@khiflorenz

@khiflorenz has been a member of Linktree for 3 years and joined in July 2023. The social media accounts linked to from @khiflorenz are: • Facebook • Instagram • LinkedIn • Email • Bluesky • Phone Besides social media accounts, khiflorenz has populated their site with: • Work with us • The Making Of: Archival Crates with the Ambiguous Standards Institute • Florentine Arabic: Project Presentation • Martina Rugiadi: Narratives on the Medieval Periphery: Afghanistan at the Global Museum • Call for Papers • Dylan Trigg Aesthetics of Catastrophe: on Nostalgia and Dead Malls • www.khi.fi.it • Appuntamento in Giardino 2025 • Ayacucho Seminar: Empires, Environments, Objects • Juliane Noth Flowers and Plant Knowledge in Chinese Painting • Nicola Suthor:The Intellectual Work of the Line in Early Modern Drawing • It’s a Match! Orit Halpern, Iris Long and Yandong Li on Environmental Objects • Research Report 2022–2024/5: Events & Activities • It’s a Match! Cat Rossi and Alessandro Gerosa on (Post)Craft • Research Report 2022–2024/5: Projects • Subhashini Kaligotla: Song and Dance and Music-Making Around the Buddha’s Body • Research Reports • La última, pero con cubiertos Seminario y taller internacional para comer, conversar y aprender en colectivo a través de una pintura de 1780 en Popayán • Francesco Caglioti: Questioni di spazio sacro: Firenze, Padova, Napoli, Toledo • 4A_Lab Academy • Guido Beltramini: Palladio a Beijing • The Making Of: Healing Textiles with Rosie Broadhead • Aesthetics of Solace, Politics of Care • Erik Thunø: Skeuomorphic Trees. Caucasian Steles and their Porous Identities • Crafting the Renaissance Dante: Editions of the Commedia as Artefacts of Early Modern Print • Sandra Neugärtner: Small Formations. Lines and Alternating Knots as Logistic Inversions • Alex Dika Seggeman: Expressing Faith, Claiming History: Portraits of Enslaved American Muslims • Architectural Drawings in the Renaissