 2024 In Review — The Best of Everything - No Depression • 50 Years of Song: Peter Yarrow Is Going Strong - No Depression • ALBUM REVIEW: On Self-Titled 11th Album, The Avett Brothers Keep to Their Path - No Depression • No Depression Sessions at AMERICANAFEST 2024: Amy Helm - No Depression • With Cherokee Country Songs Agalisiga 'Chuj' Mackey is Reviving Language and Culture - No Depression • ALBUM REVIEW: 'Ooh Yeah!' Kenny 'Blues Boss' Wayne's Latest is Boogie-Woogie Good - No Depression • www.nodepression.com • ALBUM REVIEW: Kate Prascher Explores Lives in Flux on Her Standout Debut, ‘Shake The Dust’ - No Depression • FOUNDERS KEEPERS: Can't Steal My Fire: The Songs of David Olney - No Depression • THROUGH THE LENS: Our Favorite Roots Music Photos of 2024 - No Depression • ALBUM REVIEW: Ben Levin's Holiday Blues Revue Offers a Bevvy of Cheer - No Depression • YEAR-END READER POLL: Our Readers' Favorite Roots Albums of 2024 - No Depression • THE READING ROOM: The Best Music Books of 2024 - No Depression • Ben Chapman Marches to the ‘Downbeat’ of his Own Drum on New Record - No Depression • ALBUM REVIEW: Chris Acker's 'Famous Lunch' Relishes Small, Weird Moments of Life - No Depression • Western North Carolina Music Community Still Coming Together to Recover from Hurricane Helene - No Depression • No Depression Store • THROUGH THE LENS: ND Photographers’ Favorite Roots Albums of 2024 - No Depression • Announcing the Lineup for FreshGrass Bentonville 2025! - No Depression • ALBUM REVIEW: Rose Hotel's 'A Pawn Surrender' is Singular and Beautiful - No Depression • The 2024 No Depression Guide to Holiday Music That Doesn’t Suck - No Depression • No Depression Sessions at AMERICANAFEST 2024: Stelth Ulvang - No Depression • Introducing No Depression's Winter 2024 Journal + Playlist - No Depression • FRESH TRACK: Chuck Prophet - "Wake The Dead" - No Depression • BONUS TRACKS: Biscuits & Banjos, Bob Dylan, and Hurricane Relief - No Depression • No Depression Sessions at AMERICANAFEST 2024: Christian Lee Hutson - No Depression • Vote for Your Favorite Roots Music Albums of 2024 in Our No Depression Reader Poll - No Depression • THROUGH THE LENS: ND Photographers’ Favorite Roots Music Concerts of 2024 - No Depression • No Depression’s Best of November-December 2024 Playlist - No Depression • No Depression Sessions at AMERICANAFEST 2024: Larkin Poe - No Depression • ALBUM REVIEW: Nick Gusman & The Coyotes Prove Their Mettle on 'Lifting Heavy Things' - No Depression • FRESH TRACK: Nick Lowe - "Christmas at the Airport" - No Depression • No Depression Sessions at AMERICANAFEST 2024: Gaby Moreno - No Depression • Lucinda Williams’ Beatles Record Soundtracks A Good Time Without Straying Too Far - No Depression • Winter 2024 • BONUS TRACKS: International Folk Music Awards Announcements + More Music News - No Depression • THROUGH THE LENS: Gillian Welch & David Rawlings - The Woodland Tour - No Depression • No Depression Sessions at AMERICANAFEST 2024: Jana Mila - No Depression • ALBUM REVIEW: Kiely Connell Befriends Herself on 'My Own Company' - No Depression • ALBUM REVIEW: New Laura Nyro Box Set is Her Most Complete Yet - No Depression • ALBUM REVIEW: Charley Crockett Offers Keen Observations on ‘$10 Cowboy’ - No Depression • A Postcard From Gary Hector in Trinidad and Tobago - No Depression • No Depression Sessions at AMERICANAFEST 2024: Hiss Golden Messenger - No Depression • ALBUM REVIEW: ‘Songwriter’ Resurrects Johnny Cash Demos From Early 1990s - No Depression • No Depression Sessions at AMERICANAFEST 2024: Holler Choir - No Depression • THROUGH THE LENS: Dwight Yoakam, Kaitlin Butts, Wayne Hancock, and Other Photos of the Week - No Depression • No Depression Sessions at AMERICANAFEST 2024: Bronwyn Keith-Hynes - No Depression • JOURNAL EXCERPT: One Guitar’s Journey from Clarence White to Tony Rice to Billy Strings and Beyond - No Depression • 10 Roots Music Recommendations for Your Record Store Day 2024 Black Friday Shopping List - No Depression • THE READING ROOM: Dave Dalton Thomas’ 'Picnic: Willie Nelson’s Fourth of July Tradition' - No Depression • CROWDFUNDING RADAR: Album fundraising campaigns from England, Scotland, and Germany - No Depression • THROUGH THE LENS: Two Moon Crush Festivals, Cowboy Moon and An Avett Moon, Close Out the Festival Season - No Depression • On Mahashmashana, Father John Misty Blends Sonic Range and a Big-Picture View - No Depression • Warren Haynes Talks New Solo Album, Gov’t Mule’s 30th, and the Allmans Brothers’ Final Show - No Depression • FRESH TRACK: Tim Heidecker - "Well's Running Dry" - No Depression • No Depression Sessions at AMERICANAFEST 2024: Ruthie Foster - No Depression • SPOTLIGHT: Caleb Clauder and Reeb Willms 'Chained By Desire' and 'Sad Songs' Videos - No Depression • ALBUM REVIEW: Nick Carpenter, aka ‘Medium Build’, Turns Small Moments Into Big Events on ‘Marietta’ - No Depression • THROUGH THE LENS: Dreamy Draw Music Festival & Appalachian Allies Benefit Concert - No Depression • Dolly Parton Celebrates Her Musical Lineage on 'Dolly Parton & Family: Smoky Mountain DNA-Family, Faith, and Fables' - No Depression • FRESH TRACK: Dave Alvin & Jimmie Dale Gilmore - "We're Still Here" - No Depression • Help us reach our year-end goal of $50k! • SPOTLIGHT: Caleb Klauder & Reeb Willms Put 'Gold in Your Pocket' with Love and Collective Joy - No Depression • BONUS TRACKS: Music, In Spite of it All - No Depression • THE READING ROOM: New Book Celebrates Street Singing Traditions - No Depression • ALBUM REVIEW: Yonder Mountain String Band Heads Somewhere Good on 'Nowhere Next' - No Depression • FOUNDERS KEEPERS: 25 Years of Mary Gauthier's 'Drag Queens In Limousines' - No Depression • ALBUM REVIEW: Jennifer Castle Ponders Life While Searching for 'Camelot' - No Depression • THROUGH THE LENS: Stevie Wonder, Lucinda Williams & Other Photos of the Week - No Depression • No Depression's Best of October 2024 Playlist - No Depression • ALBUM REVIEW: Garrett Owen's 'Memoriam' Embraces Chaos - No Depression • FRESH TRACK: Jobi Riccio - "Final Movie Scene" - No Depression • BONUS TRACKS: Phil Lesh, Lucinda Williams, and More - No Depression • ALBUM REVIEW: On 'Our Time in the Sun' Jeremie Albino Wears His Heart on His Sleeve - No Depression • A Postcard from Twang - No Depression • ALBUM REVIEW: On 'Patterns in Repeat,' Laura Marling Finds Inspiration in Motherhood - No Depression • ALBUM REVIEW: Soccer Mommy's Intimate Indie Rock is 'Evergreen' - No Depression • ALBUM REVIEW: On 'Still+Bright' Amythyst Kiah's Anti-Optimism is a Hopeful Warning - No Depression • ALBUM REVIEW: With ‘Deep Feeler,’ Liv Greene Gets to Know Herself, and Invites Us To, Too - No Depression • THROUGH THE LENS: Blues & Biscuits Rule at the King Biscuit Blues Festival 2024 - No Depression • ALBUM REVIEW: With Solo Debut, ‘Dear Life,’ Brenna MacMillan Delivers a Bluegrass Reflection on Life - No Depression • Viva Lone Justice Delivers First “New” Music from Cowpunk Legends in Decades - No Depression • No Depression Sessions AMERICANAFEST 2024: Aoife O'Donovan - No Depression • BONUS TRACKS: Matthew Sweet and Scott H. Biram Could Use Some Help - No Depression • ALBUM REVIEW: With 'In The Real World' Eric Bibb Preaches Change Gently - No Depression • SPOTLIGHT: Joy Clark on Intuition and Quiet Rebellion - No Depression • CROWDFUNDING RADAR: Three Projects that Offer Lessons and More Perks - No Depression • THROUGH THE LENS: Roots Music Legends Abound at Hardly Strictly Bluegrass 2024 - No Depression • ALBUM REVIEW: Joy Oladokun Reckons with Success on ‘Observations from a Crowded Room’ - No Depression • Get updates from No Depression - eNewsletter • BONUS TRACKS: Hello From No Depression's New Web Editor - No Depression • FRESH TRACK: Eric Bibb feat. Lily James - "Victory Voices" - No Depression • A Postcard From Andrew Duhon - No Depression • HELLO STRANGER: Introducing No Depression’s Fall 2024 Journal + Playlist - No Depression • ALBUM REVIEW: Blues Flavors the Brew on Little Feat’s First Studio Album in 12 Years - No Depression • ALBUM REVIEW: Dave Alvin and Jimmie Dale Gilmore Keep on Rolling With ‘TexiCali’ - No Depression • ALBUM REVIEW: On ‘The American Dream’ Amy Speace Creates Landscapes of the Human Heart - No Depression • Amos Lee Celebrates Songs and ‘Singular’ Talent of Lucinda Williams - No Depression • THROUGH THE LENS: The Ohana and Sing Out Loud Fests Highlight Roots Music & Social Awareness - No Depression • BONUS TRACKS: Willie Nelson’s 90th Birthday Bash and a Senate Beatdown for Ticketmaster - No Depression • ALBUM REVIEW: Zach Bryan Goes Wide, Not Deep, on 'The Great American Bar Scene' - No Depression • BONUS TRACKS: Nathaniel Rateliff Named to Newport Folk's Stewardship Program - No Depression • Folk: Summer 2019 • ALBUM REVIEW: Flamy Grant Wants to Take You to 'CHURCH' - No Depression • BONUS TRACKS: How to Help the North Carolina Roots Music Community - No Depression • ALBUM REVIEW: Ronnie Baker Brooks's Alligator Records Debut Taps His Blues DNA - No Depression • ALBUM REVIEW: On ‘Oh Brother,’ Dawes Offer a Front Row Seat to Life as We Know It - No Depression • FRESH TRACK: Wreckless Strangers - "Lost Souls" - No Depression • THROUGH THE LENS: IBMA’s World of Bluegrass Bids Farewell to Raleigh, North Carolina - No Depression • ALBUM REVIEW: Nathaniel Rateliff Merges Musical Strengths on ‘South of Here’ - No Depression • ALBUM REVIEW: Michelle Malone Remains the Life of the Party - No Depression • ALBUM REVIEW: With 'Acadia,' Yasmin Williams Creates a Tranquil World - No Depression • SPOTLIGHT: With Debut 'Tell It to the Wind,' Joy Clark Is Finally Having a Moment - No Depression • ALBUM REVIEW: Twelve Years Later, Mindy Smith Is Back in the Best Way - No Depression • FRESH TRACK: JP Harris - "Dark Thoughts" - No Depression • No Depression Sessions at AMERICANAFEST 2024: Lee DeWyze - No Depression • ALBUM REVIEW: Thee Sacred Souls Are Back with a Funky New 'Story' - No Depression • No Depression’s Best of September 2024 Playlist - No Depression • THROUGH THE LENS: Two Appalachia Roots Fests: Healing Appalachia and Bristol Rhythm & Roots Reunion - No Depression • ALBUM REVIEW: Julian Taylor Stares into the Abyss on Haunting New ‘Pathways’ - No Depression • BONUS TRACKS: Bluegrass Festival Rolls into North Carolina - No Depression • THE READING ROOM: The Lasting Influence of Nanci Griffith - No Depression • ALBUM REVIEW: On 'symbiont,' Blount and Obomsawin Remix the Ancestors - No Depression • SPOTLIGHT: JD McPherson's First Five Guitars — Where Are They Now? - No Depression • ALBUM REVIEW: Randall Bramlett's Latest Weaves a Musical Tapestry - No Depression • FreshGrass | North Adams 2024: A Perfect Soundtrack to Perfect Weather - No Depression • THROUGH THE LENS: AMERICANAFEST 2024 — A Moveable Feast - No Depression • FOUNDERS' KEEPERS: Milo Binder, Johnny Irion, Continental Drifters, and More - No Depression • BONUS TRACKS: Folk Alliance International Invokes Aurora Borealis for 2025 Gathering - No Depression • SPOTLIGHT: JD McPherson Can't Go Anywhere with You [VIDEO] - No Depression • ALBUM REVIEW: On ‘Made by These Moments,’ The Red Clay Strays Find a Home in Introspective Songs - No Depression • 2024 Americana Music Awards Honors Sierra Ferrell, Brandy Clark, and More - No Depression • ALBUM REVIEW: Sophie Gault Explores Landmines on 'Baltic Street Hotel' - No Depression • Allison Russell Next Up as Persephone in Broadway's 'Hadestown' - No Depression • CROWDFUNDING RADAR: A Handful of Projects with International Flair - No Depression • FRESH TRACK: MJ Lenderman – "Joker Lips" - No Depression • THROUGH THE LENS: Insider’s Guide to AMERICANAFEST 2024 - No Depression • Jerry Douglas Looks Back, and Forward, as He Prepares to Enter the Bluegrass Hall of Fame - No Depression • ALBUM REVIEW: With 'Waiting for a Sign,' Hataali Paints the Sunset of America - No Depression • THE READING ROOM: New Greenwich Village Book Spotlights 1950s-'00s - No Depression • ALBUM REVIEW: Nada Surf is Back, Gazing into the 'Moon Mirror' - No Depression • ALBUM REVIEW: Willie Watson Has New Tricks Up His Sleeve - No Depression • Joshua Ray Walker Launches GoFundMe for Cancer Treatment - No Depression • THROUGH THE LENS: Bumbershoot & Appaloosa Festivals Revel in Roots Once Again - No Depression • FRESH TRACK: Luke Winslow-King – 'Black Eyed Gypsy' - No Depression • SPOTLIGHT: JD McPherson Reboots with 'Nite Owls' - No Depression • ALBUM REVIEW: The Vulnerable, Invincible Amy Helm - No Depression • ALBUM REVIEW: Denitia Navigates Change on 'Sunset Drive' - No Depression • Fall 2024 • ALBUM REVIEW: On 'Roll It Out,' The Deslondes Make It Sound So Easy - No Depression • SPOTLIGHT: AJ Lee on Being an Asian American Woman in Bluegrass - No Depression • ALBUM REVIEW: Charisma Wins on Shovels & Rope's 'Something Is Working Up Above My Head' - No Depression • No Depression’s Best of August 2024 Playlist - No Depression • THROUGH THE LENS: Vinyl Update & Five Other Roots Music Releases to Savor - No Depression • ALBUM REVIEW: As Johnny Blue Skies, Sturgill Simpson Wrings Every Drop Out of Heartbreak - No Depression • BONUS TRACKS: Still Be Around - No Depression • ALBUM REVIEW: Shemekia Copeland Speaks Out at Full Strength on ‘Blame It on Eve’ - No Depression • ALBUM REVIEW: Caleb Caudle Keeps Climbing on ‘Sweet Critters’ - No Depression • THE READING ROOM: Daniel Levitin Goes Back Inside the Brain for ‘Music as Medicine’ - No Depression • ALBUM REVIEW: The Cactus Blossoms Move Along on ‘Every Time I Think About You’ - No Depression • JOURNAL EXCERPT: Artists Celebrate Drivin N Cryin’s Kevn Kinney with 100-Song Tribute Project - No Depression • ALBUM REVIEW: Sierra Ferrell Blazes Her Own Path Forward on ‘Trail of Flowers’ - No Depression • THROUGH THE LENS: The 2024 Philadelphia Folk Festival Returns to Its Roots - No Depression • ALBUM REVIEW: Amy Rigby Carves Out Her Own Definition of Cool - No Depression • The Universal Language of Bluegrass in La Roche - No Depression • BONUS TRACKS: Music Shares the Spotlight at the Democratic Convention - No Depression • ALBUM REVIEW: Guy Davis Casts a Country Blues Spell on ‘The Legend of Sugarbelly’ - No Depression • ALBUM REVIEW: On ‘Woodland,’ Gillian Welch and David Rawlings Pick Up Where They Left Off - No Depression • FOUNDERS’ KEEPERS: Two Thompsons, Jon Langford, and Madeleine Peyroux - No Depression • Kacey Musgraves Finds Fresh Footing for New Album ‘Deeper Well’ - No Depression • SPOTLIGHT: Wild Ponies on Finding Luck, Love, and a Creative Community - No Depression • ALBUM REVIEW: India Ramey Pairs Power With Vulnerability on ‘Baptized by the Blaze’ - No Depression • THROUGH THE LENS: Music Made Amid Nature at Pickin’ in the Backwoods and Clifftop - No Depression • CROWDFUNDING RADAR: Homemade Perks Add Heart to Campaigns - No Depression • FRESH TRACK: Bill Taylor – 'Roll Me Away' - No Depression • In the Deep End With Ruthie Foster - No Depression • ALBUM REVIEW: Blind Pilot Finds Its Wings Again on ‘In the Shadow of the Holy Mountain’ - No Depression • ALBUM REVIEW: Jontavious Willis Mixes Up a Powerful ‘West Georgia Blues’ Blend - No Depression • ALBUM REVIEW: Ben Sollee Buckles In for Spirited, Eclectic ‘Long Haul’ - No Depression • ALBUM REVIEW: Pony Bradshaw Caps Character-Driven Trilogy With ‘Thus Spoke the Fool’ - No Depression • ALBUM REVIEW: Morgan Wade Puts Full Vocal Power Behind ‘Obsessed’ - No Depression • BONUS TRACKS: Party Music at the Democratic Convention - No Depression • ALBUM REVIEW: Ray LaMontagne Sounds Content in His Journey to ‘Long Way Home’ - No Depression • A Postcard From Shane Smith & The Saints - No Depression • SPOTLIGHT: Wild Ponies Take Time to ‘Breathe’ [VIDEO] - No Depression • FRESH TRACK: Connor Daly – 'Ain't Got a Cape' - No Depression • FreshGrass Foundation Signs On for Next Phase of Steve Martin Banjo Prize - No Depression • Joan Baez Documentary Confronts the Emotional Toll of Music and Activism - No Depression • ALBUM REVIEW: Gregory Alan Isakov Lets Sounds Swirl on ‘Appaloosa Bones’ - No Depression • THROUGH THE LENS: Quiet Moments Shine at Nelsonville Music Festival 2024 - 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No Depression • Alison Krauss on Daydreams, Tony Rice, and the Road to the Bluegrass Hall of Fame - No Depression • THROUGH THE LENS: WoodyFest and Briggs Farm Blues Festival - No Depression • ALBUM REVIEW: Relocated to Nashville, Sarah Jarosz’s Sound Sparkles on ‘Polaroid Lovers’ - No Depression • CROWDFUNDING RADAR: Roots Music Projects in Many Forms - No Depression • BONUS TRACKS: Disney’s (Alt)Country Bear Jamboree Reopens With Familiar Voices - No Depression • New Album Coming Down the Track From Gillian Welch and Dave Rawlings - No Depression • JOURNAL EXCERPT: 'The Air As Your Territory': Tracing the Legacy of Civil Rights Music - No Depression • JOURNAL EXCERPT: The People and Moments That Have Propelled Béla Fleck - No Depression • ALBUM REVIEW: Boy Golden Reports Honestly From the Bright Side on ‘For Eden’ - No Depression • IBMA Announces Nominees for 2024 Bluegrass Music Awards + Hall of Fame Inductees - No Depression • ALBUM REVIEW: On ‘Borned in Ya,’ Melissa Carper Roams the Full Range of Her Country Sound - 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Soars Glides Across Genres on ‘Brick by Brick’ - No Depression • Nashville Show Traces 100 Years of Earl Scruggs’ Influence - No Depression • ALBUM REVIEW: The Felice Brothers Populate ‘Valley of Abandoned Songs’ With Characters and Craft - No Depression • Buy our Summer 2024 Journal! • ALBUM REVIEW: With New Name, Silverada Steers in a New Musical Direction - No Depression • THROUGH THE LENS: Fisherman’s Village Music Fest and Jackalope Jamboree - No Depression • ALBUM REVIEW: With a Johnny Cash Rumble, Marques Morel Imparts Scenes from the Road - No Depression • SPOTLIGHT: AJ Lee and Blue Summit Take the Long View on Career and ‘City of Glass’ - No Depression • ALBUM REVIEW: North Mississippi Allstars’ Cody Dickinson Sticks Close to Home on Solo Debut - No Depression • SPOTLIGHT: Lizzie No Takes Hold of Possibility in Music and Beyond - No Depression • ALBUM REVIEW: Jim Lauderdale Sounds Right at Home on ‘My Favorite Place’ - No Depression • ALBUM REVIEW: Jenny Don’t and the Spurs Dig Into a Western State of Mind - No Depression • THROUGH THE LENS: Willie Nelson's First Fourth of July Picnic - No Depression • SPOTLIGHT: Joe Pug Finds a New Kind of Spark - No Depression • ALBUM REVIEW: Hermanos Gutiérrez Explore Their Cosmic Instrumental Roots on 'Sonido Cósmico' - No Depression • ALBUM REVIEW: Gangstagrass Cooks Up a Summery Blend on ‘The Blackest Thing on the Menu’ - No Depression • No Depression Sessions at WinterWonderGrass Tahoe 2024: Lindsay Lou - No Depression • ALBUM REVIEW: Bonny Light Horseman Packs Double Album With Tender Songs Transcending Time - No Depression • THROUGH THE LENS: A Community Comes Together for the Americana West Music Festival - No Depression • The Best Roots Music Albums of 2024 (So Far) - No Depression • ALBUM REVIEW: Resilience Adds Fire to Good Looks’ ‘Lived Here for a While’ - No Depression • FRESH TRACK: The Fabulous Thunderbirds – 'Nothing in Rambling' (feat. 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No Depression • No Depression Sessions at Folk Alliance International 2024: Mireya Ramos, Gina Chavez, and Jorge Glem - No Depression • JOURNAL EXCERPT: Community Carried Hurray for the Riff Raff Through Grief on 'The Past Is Still Alive' - No Depression • FRESH TRACK: Johnny Irion – 'Sleeping Soldiers of Love' - No Depression • BONUS TRACKS: Apple’s ‘Crush!’ Ad Falls Flat With Creatives - No Depression • No Depression Sessions at Folk Alliance International 2024: Abby Litman - No Depression • ALBUM REVIEW: Iron & Wine Adds Orchestral Elements and Playful Rumination on ‘Light Verse’ - No Depression • ALBUM REVIEW: The Brother Brothers Pack Playful and Powerful into ‘The January Album’ - No Depression • ALBUM REVIEW: Lizz Wright Fully Inhabits the Songs of ‘Shadow’ - No Depression • Here Are the Nominees for the 2024 Americana Honors & Awards - No Depression • THROUGH THE LENS: Could Two Southern Roots Music Festivals Be the Wave of the Future? - No Depression • ALBUM REVIEW: Barnstar! 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No Depression • A Century of Women’s Suffrage Flows Through Aoife O’Donovan’s ‘All My Friends’ - No Depression • THROUGH THE LENS: The 2024 Cayamo Cruise Presented Roots Music at Its Finest - No Depression • CROWDFUNDING RADAR: Three Crowdfunding Campaigns with Strong Themes Behind Them - No Depression • BONUS TRACKS: Remembering Malcolm Holcombe - No Depression • ALBUM REVIEW: Kacey Musgraves Grows and Glows on ‘Deeper Well’ - No Depression • ALBUM REVIEW: Taj Mahal Mesmerizes Live at The Church in Tulsa - No Depression • THROUGH THE LENS: Two Baseball-Themed Roots Music Festivals Arrive Just in Time for Spring Training - No Depression • ALBUM REVIEW: John Leventhal Steps Into the Spotlight for ‘Rumble Strip’ - No Depression • Malcolm Holcombe: An Appalachian Ghost Story - No Depression • ALBUM REVIEW: ‘Olustee’ Is JJ Grey & Mofro’s Latest Postcard From the Florida Swampland - No Depression • No Depression Sessions at Folk Alliance International 2024: Ron Artis II - No Depression • ALBUM REVIEW: Dion Highlights Women Collaborators on 'Girl Friends' - No Depression • ALBUM REVIEW: Willi Carlisle Carves a Welcoming Path Into ‘Critterland’ - No Depression • BONUS TRACKS: Rhiannon Giddens’ Essay Brings Black Country History to the Mainstream - No Depression • No Depression’s Best of February 2024 Playlist - No Depression • ALBUM REVIEW: Amigo the Devil Braces for Battle on ‘Yours Until the War Is Over’ - No Depression • FOUNDERS’ KEEPERS: When Boredom Blooms Into Creativity - No Depression • The Avett Brothers Announce Self-Titled New Album - No Depression • THE READING ROOM: Six New Music Books Bursting Forth This Spring - No Depression • SPOTLIGHT: Madi Diaz on Holding On to ‘Weird Faith’ [VIDEO] - No Depression • THROUGH THE LENS: Jason and the Scorchers Reunite to Support Former Member Jeff Johnson - No Depression • Old 97’s Announce 13th Album, ‘American Primitive’ - No Depression • CROWDFUNDING RADAR: Bold New Projects from Gangstagrass, Nate Sabat, and Broken Compass Bluegrass - No Depression • BONUS TRACKS: Beyoncé Swings the Spotlight to Country Music - No Depression • ALBUM REVIEW: On ‘Desert Pavement,’ ISMAY’s Songs Teem With Life - No Depression • American Patchwork Quartet Weaves Together Wide Musical Experiences to Find Common Ground - No Depression • THROUGH THE LENS: New Roots Music Releases Blooming on the Horizon - No Depression • No Depression Sessions at AmericanaFest: Mary Gauthier - No Depression • SPOTLIGHT: Madi Diaz on Mining the Soul for Songs - No Depression • BONUS TRACKS: Remembering Mojo Nixon + More of the Week’s Music News - No Depression • THE READING ROOM: ‘Badass’ Women in Rock Stake Their Claim, But Is It Feminism? - No Depression • Jason Isbell and Amanda Shires Ending Marriage - No Depression • ALBUM REVIEW: Songs Reveal the Self on Katy Kirby’s ‘Blue Raspberry’ - No Depression • ALBUM REVIEW: Chatham County Line Roams New Frontiers on ‘Hiyo’ - No Depression • No Depression Sessions at AmericanaFest: Keturah Allgood - No Depression • THROUGH THE LENS: The Artistry of Black & White Roots Music Photography - No Depression • Best of January 2024 Playlist! • ALBUM REVIEW: Colby T. Helms Offers Emotional Origin Story on ‘Tales of Misfortune’ - No Depression • ALBUM REVIEW: Brittney Spencer Sings Straight From the Heart on Debut LP ‘My Stupid Life’ - No Depression • 2024 Grammys Go to Jason Isbell, Chris Stapleton, Allison Russell, and More - No Depression • THROUGH THE LENS: Considering Crosby, Stills, Nash & Young's 'Déjà Vu' on Its 50th Anniversary - No Depression • No Depression Sessions at AmericanaFest: Cruz Contreras - No Depression • BONUS TRACKS: Joni at the Grammys, TikTok’s Music Feud, and More - No Depression • And the 2024 (Roots Music) Grammy Nominees Are … - No Depression • ALBUM REVIEW: Playful Songs Explore Deep Places on Holler Choir’s ‘Songs Before They Write Themselves’ - No Depression • No Depression Sessions at DelFest: The Del McCoury Band - No Depression • SPOTLIGHT: On ‘Weird Faith,’ Madi Diaz Sings From the Anxiety of New Beginnings - No Depression • ALBUM REVIEW: On ‘Weathervanes,’ Jason Isbell and the 400 Unit Prove They’re Playing the Long Game - No Depression • THROUGH THE LENS: Taylor Swift and the Rising Tide of Women in Music - No Depression • Rhiannon Giddens, Allison Russell, and More Celebrate the Country Songs of Alice Randall on ‘My Black Country’ - No Depression • FOUNDERS’ KEEPERS: Watchhouse, Office Dog, Martin Zellar, and More - No Depression • No Depression Sessions at AmericanaFest: Jill Andrews - No Depression • ALBUM REVIEW: Lau Noah’s Duets LP ‘A DOS’ Shines in Its Dualisms - No Depression • THE READING ROOM: James Talley Weighs Music and Meaning in ‘Nashville City Blues’ Memoir - No Depression • BONUS TRACKS: Grammys Announce Presenters and Performers for Premiere Ceremony — And a Change to Ticketing • FRESH TRACK: Chris O'Leary – 'Lost My Mind' - No Depression • Western Paintings Color Cary Morin’s Musical Point of View - No Depression • Midwest Melancholy: A Page From Willi Carlisle’s Zine • No Depression Sessions at AmericanaFest: Darlingside - No Depression • SPOTLIGHT: Lizzie No on Climbing Personal and Musical Mountains - No Depression • Charley Crockett Announces New Album, ‘$10 Cowboy,’ Informed by the View From the Road - No Depression • No Depression Sessions at AmericanaFest: Bobby Rush - No Depression • BONUS TRACKS: Why Pitchfork (and Other Music Media) Matters - No Depression • Sierra Ferrell Beckons Fans to Follow on New Album, ‘Trail of Flowers’ - No Depression • FAI Announces Honorees and 2023 Nominees for International Folk Music Awards - No Depression • Music Website Advertisement Rates - No Depression • Song Keepers: A Music Maker Foundation Anthology (Co-Published by No Depression) • No Depression and Music Maker Foundation to Release 'Song Keepers' Book and Compilation - No Depression • FRESH TRACK: The High Hawks – 'Somewhere South' - No Depression • SPOTLIGHT: Dreams Fuel Lizzie No’s ‘Getaway Car’ [VIDEO] - No Depression • No Depression Sessions at AmericanaFest: Bahamas - No Depression • BONUS TRACKS: Like New Roots Music? We’ve Got a Whole Lot of News for You - No Depression • THE READING ROOM: More Memorable Music Books You Don’t Want to Miss - No Depression • Winter 2023 • THROUGH THE LENS: Sierra Ferrell and Zach Bryan Hit Home Runs at Wild Horses Festival - No Depression • New Album From Aoife O’Donovan Reflects on Women’s Experience in America - No Depression • ALBUM REVIEW: Burgeoning Singer-Songwriter Fenne Lily Captures the Details and the ‘Big Picture’ - No Depression • Iris DeMent Finds Beauty in the Bigger Picture - No Depression • THROUGH THE LENS: Steve Earle Leads ‘A Celebration of Justin Townes Earle’ at the Ryman • ALBUM REVIEW: Ashley McBryde Offers Vivid Snapshots of Life on ‘The Devil I Know’ • ALBUM REVIEW: Compassion Colors Dori Freeman’s Songs on ‘Do You Recall’ - No Depression • THROUGH THE LENS: Mountain Stage at 40 - From a Small Acorn a Mighty Oak Grows - No Depression • Charley Crockett and Willie Nelson Team Up for New Song - No Depression • FOUNDERS’ KEEPERS: The Missing Years - No Depression • CRITICS POLL: No Depression Writers’ Favorite Roots Music Albums of 2023 - No Depression • Can’t Look Away: Musicians, Writers, and More Reflect on 30 Years of Uncle Tupelo’s ‘No Depression’ - No Depression • THROUGH THE LENS: The Best of Everything in 2023 - No Depression • BONUS TRACKS: Some Thoughts on Authenticity • THE READING ROOM: 12 Memorable Music Books From 2023 - No Depression • SPOTLIGHT: Rainbow Girls Offer Their Time-Tested Tour Hacks - No Depression • FRESH TRACK: Jaime Wyatt – 'Feel Good' - No Depression • THROUGH THE LENS: ND Photographers' Favorite Roots Albums of 2023 - No Depression • CROWDFUNDING RADAR: The Gift of Supporting Independent Music - No Depression • No Depression Readers’ Favorite Roots Music Albums of 2023 - No Depression • BONUS TRACKS: Why Joshua Ray Walker Is Taking a Break - No Depression • No Depression Sessions at AmericanaFest: Hannah Connolly - No Depression • ALBUM REVIEW: Luther Dickinson Makes ‘Magic Music’ For the Entire Family - No Depression • SPOTLIGHT: Rainbow Girls on Finding a More Personal Perspective for ‘Bedroom Lobby’ [VIDEO] - No Depression • The Long Haul: Gift Guide for Musicians • HELLO STRANGER: Introducing No Depression’s Winter 2023 Journal + Playlist - No Depression • No Depression Sessions at AmericanaFest: Jeshua Marshall - No Depression • THROUGH THE LENS: Our Favorite Roots Music Photos of 2023 - No Depression • No Depression’s Best of November-December 2023 Playlist - No Depression • Steve Martin Banjo Prize Announces 2023 Winners - No Depression • FRESH TRACK: Bastards of Soul – 'Try a Little Love' (feat. The Sha La Das) - No Depression • No Depression Sessions at AmericanaFest: Dylan LeBlanc - No Depression • BONUS TRACKS: The No. 1 Hit You’ve Been Hearing for 65 Years - No Depression • ALBUM REVIEW: Long-Shelved Todd Snider Album Is Worth the Wait - No Depression • Tribute Celebrates Beauty and Empathy in Tom Waits’ Songs - No Depression • ALBUM REVIEW: On ‘Reflector,’ Daniel Donato Spins Jams Into a Meaningful Journey - No Depression • The No Depression Guide to Holiday Music That Doesn't Suck • ALBUM REVIEW: Black Pumas Shine Up Their Sound for ‘Chronicles of a Diamond’ - No Depression • THE READING ROOM: Lucinda Williams’ Memoir Lets Us in on Her Secrets - No Depression • ALBUM REVIEW: Vincent Neil Emerson Turns Tradition Up Full-Blast - No Depression • THROUGH THE LENS: ND Photographers’ Favorite Roots Music Concerts of 2023 - No Depression • SPOTLIGHT: Community and Creativity Fuel Rainbow Girls’ ‘Welcome to Whatever’ - No Depression • FRESH TRACK: The Barefoot Movement – 'Get Behind Me' - No Depression • 'Okay, Edge, Play the Blues!': An Oral History of the Night U2 Jammed With Stevie Ray Vaughan at Antone’s - No Depression • BONUS TRACKS: Jimbo Hart Parts Ways With Jason Isbell and the 400 Unit - No Depression • No Depression Sessions at AmericanaFest: Fruition - No Depression • ALBUM REVIEW: Jessi Colter Hops Genres on ‘Edge of Forever’ - No Depression • THROUGH THE LENS: Six Overlooked Roots Music Releases of 2023 - No Depression • FRESH TRACK: Puppets of Castro – 'Extraordinary Things' - No Depression • No Depression Sessions at AmericanaFest: Cristina Vane and Bronwyn Keith-Hines - No Depression • CROWDFUNDING RADAR: Support an Artist’s Work and Get a Custom-Written Song - No Depression • SPOTLIGHT: Jaime Wyatt on Finding Permission to Feel Good - No Depression • THE LONG HAUL: The Secret to Getting Great Live Sound - No Depression • THROUGH THE LENS: Ramblin’ Jack Elliott, Marty Stuart, Eddie Vedder & More Photos of the Week - No Depression • FOUNDERS’ KEEPERS: Straight Outta Austin, Seattle, and Beyond - No Depression • Record Store Day Black Friday • FRESH TRACK: Glen Hansard – 'There's No Mountain' - No Depression • Legacy Media, Legacy Artists and Bluegrass’ Big Pivot With No Depression’s Stacy Chandler at IBMA — Southern Songs and Stories • BONUS TRACKS: The Full Story of Folk Music - No Depression • No Depression Sessions at AmericanaFest: Caleb Caudle • THE READING ROOM: Jeff Tweedy Preaches the Power of Songs - No Depression • SPOTLIGHT: What Jaime Wyatt Sees in The Grateful Dead’s ‘Althea’ [VIDEO] - No Depression • ALBUM REVIEW: ‘Little Pieces’ Walks in Cidny Bullens’ Shoes - No Depression • JOURNAL EXCERPT: Roots Musicians Are Mobilizing With a New Wave of Unions - No Depression • SPOTLIGHT: Joshua Ray Walker on Finding His Way Back • THROUGH THE LENS: Shakori Hills & Dreamy Draw Wrap Up the 2023 Festival Season - No Depression • ALBUM REVIEW: Alice Gerrard Continues Old-Time Trailblazing With Outspoken ‘Sun to Sun’ - No Depression • FRESH TRACK: The Grahams feat. Lucius – 'Lay Me Down' - No Depression • BONUS TRACKS: How Jeff Tweedy Learned to Love ‘Dancing Queen’ - No Depression • No Depression Needs Your Support ... And There's Plenty In It For You - No Depression • No Depression Sessions at AmericanaFest: Jake Ybarra - No Depression • ALBUM REVIEW: Chris Stapleton Balances Adventure With Tried-and-True on ‘Higher’ - No Depression • And the 2024 (Roots Music) Grammy Nominees Are … • ALBUM REVIEW: Across ‘About the Winter,’ Barbaro Weaves Big Messages From Small Details - No Depression • Hurray for the Riff Raff Looks Back on Life Story on New Album ‘The Past Is Still Alive’ - No Depression • ALBUM REVIEW: Nathan Graham’s Debut Confronts Uncertainty With Courage - No Depression • ALBUM REVIEW: Eli ‘Paperboy’ Reed Applies Soul Appeal to a Wide Range of Covers on ‘Hits and Misses’ - No Depression • ALBUM REVIEWS: Chris Shiflett’s ‘Lost at Sea’ Is a Satisfying Soundtrack for the Wayward - No Depression • No Depression Sessions at AmericanaFest: Jesse Dayton - No Depression • ALBUM REVIEW: Third Archive Collection Finds Joni Mitchell Reshaping Her Sound - No Depression • Cat Power on the World-Changing Spirit of Bob Dylan’s Landmark 1966 Show: ‘It’s Needed Now’ - No Depression • FRESH TRACK: Christone 'Kingfish' Ingram – 'Midnight Heat' (Live) - No Depression • BONUS TRACKS: Roots Music in the Thanksgiving Parade, Billy Strings’ Night of WrestleMania, and More - No Depression • ALBUM REVIEW: The Shindellas Pioneer Joyful New American Soul on ‘Shindo’ - No Depression • SPOTLIGHT: Jaime Wyatt Breaks More Free for ‘Feel Good’ - No Depression • No Depression's Best of October 2023 Playlist - No Depression • THROUGH THE LENS: Small-Town King Biscuit Blues Festival Packs a Big History - No Depression • No Depression Sessions at AmericanaFest: Charlie Mars - No Depression • FOUNDERS’ KEEPERS: The Judds Tribute, Jon Dee Graham, and More - No Depression • FRESH TRACK: Barbaro – 'One x One' - No Depression • SPOTLIGHT: Tré Burt on Uncommon Sense - No Depression • BONUS TRACKS: FreshGrass | Bentonville Lineup, A ‘New’ Beatles Song, and More - No Depression • No Depression Sessions at AmericanaFest: Afton Wolfe - No Depression • THE READING ROOM: Artifacts and Essays Converse to Tell Bob Dylan Story in ‘Mixing Up the Medicine’ - No Depression • JOURNAL EXCERPT: Billy Bragg on A Role to Play - No Depression • ALBUM REVIEW: Israel Nash Rediscovers His Roots on ‘Ozarker’ - No Depression • ALBUM REVIEW: On ‘Coyote,’ Dylan LeBlanc Sends Voice and Lyrics Into New Frontiers - No Depression • ALBUM REVIEW: On ‘Ozark Symphony,’ Kelly Hunt Looks at Life in the In-Between • THROUGH THE LENS: BeachLife Ranch Festival and Los Angeles Folk Festival - No Depression • No Depression Sessions at AmericanaFest: Colbie Caillat - No Depression • ALBUM REVIEW: Ghalia Volt Supercharges Her Sound on ‘Shout Sister Shout!’ - No Depression • FRESH TRACK: Alan Doyle & The Dardanelles – 'St. John's Waltz' - No Depression • BONUS TRACKS: Brutal News From Bandcamp, The Birth of a Folk Standard, and More - No Depression • No Depression Sessions at AmericanaFest: Lola Kirke • THE READING ROOM: Rounder Records’ Music-First Recipe for Success - No Depression • CROWDFUNDING RADAR: House of Hamill, Amelia White, and Crow and Gazelle - No Depression • SPOTLIGHT: Tré Burt Steers Away From Distraction With ‘Traffic Fiction’ [VIDEO] - No Depression • ALBUM REVIEW: Personal and Political Build Up Jolie Holland’s ‘Haunted Mountain’ - No Depression • THROUGH THE LENS: The Scene and Sounds From Hardly Strictly Bluegrass 2023 - No Depression • No Depression Sessions at AmericanaFest: Madeline Hawthorne - No Depression • ALBUM REVIEW: Hello June Takes a Hard Look Back and Forward on ‘Artifacts’ - No Depression • BONUS TRACKS: Ameripolitan Award Nominees, A New Indie Label, and More - No Depression • No Depression Sessions at AmericanaFest: William Prince - No Depression • ALBUM REVIEW: On ‘Sideshow,’ EmiSunshine Steps Fully Into the Ring - No Depression • ALBUM REVIEW: Jason Hawk Harris Negotiates Grief on ‘Thin Places’ • THROUGH THE LENS: IBMA Keeps Eyes Toward the Future at World of Bluegrass 2023 - No Depression • ALBUM REVIEW: John R. Miller Reflects Real Life on ‘Heat Comes Down’ • ALBUM REVIEW: With 'Empire Electric,' No-No Boy's Julian Saporiti Exudes Positivity - No Depression • SPOTLIGHT: Tré Burt Dances Through Darkness on ‘Traffic Fiction’ - No Depression • ALBUM REVIEW: For ‘Queen of Time,’ Lindsay Lou Crafts Songs on Taking Care - No Depression • Use Code ND23 to Save! | Big Easy Cruise • No Depression’s Best of September 2023 Playlist - No Depression • THROUGH THE LENS: Farm Aid and Healing Appalachia Highlight National Issues - No Depression • ALBUM REVIEW: Family Takes Front Seat on Billy Strings’ ‘Me and Dad’ - No Depression • 'A Timely Windfall’: The Story Behind Gillian Welch’s ‘Boots No. 2: The Lost Songs’ - No Depression • ALBUM REVIEW: Jenny Owen Youngs Distills a Tempestuous Decade Into ‘Avalanche’ - No Depression • JOURNAL EXCERPT: Trey Anastasio on Opening the Lens - No Depression • ALBUM REVIEW: In True Folk Tradition, Black Legacy Project Bridges Styles and Experiences • ALBUM REVIEW: Wilco Gets Cozily Avant-Garde on Cate Le Bon-Produced ‘Cousin’ - No Depression • IBMA Awards 2023: Ketch Secor and Molly Tuttle Host and Billy Strings Wins Big - No Depression • ALBUM REVIEW: Snapshots of Living Fully Fill Margo Cilker's 'Valley of Heart’s Delight • Fans Persevere Through Soggy Weather at FreshGrass | North Adams 2023 - No Depression • ALBUM REVIEW: Willie Nelson Casts His Songs in the Glow of a Different Kind of ’Grass - No Depression • THROUGH THE LENS: Sights and Sounds From AmericanaFest 2023 - No Depression • FRESH TRACK: Sylvia Tyson – 'Sweet Agony' - No Depression • SPOTLIGHT: Logan Ledger on Playing in the Band - No Depression • Two Collections Shine a Light on Nanci Griffith’s Genius - No Depression • FOUNDERS’ KEEPERS: Jeff Plankenhorn, John P. Strohm, Luluc, and More - No Depression • 2023 Americana Honors & Awards Show Full Winners List • Musicians Duet With Nightingales to Amplify a Message - No Depression • ALBUM REVIEW: Shakey Graves’ ‘Movie of the Week’ Maps Life’s Big Search - No Depression • THROUGH THE LENS: The Insider’s Guide to AmericanaFest 2023 - No Depression • THE READING ROOM: ‘Prine on Prine’ Collects Decades of Interviews - No Depression • SPOTLIGHT: Logan Ledger Looks Ahead to ‘Some Misty Morning’ [VIDEO] - No Depression • THROUGH THE LENS: Appaloosa Festival and Bristol Rhythm & Roots Reunion 2023 - No Depression • HELLO STRANGER: A Walk Through No Depression’s Fall 2023 Journal + Playlist - No Depression • Texas Singer-Songwriter Charlie Robison Dies at 59 - No Depression • ALBUM REVIEW: Tyler Childers Evokes Elvis on ‘Rustin’ in the Rain’ • Sarah Jarosz Announces New Album, ‘Polaroid Lovers,’ That Isn’t Afraid of Change - No Depression • The Rolling Stones Tease ‘Hackney Diamonds,’ First Studio Album Since 2005 - No Depression • SPOTLIGHT: Logan Ledger’s ‘Golden State’ Is a State of Mind - No Depression • Jimmy Buffett Dies at Age 76 • BONUS TRACKS: Kacey Musgraves’ Plea for ‘Big Download Energy’ and More - No Depression • Reach roots music fans! – Advertise with No Depression • No Depression's Best of August 2023 Playlist - No Depression • Chris Pierce’s Long Road to Touring with Neil Young and ‘Let All Who Will’ - No Depression • ALBUM REVIEW: Zach Bryan Builds on Earnest, Catchy Songwriting - No Depression • THROUGH THE LENS: Hoxeyville Music Festival and Winthrop Rhythm & Blues Festival - No Depression • SPOTLIGHT: The Path to Raye Zaragoza’s ‘Garden’ [VIDEO] - No Depression • ALBUM REVIEW: Turnpike Troubadours Ride Again, Renewed - No Depression • Mipso Lets Go of Expectations for ‘Book of Fools’ - No Depression • THROUGH THE LENS: Dead & Company, Tyler Childers, and Other Photos of the Week • JOURNAL EXCERPT: Guest Editor Dom Flemons Finds Balance Between the Past and the Present - No Depression • ALBUM REVIEW: Teddy Thompson Revisits Classic Country Weepers - No Depression • Jessi Colter Renews Outlaw Roots With New Album ‘Edge of Forever’ - No Depression • ALBUM REVIEW: Dan Auerbach Gathers the Blues Together for ‘Tell Everybody’ Collection - No Depression • FOUNDERS’ KEEPERS: Drive-by Truckers, Malcolm Holcombe, and Others Doing the Damn Work - No Depression • SPOTLIGHT: Raye Zaragoza on the Change of Heart That Funded ‘Hold That Spirit’ - No Depression • The Band's Robbie Robertson Dies at Age 80 - No Depression • THROUGH THE LENS: Newport Folk Festival 2023 Carries Roots Music Tradition Forward - No Depression • BONUS TRACKS: Buffy Sainte-Marie Retires From Live Shows - No Depression • No Depression's Best of July 2023 Playlist - No Depression • SPOTLIGHT: Raye Zaragoza Finds Her Own Way Through Womanhood - No Depression • New Album ‘Cousin’ to Join the Wilco Family - No Depression • SPOTLIGHT: Gabe Lee on the Small Town Within the Big Business of Nashville - No Depression • THROUGH THE LENS: Nelsonville Music Festival 2023 • SPOTLIGHT: Gabe Lee, The Road, and ‘The Wild’ [VIDEO] - No Depression • No Depression Sessions at DelFest: Molly Tuttle & Golden Highway - No Depression • FRESH TRACK: Alison Brown feat. Steve Martin – 'Foggy Morning Breaking' - No Depression • FOUNDERS’ KEEPERS: Slaid Cleaves, The Baseball Project, and More - No Depression • No Depression Sessions at DelFest: Jason Carter - No Depression • Lukas Nelson Throws a Party on ‘Sticks and Stones’ • THE LONG HAUL: Photographer Natia Cinco on Seeing Musicians in Their Best Light • Best Roots Music Albums of 2023 (So Far) - No Depression • No Depression Sessions at DelFest: AJ Lee & Blue Summit • SPOTLIGHT: On Gabe Lee’s ‘Drink the River,’ Connection Flows Through Stories - No Depression • No Depression’s Best of June 2023 Playlist - No Depression • ALBUM REVIEW: Saltwater Hank Honors Indigenous Past and Present in Country Music - No Depression • THE READING ROOM: How Does It Feel? Bob Dylan’s Bandmates Share Stories - No Depression • THROUGH THE LENS: Portraits of Roots Musicians - No Depression • SPOTLIGHT: Rufus Wainwright Taps Into Folk Feeling With ‘Alone’ [VIDEO] - No Depression • ‘I Play It Because I Need To’: Nat Myers Gets Personal with the Blues • THROUGH THE LENS: Brandi Carlile Presides Over Mothership Weekend and Echoes Through the Canyon - No Depression • No Depression Sessions at DelFest: Tim O’Brien - No Depression • Old Crow Medicine Show Announces Album Marking Its ‘Jubilee’ • HELLO STRANGER: A Walk Through No Depression’s Summer 2023 Journal + Playlist - No Depression • No Depression Sessions at DelFest: Sam Bush - No Depression • ALBUM REVIEW: Son Volt Finds a Truer Sound in Song Selection for Doug Sahm Tribute - No Depression • No Depression Sessions at DelFest: Sierra Ferrell • JOURNAL EXCERPT: 50 Years of the Telluride Bluegrass Festival - No Depression • SPOTLIGHT: Rufus Wainwright – A Thought on Singing - No Depression • Mipso Launches New Chapter with ‘Book of Fools’ • THE READING ROOM: ‘Why Tammy Wynette Matters’ Considers Her Life Hand-in-Hand With Her Work - No Depression • JOURNAL EXCERPT: 'Slow Omen' – A Poem and Essay by H.C. McEntire - No Depression • No Depression Sessions at DelFest: Pigeons Playing Ping Pong • No Depression’s Best of May 2023 Playlist • SPOTLIGHT: Rufus Wainwright Brings Folk Legacy Forward on 'Folkocracy' - No Depression • No Depression Sessions at DelFest: The Del McCoury Band • Festival Fun at High Water and Stagecoach • Tina Turner’s Country Side, Women on Country Radio, and More • SPOTLIGHT: Durand Jones on the Legacy of a Promised Land • The Best Songs to Listen to on a Late-Night, Post-Gig Drive • DelFest Dishes Up the Best of Bluegrass and Beyond • JOURNAL EXCERPT: The Many Phases of The Milk Carton Kids’ New Album • ALBUM REVIEW: Samantha Fish and Jesse Dayton Rock Hard on ‘Death Wish Blues’ • ALBUM REVIEW: Marty Stuart Reaches New Creative Heights with ‘Altitude’ - No Depression • Everything Everywhere All at Once for Roots Music Fans at 2023 New Orleans Jazz Fest • Dropkick Murphys Go Back to Woody Guthrie on ‘Okemah Rising’ • Luck Reunion and Treefort Music Fest • Nominees Announced for 2023 Americana Honors & Awards - No Depression • Rhiannon Giddens Announces New Album, Her First with All Original Songs • On ‘The Chicago Sessions,’ Rodney Crowell Finds Friendship and Fresh Setting with Jeff Tweedy - No Depression • Best of April 2023 Playlist • Renewed Turnpike Troubadours Drop New Video, Announce Album - No Depression • THROUGH THE LENS: A Soggy MerleFest 2023 Delivered Roots Music and a Rainbow - No Depression • ALBUM REVIEW: Songs Shine Brightest on Star-Studded Doc Watson Tribute - No Depression • Billy Strings and Willie Nelson Roll Together on ‘California Sober’ - No Depression • Amanda Shires Announces Album of Classics with Bobbie Nelson - No Depression • Lucinda Williams’ Memoir Lets Us in on Her Secrets • BONUS TRACKS: Steve Earle's ‘Copperhead Road’ Named a Tennessee State Song on 4/20 • No Depression’s Roots Music Shopping List for Record Store Day 2023 • Natalie Merchant Lays Out a Feast on ‘Keep Your Courage’ • Spotlight Essay: Bella White on the Tiny Universes in Songs • Sisterhood on the Long Road: Rissi Palmer and Miko Marks in Conversation - No Depression • In the Deep End With … St. Paul & The Broken Bones • No Depression’s Best of March 2023 Playlist • Lucinda Williams Announces New Album ‘Stories From a Rock n Roll Heart’ • SPOTLIGHT: Bella White Blooms Into a Fresh Approach • 2023 Big Ears Festival Embraces Roots Music As Never Before • ALBUM REVIEW: City and Colour Grapples With Loss on ‘The Love Still Held Me Near’ - No Depression • Mighty Poplar’s Chris Eldridge on Listening Past Perfection • JOURNAL EXCERPT: Nickel Creek Meets in the Middle for ‘Celebrants’ - No Depression • ALBUM REVIEW: Dom Flemons Revels in History and Humanity on ‘Traveling Wildfire’ - No Depression • Worldwide Roots Music Shines Bright at Australia’s WOMADelaide 2023 • Mighty Poplar Rides Off Together on ‘Blackjack Davy’ [VIDEO] • Aoife O’Donovan Finds Fertile Ground in ‘Nebraska’ • Musical Mission: A Trip to Havana With Trombone Shorty • No Depression Sessions at Rootsy Winter Fest: L.A. Edwards • No Depression Sessions at Rootsy Winter Fest: Johan Örjansson • No Depression Sessions at Rootsy Winter Fest: Dimpker Brothers - No Depression • Rodney Crowell Teams With Jeff Tweedy for New Album, ‘The Chicago Sessions’ • Willie Nelson Gets to the Heart of Harlan Howard’s Songs • Great Musical Moments at Sea Aboard Cayamo 2023 • No Depression Sessions at Rootsy Winter Fest: Caleb Caudle - No Depression • No Depression Sessions at Rootsy Winter Fest: Hellsingland Underground - No Depression • ALBUM REVIEW: The Shootouts Party With Friends on ‘Stampede’ - No Depression • ‘Soul’d Out’ Collection Celebrates Landmark 1972 Wattstax Concert - No Depression • Jason Isbell & The 400 Unit Announces New Album, ‘Weathervanes’ - No Depression • Iris DeMent Finds Beauty in the Bigger Picture • No Depression Sessions at Rootsy Winter Fest: Early James • No Depression Sessions at Rootsy Winter Fest: The Mukherjee Development • Dolly Parton, Steve Earle, and More Featured on 100th Birthday Tribute to Doc Watson • Ben Folds Announces New Album, ‘What Matters Most’ • No Depression Sessions at Rootsy Winter Fest: Lily Arbor • Winter 2022 Guest Editor Margo Price's Gold Star • Details and Dedication Make the Argument for ‘Why Patti Smith Matters’ • No Depression Sessions at Rootsy Winter Fest: Jesper Lindell • Sunny War on Making Lemons Lemonade - No Depression • Marty Stuart Gears Up for New Album ‘Altitude’ • A Look Back at Mountain Stage’s 39th Year • No Depression Sessions at Rootsy Winter Fest: Teddy and the Rough Rider • Mark Erelli Lets the Light In for ‘Lay Your Darkness Down’ • Andrew Marlin, Punch Brothers Players, and More Unite for Bluegrass Supergroup Mighty Poplar - No Depression • No Depression's Best of January 2023 Playlist • ALBUM REVIEW: Joe Henry Leaves Little Unsaid on ‘All the Eye Can See’ - No Depression • ALBUM REVIEW: ‘Fragments’ Bears Witness to Bob Dylan’s Late-'90s Resurgence • Why Vinyl? The Roots Music Lover’s Guide to Analog, Part 4 • Nickel Creek Returns With ‘Celebrants,’ Trio’s First Album in Nine Years • SPOTLIGHT: Pony Bradshaw's Appalachian Metaphor • Meet Roots Music Fest Photographer Peter Dervin • New Willie Nelson Album Honors the Songs of Harlan Howard • Three Preorders That Showcase Black Roots Music • Shop $9 Print Back Journals – Now to 1/25! • ALBUM REVIEW: Margo Price Hits New Peaks on ‘Strays’ • Steve Earle Leads 'A Celebration of Justin Townes Earle' at the Ryman • Iris DeMent Returns With a Mission on New Album ‘Workin’ on a World’ • International Folk Music Awards Nominees and Honorees Announced • Taj Mahal to Pay Tribute to the Classics on New Album ‘Savoy’ • Most-Read Review of 2022: A Complex Journey from Hallelujah to Joyful Noise on Tyler Childers’ ‘Can I Take My Hounds to Heaven?’ • SPOTLIGHT: Pony Bradshaw Explores Region’s Full Range on ‘North Georgia Rounder’ • THROUGH THE LENS: Legends of Rock and Roll • HELLO STRANGER: A Walk Through No Depression’s Winter 2022 Journal + Playlist • Ian Tyson Remembers Mark Knopfler Fondly; Dylan, Not So Much • CRITICS POLL: ND Writers’ Favorite Roots Music Albums of 2022 - No Depression • After 50 Years, ‘Will the Circle Be Unbroken’ Still Bridges Generations • 'Black Country Music’ Centers Stories of Fans and Artists of Color • SPOTLIGHT: Adeem the Artist on the Life Stories That Led to ‘White Trash Revelry’ - No Depression • ND Photographers' Favorite Albums of 2022 • No Depression Readers' 50 Favorite Roots Music Album of 2022 • 2022’s Most Memorable Music Books • The Year-End Summary Spotify Wrapped Doesn’t Include • SPOTLIGHT: Adeem the Artist Offers Origin Story and the Outlook It Shaped on ‘Carolina’ [VIDEO] • Artists Push Back to Keep Their Merch Table Money • The 2022 No Depression Guide to Holiday Music That Doesn’t Suck • SPOTLIGHT: Adeem the Artist Blazes Their Own Trail for ‘White Trash Revelry’ • No Depression's Best of November 2022 Playlist • In the Deep End With ... The Lone Bellow • Jason Ringenberg Says Goodbye to Nashville’s Legendary Exit/In • Shop $10 Print Journals Through Tuesday! • Music Books We’re Thankful For • The Roots Music Fan's Shopping List for Record Store Day Black Friday 2022 • “Okay, Edge, Play the Blues!”: An Oral History of the Night U2 Jammed With Stevie Ray Vaughan at Antone’s • A Newly Found Live Recording of Gram Parsons and the Fallen Angels • THE READING ROOM: A Brain Science View of Loving Music • ALBUM REVIEW: Ruthie Foster Soars With the Soul on ‘Healing Time’ • ALBUM REVIEW: Family Takes Front Seat on Billy Strings’ ‘Me and Dad’ • And the 2023 (Roots Music) Grammy Nominees Are … • SPOTLIGHT: Towering Memories Inspire Sam Bush’s Version of John Hartford’s ‘In Tall Buildings’ [VIDEO] • THE READING ROOM: Bob Dylan Reveals Little in Musings on ‘Modern Song’ • Bill Evans and Enda Scahill Named 2022 Steve Martin Banjo Prize Winners - No Depression • In the Deep End With ... Dan Mangan - No Depression • Seth Avett Honors His Musical Hero With ‘Seth Avett Sings Greg Brown’ - No Depression • Vote, Take Action, Sing Loudly Together - No Depression • No Depression's Best of October 2022 Playlist - No Depression • SPOTLIGHT: With ‘Radio John,’ Sam Bush Honors the Songs and Soul of John Hartford - No Depression • Remembering Gay Country Pioneer Patrick Haggerty - No Depression • THROUGH THE LENS: Outstanding Roots Music Releases to Wrap Up 2022 - No Depression • Jerry Lee Lewis at The Theater at Ace Hotel, Los Angeles, CA - No Depression • THROUGH THE LENS: Yep Roc Celebrates 25 Years of Roots Music • JOURNAL EXCERPT: Trey Anastasio on Opening the Lens • SPOTLIGHT: Caleb Caudle Finds Touchstone in Simple Things on ‘Forsythia’ [VIDEO] • Leslie Jordan Revisits Hymns of His Childhood • BONUS TRACKS: Joni Mitchell to Join Brandi Carlile for 2023 Concert • THE READING ROOM: Linda Ronstadt Shares Life Story in a Desert Landscape • THROUGH THE LENS: A Harvest of Songs at Farm Aid 2022 • SPOTLIGHT: Caleb Caudle on Going Outside for a Better View Inward • Enthusiasm and Creativity Make Leonard Cohen Tribute a Triumph • Stories and Songs Shine at ‘You Got Gold’ Celebration of John Prine • HELLO STRANGER: A Walk Through No Depression’s Fall 2022 Journal + Playlist • THROUGH THE LENS: The Joy and Excitement of Hardly Strictly Bluegrass 2022 • Don't Forget to Write, An Essay by John Prine • No Depression's Best of September 2022 Playlist • Ana Egge on Lessons in Poland From a Past That Haunts the Present - No Depression • Country Music Queen Loretta Lynn Dead at Age 90 • ALBUM REVIEW: A Complex Journey from Hallelujah to Joyful Noise on Tyler Childers’ ‘Can I Take My Hounds to Heaven?’ - No Depression • Buddy Guy Lets His Guitar Do The Talkin’ On ‘The Blues Don’t Lie’ • JOURNAL EXCERPT: Inside the Making of Wilco’s 'Yankee Hotel Foxtrot' • Dom Flemons to Bring Bluegrass History to Life With ‘Shultz’s Dream’ Performance - No Depression • Connection and Community at FreshGrass | North Adams 2022 • SPOTLIGHT: Jake Blount on Traditional Music’s Built-In Science Fiction - No Depression • BONUS TRACKS: John Prine’s Favorite Books + More Roots Music News and Notes • THE LONG HAUL: When You Lose One of Your Own • Margo Price Announces New Album, 'Strays,' Given Full Range to Roam • When a Happy Day Turned Harrowing, Dustbowl Revival Songwriter Found Solace in a Song • SPOTLIGHT: The Intersection of Past, Present, and Future on Jake Blount's ‘The New Faith’ [VIDEO] • ALBUM REVIEW: Rhett Miller Stars as ‘The Misfit,’ Adrift in Mesmerizing Dream World • A Homecoming at the 2022 Americana Awards + Full Winners List + Red Carpet Photos • ALBUM REVIEW: Amy Ray Tells an American Story, Unvarnished, on ‘If It All Goes South’ • Sturgill Simpson Joins Angel Olsen for a Duet of ‘Big Time’ • THROUGH THE LENS: The Insider’s Guide to AmericanaFest 2022 • In the Deep End With … Jake La Botz • Tyler Childers Lets Us Hear That ‘Angel Band,’ Announces New Album • SPOTLIGHT: Jake Blount Takes Folk Into the Future • THROUGH THE LENS: Nelsonville Music Festival Makes Itself at Home on New Site • The Weird and Wonderful World of Wes Freed • BONUS TRACKS: Give Me All the Doggy Parton + The Week’s Roots Music News • Fresh Track: Hezekiah Procter – 'I See Jesus Comin' Down the Road' • THROUGH THE LENS: Change in the Air at 60th Annual Philadelphia Folk Festival • New 12-Hour Documentary Series Goes Deep Into Outlaw Country's Origins • JOURNAL EXCERPT: Fort Worth Nonprofit and Festival Celebrate Community and Aim to Decolonize Roots Music • SPOTLIGHT: Dead Horses Uplift Difference on ‘You Are Who You Need to Be’ [VIDEO] • Americana Lifetime Achievements, Will Hoge’s Peloton Class, and More • ALBUM REVIEW: Jim Lauderdale at the Top of His Country Music Game - No Depression • In the Deep End With … The Mountain Goats’ John Darnielle - No Depression • Six West Virginia Roots Musicians • SPOTLIGHT: Minimalism, the Music Industry, and More Thoughts from Dead Horses • BONUS TRACKS: Allison Russell and Brandi Carlile Join Forces + More Roots Music News • Martha Wainwright Pulls No Punches in Memoir • ALBUM REVIEW: Shemekia Copeland Goes Full Blast on ‘Done Come Too Far’ • New Tribute Album Honors Billy Joe Shaver • John Anderson Admirers Sing All the Hits (Except One) for Tribute Album - No Depression • THE READING ROOM: Billy Joe Shaver Lives Forever in Stories From Friends • BONUS TRACKS: Puzzles That Rock, Watchhouse Renews Its Acoustic Roots, and More • ALBUM REVIEW: The Vandoliers Rock the Intersection of Country and Punk • ALBUM REVIEW: Kelsey Waldon Explores All Corners of Country on ‘No Regular Dog’ • Amy Ray Announces New Album, ‘If It All Goes South’ • In the Deep End With … The Brother Brothers • BONUS TRACKS: Billy Strings’ Halloween Theme and More Roots Music News • SPOTLIGHT: Empathy Electrifies Dead Horses’ ‘Brady Street’ - No Depression • Joni Mitchell, Paul Simon, and More 2022 Newport Folk Festival Highlights • A Walk Through No Depression’s Summer 2022 ‘Movers & Shakers’ Journal + Playlist • The Black Opry's Road to Newport Folk Festival • Troubadour Todd Snider Announces New Live Album • ALBUM REVIEW: Amanda Shires Shines Through on ‘Take It Like a Man’ - No Depression • A Personal Journey into the Blues • FreshGrass Foundation to Receive IBMA Award + List of 2022 Nominees • SPOTLIGHT: Willi Carlisle on Singing Honestly and Bearing Witness to the Now • Sylvan Esso Announces New Album From Newport Folk Fest • BONUS TRACKS: How Much Would You Pay for a Bruce Springsteen Ticket? • ALBUM REVIEW: Beautiful Questions Take Flight on John Moreland’s ‘Birds in the Ceiling’ • SPOTLIGHT: Willi Carlisle’s Dispatch from ‘Life on the Fence’ [VIDEO] • Palomino Festival Revives the Golden Era of Country Music in Los Angeles • Dan Auerbach Brings It Back to the Blues • Lake Street Drive Brings Back the ‘Fun Machine’ for a New Set of Cover Songs • Sarah Shook Announces Solo Album ‘Mightmare’ - No Depression • In the Deep End With … Pharis and Jason Romero - No Depression • BONUS TRACKS: New Dylan Disc Sells for $1.7 Million, Mariachi in Uvalde, and Tributes to a Studio Master and Mentor • SPOTLIGHT: Weirdos Welcome on Willi Carlisle’s Folk-Fueled ‘Peculiar, Missouri’ • The Power of Mythical Creatures (The Jackalope and the Blue Ox) and Roots Music Fests • No Depression's Best of June 2022 Playlist • No Depression’s Best Roots Music Albums of 2022 (So Far) • SPOTLIGHT: S.G. Goodman Performs 'Patron Saint of the Dollar Store' [VIDEO] • Spirit of Acceptance and Positivity Shines Through at Bonnaroo 2022 • In the Deep End With … Elizabeth Cook • ALBUM REVIEW: Goose’s ‘Dripfield’ Plants Seeds for More Signature Live Jams - No Depression • ALBUM REVIEW: With 'The Spur,' Joan Shelley Accesses Another Creative Plane • New Live Album Captures Kris Kristofferson at Gilley’s in 1981 • In the Deep End With … Chatham Rabbits • 'Shake Off Your Chains’: The Story Behind ‘Songs of Slavery and Emancipation’ - No Depression • No Depression’s 2022 Record Store Day Wishlist • Latest Album Reviews • 12 Music Books That Will Add Some Cool to Your Summer • Tedeschi Trucks Band Takes Up Layla’s Point of View on Four-Part ‘I Am the Moon’ Project - No Depression • Trampled By Turtles Announces New Album Produced by Jeff Tweedy • ALBUM REVIEW: American Aquarium Throws Out a Lifeline on ‘Chicamacomico’ - No Depression • BONUS TRACKS: The War and Treaty: The Movie, New Grammy Categories, RIP Kelly Joe Phelps - No Depression • SPOTLIGHT: S.G. Goodman on Writing Through OCD and Finding Where to Shine the Flashlight • Bonny Light Horseman Announces Second Album, ‘Rolling Golden Holy’ • Paul McCartney Gets Back But Stays Present • No Depression's Best of May 2022 Playlist • ALBUM REVIEW: A Clear-Eyed Look at ‘Glory Days’ on Drive-by Truckers’ ‘Welcome 2 Club XIII’ - No Depression • SPOTLIGHT: Quiet or Loud, S.G. Goodman Strikes an Emotional Chord - No Depression • Loudon Wainwright III Comes Back for More With New Album of Original Songs • The Vandoliers Bounce Back With Self-Titled New Album • SPOTLIGHT: How Songwriter Cindy Walker Blazed a Path for Brennen Leigh • ALBUM REVIEW: Wilco Seeks This Country’s Soul Within a Country Sound - No Depression • Some Songs for a Tough Week, Plus Live Nation’s COVID Relief Funds and a Postcard from Folk Alliance • In the Deep End With … Bruce Hornsby • SPOTLIGHT: Brennen Leigh Serves Up the Sweetness of Summer on ‘Cottonwood Fuzz’ [VIDEO] - No Depression • Amanda Shires Explores Roles as Woman, Wife, and Mother on New Album ‘Take It Like a Man’ - No Depression • FreshGrass Festival Returns to Bentonville, Arkansas, for Second Annual Event • BONUS TRACKS: Rhiannon Giddens’ Opera, New Country Hall of Fame Inductees, RIP Bob Neuwirth • Magic in the Making as Nitty Gritty Dirt Band Does Dylan • Allison Russell and Crys Matthews Among Honorees at International Folk Music Awards • ‘Carry Me Home’ Preserves the Mighty Last Pairing of Mavis Staples and Levon Helm • THROUGH THE LENS: The New Orleans Jazz & Heritage Festival Returns • Delbert McClinton Honors His Heroes as He Settles Into a Major Career Change - No Depression • ALBUM REVIEW: On ‘Moving Through America,’ Steve Forbert Seeks the Extraordinary in the Ordinary - No Depression • Drawing Conclusions on the Wall: A Visit to the Bob Dylan Center • Lyle Lovett Is Not the Same, But He’s Different • ALBUM REVIEW: Tray Wellington Reframes Banjo’s Story and Range on ‘Black Banjo’ • ALBUM REVIEW: Leyla McCalla Brings Haitian History Home on ‘Breaking the Thermometer’ - No Depression • AmericanaFest with Baby on Board • ALBUM REVIEW: Sharon Van Etten Unleashes a Sea of Sound on ‘We’ve Been Going About This All Wrong’ - No Depression • Best of April 2022 Playlist • SPOTLIGHT: Brennen Leigh Teams Up With Asleep at the Wheel for ‘Obsessed With the West’ • 'Old Trails, New Tracks' at MerleFest 2022 • Humor and Humanity Run Through Willie Nelson’s ‘A Beautiful Time’ • Exciting Roots Artists Not to Miss at MerleFest 2022 • Patty Griffin to Revisit an Earlier Era with ‘Tape’ - No Depression • Founding Member Woody Platt Leaving Steep Canyon Rangers • SPOTLIGHT: Joshua Hedley and Those ‘Old Heartbroke Blues’ at Robert’s Western World [VIDEO] • Inside the Making of Wilco’s 'Yankee Hotel Foxtrot' • ALBUM REVIEW: ‘Just Like That …’, Bonnie Raitt Is Back With an Album That Reflects and Rocks - No Depression • Idaho’s Treefort Music Fest Celebrates Its 10th Anniversary • Neko Case Announces Retrospective Collection + One New Song - No Depression • Andrew Bird Tunes In to ‘Inside Problems’ on Just-Announced New Record - No Depression • No Depression’s 2022 Record Store Day Wishlist - No Depression • ALBUM REVIEW: Edgar Winter Recruits Derek Trucks, Joe Walsh, and More for Tribute to ‘Brother Johnny’ • ALBUM REVIEW: The Honey Dewdrops Mine Moments of Humanity on ‘Light Behind Light’ • Shop Bundles & $10 Back Journals • Dave Alvin’s Private Cancer Struggle, The Return of Turnpike Troubadours, and More • Women Roots Artists Rule SXSW 2022 • SPOTLIGHT: Joshua Hedley on Home and Heart in Robert’s Western World - No Depression • Sam Bush Shares Photos from His Personal Collection - No Depression • How Hank Williams Planted the Seed for Peter Rowan’s Next Album - No Depression • Drive-by Truckers’ Next Album Takes Us Back to Muscle Shoals’ ‘Club XIII’ • ALBUM REVIEW: Calexico Weaves a Magical Mirage on ‘El Mirador’ • ALBUM REVIEW: Father John Misty Swings Across Eras and Genres on ‘Chloë and the Next 20th Century’ - No Depression • ALBUM REVIEW: JOHNNYSWIM Looks at Love From Every Angle - No Depression • Steve Earle’s Next Album Is a Tribute to Jerry Jeff Walker • Don't Forget to Write, by John Prine • Floating Music Festival Cayamo Makes Joyous Return to Sea • Linda Ronstadt Sets Fall Release Date for New Memoir Focused on Her Homeland - No Depression • SPOTLIGHT: Joshua Hedley Brings Back Country Bangers on ‘Neon Blue’ • No Depression’s Best of March 2022 Playlist • The 2022 Grammys (For Roots Music Fans) - No Depression • Roland White: Then and Now, A Mandolin Mentor - No Depression • That’s Right: Lyle Lovett Announces First Album in 10 Years - No Depression • Are Cassettes Making a Comeback? Why Yola, Lilly Hiatt, and Others Are Feeling the Format • Western Centuries, Donna the Buffalo Founding Member Jim Miller Dies on Tour • 2022 Big Ears Festival Pulls Out All the Stops – And All the Genres • SPOTLIGHT: Molly Tuttle on ‘The Best Gig I’ve Ever Played’ • Foo Fighters Drummer Taylor Hawkins Dies in Colombia • Arhoolie Awards, MusiCares Virtual Concert, and Our Weekly Musical Finds • ALBUM REVIEW: On ‘Humble Quest,’ Maren Morris Finds Meaning in the Search • Freakwater and The Mekons Unite as The Freakons for Rich Vein of Songwriting About Coal • SPOTLIGHT: Jeremy Ivey on Finding the Little Victories - No Depression • Willie Nelson and Friends Celebrate 10th Anniversary of Luck Reunion • Delta Spirit Announces New Album With Video Honoring World Down Syndrome Day - No Depression • Playlist + Intro: A Walk Through No Depression’s Spring 2022 ‘General Admission’ Journal + Playlist • ALBUM REVIEW: New Recording Shows Beverly ‘Guitar’ Watkins Rocking Hard - No Depression • ALBUM REVIEW: Ray Wylie Hubbard Back for More Fun With Friends on ‘Co-Starring Too’ - No Depression • Good Deeds and Good Work From Amos Lee, Dolly Parton, Rhiannon Giddens, and More • Two Irish American Women Who Carried Songs Across Time • The Literary Inspiration Behind Andrew Bird’s New Single, ‘Atomized’ - No Depression • Two Arizona Festivals Celebrate Joyous Return of Live Roots Music • ‘Carry Me Home’ Album Features Final Pairing of Levon Helm and Mavis Staples - No Depression • New Documentary ‘For Love & Country’ Shares Story of Black Artists in Country Music • Jack White Asks Major Labels to Pitch In on Vinyl Manufacturing • SPOTLIGHT: Jeremy Ivey's Good Advice on 'Trial By Fire' [VIDEO] • Nashville's Ernest Tubb Record Shop to Close - No Depression • ALBUM REVIEW: Gershwin Classics Get a Country Spin From Dolly Parton, Alison Krauss, Vince Gill, and More - No Depression • Yonder Mountain String Band Plays (and Plays!) at Meow Wolf Denver • Bob Dylan Is Back With a New Book That Explores 'Modern Song' - No Depression • Outlaw Country Cruise 2022 Delivers Memorable Moments at Sea • ALBUM REVIEW: Ceramic Animal Finds Extra Shine in Partnership with Dan Auerbach • BONUS TRACKS: Bandcamp Goes Epic, The Nudie Suit’s Ukrainian Roots, and More - No Depression • SPOTLIGHT: How Jeremy Ivey’s Unique Path to Music Helped Him Find His Own Way - No Depression • THROUGH THE LENS: March Comes Roaring In With Four Exciting Roots Music Releases - No Depression • Best of February 2022 New Releases Playlist • ALBUM REVIEW: Steve Poltz Explores Life’s Moving Parts on ‘Stardust and Satellites’ - No Depression • JOURNAL EXCERPT: George Harrison’s Legacy of Spirituality, Music, and Activism Carries On - No Depression • 5 Ways Instructors Are Including Anti-racism in Roots Music Studies - No Depression • THROUGH THE LENS: Erin Enderlin on Venue Variations, Sad Songs, and More - No Depression • SPOTLIGHT: Erin Rae Invites Listeners Along on Her Journey to ‘Lighten Up’ [VIDEO] - No Depression • THROUGH THE LENS: Scotland’s Celtic Connections Festival Makes an Enthusiastic Return - No Depression • BONUS TRACKS: Record Store Day Returns, The State of the Blues, and Banjo Trading Cards - No Depression • Anna Ash on Grieving, Listening, and Being ‘In Service’ as a Songwriter - No Depression • ALBUM REVIEW: Renewed Joy of Listening Guides Del McCoury’s ‘Almost Proud’ - No Depression • No Listeners Left Behind as The Infamous Stringdusters Charge ‘Toward the Fray’ - No Depression • JOURNAL EXCERPT: Black Opry and Belonging • ALBUM REVIEW: On ‘Lucifer on the Sofa,’ Spoon Keeps It Simple - No Depression • BONUS TRACKS: Margo Price's Memoirs, A Plea from Sam Williams, and Remembering Betty Davis - No Depression • ALBUM REVIEW: Amos Lee Shows His Scars on ‘Dreamland’ - No Depression • THE *WRONG* HAUL: Neil, Joni, Have You Forgotten Your Own? - No Depression • THROUGH THE LENS: Five New Roots Music Releases That’ll Warm Up a Frigid February • ALBUM REVIEW: ‘Tomorrow’ Finds The Rave-Ups Revived After 30-Year Break - No Depression • ALBUM REVIEW: EmiSunshine Takes a New Musical Direction on Solo Outing ‘Diamonds’ • Some Thoughts on Spotify, The Real Lady A, and More - No Depression • SPOTLIGHT: Erin Rae Celebrates Living and Learning on ‘Lighten Up’ • The Colorful Roots Music of Pink Martini and Greensky Bluegrass • The Stories (and the Love) Behind Three Tony Rice Tributes • THE READING ROOM: ‘Listening to Bob Dylan’ Puts Spotlight on the Composition • SPOTLIGHT: How Anaïs Mitchell Went Viral With a Tweet About Pre-Digital Times [VIDEO] • THROUGH THE LENS: Why Vinyl? The Roots Music Lover’s Guide to Analog, Part 3 • Keb’ Mo’ Finds the Positive on Genre-Spanning ‘Good to Be’ • The Past Hangs Around on First Duo Album From The Whitmore Sisters • On ‘Age of Apathy,’ Aoife O’Donovan Builds Worlds and Sounds • SPOTLIGHT: Anaïs Mitchell on What Was Lost and Found in the ‘Real World’ • Covers, Old Favorites, and New Tracks Furnish Drew & Ellie Holcomb’s ‘Coming Home’ Collection • Interviews Recall Roky Erickson’s Story and Significance • The Song Elvis Costello Won’t Play and More of the Week’s Roots Music News • Start the New Year Right With These Exciting New Roots Music Releases • THE READING ROOM: New 33 1/3 Book Zooms In on John Prine’s Debut Album • BONUS TRACKS: A Big Year for … CDs!? Plus Other Recent Roots Music News • SPOTLIGHT: Anaïs Mitchell Comes Back to Her Own Story • A Year of Changes and Comebacks at Mountain Stage • Grace Pettis, Tristen, and Tim Easton Offer Perks Through Patreon • Mick Jagger’s Instagram, NYE Concert Cancellations, and More • The Music That Moved Us in 2021 • 2021 in Review – The Best of Everything • No Depression Reviewers and Writers' Favorite Roots Music Albums of 2021 • 50 STATES OF FOLK: How Illinois Launched a Worldwide Ragtime Craze • Inside American Aquarium’s ’90s Country Labor of Love • ND Photographers’ Favorite Roots Music Albums of 2021 • No Depression Readers’ 50 Favorite Roots Music Albums of 2021 • A Very 2021 Holiday Gift Guide for Musicians • No Depression’s Best Roots Music Photos of 2021 • HELLO STRANGER: A Walk Through No Depression’s Winter 2021 ‘Good News’ Journal + Playlist - No Depression • ‘Citizen Cash’ Book Zooms In on the Man in Black’s Politics • ND Photographers’ Favorite Roots Music Concerts of 2021 • Jason Boland and The Stragglers Combine Cowboys, Aliens, and Big Questions of the Universe - No Depression • It's Time to Vote in No Depression's 2021 Year-End Readers Poll • The Best Music Books of 2021 • Four Notable Year-End Roots Music Releases • The 2021 No Depression Guide to Holiday Music That Doesn’t Suck • Three Music Books We're Thankful For • THROUGH THE LENS: Six 2021 Roots Music Releases That Deserve Wider Attention • 2022 Grammy Nomination Highlights for the Roots Music Fan • No Depression’s 2021 Record Store Day Black Friday Shopping List • SPOTLIGHT: Warren Haynes on the Story (And How to Tell It) of Gov’t Mule’s Blues Covers • Dion Brings Friends Along for Spirited ‘Stomping Ground’ • On Getting Somewhere and Getting Nowhere • Robert Plant and Alison Krauss Reunite for More Magic on ‘Raise the Roof’ • SPOTLIGHT: Gov’t Mule Gets Funky on ‘I Asked Her for Water (She Gave Me Gasoline)’ [VIDEO] • Second Archives Set from Joni Mitchell Sheds Light on Key Songs’ Process • Jake Shimabukuro Curates Daring and Dazzling Collaborations on ‘Jake & Friends’ • Courtney Hartman on Life’s Returns • Legends of Roots Music • J.D. Wilkes and Legendary Shack Shakers Go Country on ‘Cockadoodledeux’ • Guy Clark Documentary On Demand, Black Community-Building in Roots Music, and More Roots Music News • Best Of October '21 Playlist • SPOTLIGHT: Gov’t Mule Steers All the Way Into the Blues • Women Leading the Way in Roots Music • The Man and the Album That Uplifted Live Gospel Records • ‘You Get It All’ Finds Hayes Carll at the Top of His Talents • Lilli Lewis on Bridging Two Worlds to Find ‘My American Heart’ • Box Set Brings Joyful Changüi, The ‘Sound of Guantánamo,’ to a Wider Audience • Speaking Honestly About Mental Health by Rachel Baiman • Farm Aid and Treefort Music Fest Renew Spirits on Opposite Sides of US • The FreshGrass Foundation Partners with Rhiannon Giddens-led Silkroad for New Music • Joshua Ray Walker Mixes the Playful and Profound on ‘Cowboy’ [VIDEO] • TK & The Holy Know-Nothings Run ‘The Incredible Heat Machine’ Full Blast • Jason Isbell Highlights Political Change and Powerful Songs with ‘Georgia Blue’ • More Scenes from MerleFest and Bristol Rhythm & Roots Reunion • Lilly Hiatt on Control, A Clean House, and the Making of ‘Lately’ • Bobby Rush Memoir Recounts Building His ‘Folk Funk’ Sound • Don’t Forget to Write, by John Prine • Jason Isbell, Brandi Carlile, Emmylou Harris, and More Sing Loving Tributes to John Prine • Joshua Ray Walker Puts the Sounds of Sunset into ‘See You Next Time’ • Best of September 2021 New Releases Playlist • Steve Martin Banjo Prize Names Two Winners in Two Genres for 2021 • Real Moments Outshine Rock Memories in Dave Grohl’s Memoir • SPOTLIGHT: Charley Crockett Finds His Place on ‘Are We Lonesome Yet’ [VIDEO] • Alison Krauss on Daydreams, Tony Rice, and the Road to the Bluegrass Hall of Fame • FreshGrass Festival Celebrates 10 Years in North Adams, MA • Billy Strings Finds ‘Renewal’ Amid Months of Quarantine • Trapper Schoepp Tells a Ghost Story That Hit Close to Home • ND’s Guide to AmericanaFest 2021 – A Year for Discovery • SPOTLIGHT: Truth, Fiction, and Charley Crockett • Tracing the Drive-By Truckers’ Physical and Moral Map • A Look Ahead to MerleFest 2021 • Jason Isbell and The 400 Unit to Release 'Georgia Blue' Benefit Album in October • Aoife O’Donovan Announces New Album ‘Age of Apathy,’ Songs for the Digital Era • HELLO STRANGER: Get to Know our Fall 2021 'Ghosts' Journal + Playlist • Béla Fleck Bridges Generations and Genres on ‘My Bluegrass Heart’ • Wide Range of Artists Breathes New Life into Woody Guthrie’s ‘Dust Bowl Ballads’ • Metallica Flips the Cover Album Script With Renditions from Isbell, Stapleton, and More • Crossing the Country to See Steve Earle & The Dukes at the Ryman • August '21 Best of the Month Playlist • The Immediate Family Combines Musical Heavy-Hitters for a Ramble Through Rock • Charley Crockett Builds His Own ‘Music City USA’ • Jade Bird on Breaking Out of Little Boxes • Aaron Dessner and Bon Iver Power Up Big Red Machine Partnership • A Roll Call of RIPs, Checking In With Sturgill Simpson, and More • Fall Music Books to Look Forward To • Through The Lens: Coal's Story in Song • Kacey Musgraves Reveals New Album: 'star-crossed' • Sierra Ferrell and the Winding Road to ‘Long Time Coming’ • (Some) Festivals Add Vaccine Requirements, and Country Hall of Fame Adds Inductees • Sturgill Simpson Unfurls a Sweeping Story on ‘The Ballad of Dood and Juanita’ • Summer '17 Excerpt: Afghan Youth Orchestra Finds Peace Amid Violence • Reflections on the 2021 Newport Jazz Festival • James McMurtry Rethinks ‘Road Dog’ Identity, But the Storytelling Stays • Fan and Promoter’s Memoir Is Ode to Music’s Power to Connect • Singer-Songwriter Nanci Griffith Dies at Age 68 • Alison Krauss and Robert Plant Reunite for New Album, ‘Raise the Roof’ • Sierra Ferrell and Other Outstanding August Roots Music Releases • On ‘Native Sons,’ Los Lobos Celebrate Heroes While Staying True to Themselves • Journal Excerpt: A History of Yodeling in Roots Music • Happy Anniversaries to MTV, Dualtone, Time (The Revelator) + More Roots Music News • Everyone Wins as Texas Trio Combine Talents for Nobody’s Girl • Playlist: Best of July '21 Roots Music Releases! • SPOTLIGHT: Jade Bird Makes an Artist’s Statement with ‘Different Kinds of Light’ • Sounds, Scenes, and Sentiments from Newport Folk Festival 2021 • Son Volt Takes the Long Road Home on ‘Electro Melodier’ • BONUS TRACKS: Lydia Jacoby’s Gold Medal Bluegrass and a New Woody Guthrie Tribute • Spotlight: Yola Takes Us Backstage at Newport Folk Fest • THROUGH THE LENS: Early Thoughts on AmericanaFest 2021 • Christone ‘Kingfish’ Ingram Tours the Blues and Beyond for ‘662’ • Rodney Crowell Sharpens His Songwriting for ‘Triage’ • BONUS TRACKS: Festival Surprises and a New Bootleg from Bob Dylan • THROUGH THE LENS: Red Wing Roots Music Festival Celebrates Family, Healing, and Faith • Sturgill Simpson Announces New Concept Album "Dood & Juanita" • SPOTLIGHT: Yola on Standing Up and Claiming Her Majesty [VIDEO] • Singing Takes Center Stage in Bob Dylan’s ‘Shadow Kingdom’ • ‘Encore’ Captures Bahamian Guitarist Joseph Spence Enjoying His Music and Himself • Remembering Byron Berline, Barack Obama’s Playlist, and Tough News from Ashley Monroe • Mary Gauthier on Answering When Writing Calls • Two Oregon Roots Music Festivals Come Out Roaring in a Post-COVID World • ND's Favorite Roots Music Albums of 2021 (So Far) • BONUS TRACKS: Tour Troubles, Woodstock, and Soccer Moses • The Wallflowers Mark New Beginning with 'Exit Wounds' • An Excerpt from 'Saved by a Song,' Mary Gauthier's Memoir and Guidebook • The Flatlanders Add to Their Legend With a Romp Through Favorite Songs • Quick Takes on Some Exciting Roots Music at Midsummer • Rhiannon Giddens, Author, Free-Flowing Fests, + More Roots Music News • SPOTLIGHT: Yola’s Full Strength Shines Through on ‘Stand for Myself’ • Lucy Dacus Pays a Loving Visit to Her Younger Self on ‘Home Video’ • ‘I Be Trying’ Finds Cedric Burnside in Bloom from His Hill Country Roots • Amythyst Kiah on Finding the Sound and the Strength for ‘Wary + Strange’ • Despite Gloom, The Mountain Goats Find Light on ‘Dark in Here’ • Joni Mitchell’s ‘Blue’ at 50, a Meeting of Roots Music and Metallica, + More Roots Music News • Picture Books for Pint-Sized Country Music Fans • Hiss Golden Messenger’s M.C. Taylor on Live Music and Other Labors of Love • ND Photographers Share Photos and Stories of Their First Post-COVID Shows • Get to Know our Summer 2021 ‘Voices’ Journal + Playlist • People and Place Flow Through Amy Helm’s ‘What the Flood Leaves Behind’ • Alligator Records Pilots a Blues Time Machine on 50th Anniversary Collection • Dylan Goes Digital, Mickey Guyton, an All Americana Movement, + More Roots Music News • Buckle Up for the Ride in Rickie Lee Jones’ Memoir • Amythyst Kiah Sends a Flare from Rock Bottom in ‘Firewater’ [VIDEO] • Porch Pride 2021 Celebrates Juneteenth and 5 Years of Bluegrass Pride • St. Lenox Explores Complexities of Faith on ‘Ten Songs of Worship and Praise for Our Tumultuous Times’ • Lukas Nelson & Promise of the Real Get Up Close and Personal on ‘A Few Stars Apart’ • Blues Music Awards, A Long Ride for a Good Cause, Ice Cream Flavors Honoring Musicians + More Roots Music News • 2021 Record Store Day Picks from Your Friends at No Depression • James McMurtry Announces First Album in Six Years • The Wide, Wide World of 2021 Roots Music Festivals • On ‘Laysongs,’ Chris Thile Explores Community and Communion • Music Books for Your Summer Reading Stack • A New Newsletter from Neko Case, New Memoir from Allison Moorer, + More Roots Music News • Best Of May 2021 Playlist • Amythyst Kiah Makes a Statement of Self on ‘Wary + Strange’ • Five Essential Roots Music Albums Coming in June • Artists Reflect on Mickey Newbury’s Songwriting and Career • Honoring What John Prine and Levon Helm Gave Us, and Celebrating LGBTQ+ Music and History • Black Women Rule 2021 Americana Honors & Awards Nominations • Americana Music Association Announces Nominees for 20th Annual Awards • Shannon McNally Tunes into an Outlaw Frequency for ‘The Waylon Sessions’ • ‘Sharecropper’s Son’ a Soul-Stirring Autobiography from Robert Finley • Chrissie Hynde Finds Something New in Overlooked Dylan Songs • Mdou Moctar’s Virtuosic and Thoughtful ‘Afrique Victime’ • Allison Russell on the Shero With a Thousand Faces and the Rise of the Rainbow Renaissance • A Surprise Interview With Joni Mitchell, Josh Ritter’s New Novel, and More Roots Music News • Korby Lenker on Reading, Re-Reading, and Fueling His Writing • Paula Cole Folds History and Music Together for ‘American Quilt’ • Considering Crosby, Stills, Nash & Young’s ‘Déjà Vu’ on Its 50th Anniversary • Friends, Neighbors, Collaborators: John Hiatt and Jerry Douglas Team Up for ‘Leftover Feelings’ • ND Photographers Share Stories and Photos of Their Favorite Shows • SPOTLIGHT: Allison Russell Makes Music to Break Cycles and Find the Better [VIDEO] • Bob Dylan Center Sets Opening Date, Rock Hall Announces Class of 2021, and More Roots Music News • The Black Keys Go Back to Their Blues on ‘Delta Kream’ • Forty Years After ‘The Iowa Waltz,’ Greg Brown’s Voice Rumbles Across Generations • Miranda Lambert, Jack Ingram, and Jon Randall Keep It Simple in Marfa • Sarah Jarosz Announces ‘Blue Heron Suite,’ Recording of a FreshGrass Commission Honoring Her Mother • Lucinda Williams’ Stroke Recovery, Goodbye to a Blues Legend, a Big Change at the Grammys and More Roots Music News • SPOTLIGHT: ‘Like Sucking the Poison from a Snake Bite,’ Allison Russell Shares Her Story on ‘Outside Child’ • Meet the Women Behind Five Strong Albums Coming This Month • Best of April 2021 New Releases Playlist • Ashley Monroe Paints with a Pop Palette on ‘Rosegold’ • Richard Thompson Reflects on Fairport Convention, Songwriting, and More • Robert Earl Keen Stands Out as CEO, Delbert McClinton Retires, and More Roots Music News • Latest Album Reviews: 4/30/21 • FreshGrass | North Adams Announces Lineup for 10th Annual Festival • Willie Nelson’s First Fourth of July Picnic • Sign up for your chance to win a John Prine box set! • A Jazz Incubator in Nebraska’s North Omaha • The Roots Music Photography of Jim Gavenus • Parker Millsap on Doing Better By the Earth and Its People • ‘First Agnostic Church of Hope and Wonder’ Shows Todd Snider’s Carnivalesque World • Updates from the FreshGrass Foundation, Festival, Friends + More Roots Music News • Latest Album Reviews: 4/23/21 • Buy Your 'Remember Your Roots' T-Shirt! • Subscribe, Support ND, and Receive our Summer 2021 Journal • Photo Collection Helps Arizona’s Rialto Theatre Weather Hard Times • Forty Years After First Guitar Album, Mark O’Connor Returns With ‘Markology II’ • Amigo the Devil Journeys Through the Darkness on ‘Born Against’ • Latest Album Reviews: 4/16/21 • Adding Accessibility to Concerts, A New Season of ‘Cocaine & Rhinestones,’ and More Roots Music News • Get to Know Zilphia Horton, An Activist Who Used Music to Make ‘A Singing Army’ • Through The Lens: Praise the Fiddle • Parker Millsap Reaches Out for ‘The Real Thing’ [VIDEO] • Rev. Peyton’s Big Damn Band Battles the Pandemic Blues with ‘Dance Songs for Hard Times’ • Rhiannon Giddens and Francesco Turrisi Hit Home with Intimate Recordings • Latest Album Reviews: 4/9/21 • A Check-in With Venues, New Roles for Jason Isbell & Sturgill Simpson + More Roots Music News • Brandi Carlile Lets Her Story Run Free in Warm, Honest ‘Broken Horses’ • An April Shower of Exciting New Roots Music Releases • Best of March 2021 New Releases Playlist • Parker Millsap Finds New Tools and New Mindset for Creating Music • Cha Wa Channels Mardi Gras Spirit to Celebrate Surviving and Thriving on ‘My People’ • Latest Album Reviews: 4/2/21 • A Flood of Festivals, Music Docs, + More Roots Music News • Actor Leslie Jordan Adds Roots Music Royalty to the Choir on ‘Company’s Comin’’ • How Bluegrass Got Its Three-Part Harmony By Way of Ohio • ND Photographers Share Stories and Photos of Their First Shows • Sorting Out the Fact and the Fiction in Blues • Subscribe to No Depression and Support Nonprofit Music Journalism! • Morgan Wade’s ‘Reckless’ Brings New Voice and Vitality to Outlaw Country • The Station Inn’s JT Gray, A Rockabilly Alliance, a Bluegrass Joke-Off + More Roots Music News • ‘Night Singing’ and Some Advice from Sara Watkins [VIDEO] • Native American Cylinder Recordings Connect Cultures Across Time • Signature Sounds Recordings Is a Village for Roots Music Artists • In a Year Without Touring, Artists Find Something in the Stillness (Part 2) • Jacksonville’s Turn in the Southern Rock Spotlight • Loyal Friends Fuel Fiddler Mike Barnett’s Duets Album and Recovery from Brain Aneurysm • Latest Album Reviews: 3/19/21 • Concert Calendars, Charley Pride Appreciation, Pandemic T-shirts + More Roots Music News • Loretta Lynn and Friends Bring New Life to Her Classic Songs on ‘Still Woman Enough’ • Sara Watkins on Passing Music Person-to-Person • The Roots of Americana in 10 Albums • In a Year Without Touring, Artists Find Something in the Stillness (Part 1) • John Prine Leads Roots Music Honors at 63rd Grammy Awards • A Guide to the Music and Musicians in the Cajun Tradition • What You Need to Know about NFTs, Thoughts about Grammys and Genre + More Roots Music News • Latest Album Reviews: 3/12/21 • Lake Street Dive Stirs the Mind and Soul with ‘Obviously’ • ‘My Bag of Magic Tricks’: Valerie June Looks Skyward and Inward to Empower Dreamers • How Do Freelance Musicians Buy Houses? • Fanny’s House of Music Creates a Safe Space for Women to Buy Gear • Five Strong Roots Albums By Five Strong Women • What Hazel Dickens Gave to a Riot Grrrl • The Women Who Are Taking Back Country Music • Garrison Starr Exorcises Traumas of the Past on ‘Girl I Used to Be’ • ‘Bob Dylan 1970’ Shines New Light on Overlooked Sessions • Latest Album Reviews: 3/5/21 • Dolly Addresses the Cowards and The Bottle Rockets Call It Quits • ‘A Real Kinship’: Jimbo Mathus and Andrew Bird Team Up for ‘These 13’ • Something For Everyone in March’s Roots Music Releases • Best of February 2021 Playlist • Sara Watkins Offers Space to Imagine and Dream ‘Under the Pepper Tree’ • Julien Baker Turns Up the Volume on ‘Little Oblivions’ • Willie Nelson Extends Homage to Frank Sinatra with ‘That’s Life’ • Latest Album Reviews: 2/26/21 • 40 Years of John Prine’s Oh Boy, Black History Lessons from Rhiannon Giddens + More Roots Music News • ‘Black Diamond Queens’ Celebrates Black Women’s Voices in Rock • "The Great American Songbook" Playlist • Why Vinyl? The Roots Music Lover’s Guide to Analog, Part 2 • Aaron Lee Tasjan on Sylvain Sylvain Pointing the Way • Searing Character Sketches Anchor The Hold Steady’s ‘Open Door Policy’ • Henry Louis Gates Jr. Highlights Music as the Beating Heart in the Black Church • Latest Album Reviews: 2/19/21 • Statue or No, We Will Always Love Dolly + More Roots Music News • Join our awesome emailing list! • David Huckfelt and Native Collaborators Connect over Common Ground • Photographer Jim Brock on Capturing Those Lightning Moments • Does Morgan Wallen Represent Country Music? • Musicians Carry a Heavy Load from Student Debt • Mandolin Orange’s Andrew Marlin Turns Inward for Pair of Instrumental Explorations • Aaron Lee Tasjan Reframes the Picture on ‘Not That Bad’ [VIDEO] • Latest Album Review: 2/12/21 • Mavis Staples Vaccinated, Jason Isbell’s Good Cause, a New Doc on Our Native Daughters + More • Victor Wooten Offers Lessons for Repairing Our Relationship with Music • Sign-up for email updates! • Rhiannon Giddens Takes Musical Journey ‘Home’ on New Album Coming in April • ‘Mountain Stage’ Maintains its Musical Circle • Mark Erelli on Putting Real Love into Love Songs • Shovels & Rope Create a Children’s Album for Everyone with ‘Busted Jukebox, Volume 3’ • Curtis McMurtry Digs into the Darkness on ‘Toothless Messiah’ • Latest Album Reviews: 2/5/21 • COVID-19 Hardship Goes Beyond Bands • ‘This Land’ and Sea Shanties on the World Stage • Aaron Lee Tasjan Finds Himself • Compass Records Points the Way for Roots Variety • Best of Jan. 2021 Playlist • Compassion Guides Ani DiFranco’s Fight on ‘Revolutionary Love’ • Tony Trischka’s ‘Shall We Hope’ Looks to the Past to Find Light in the Present
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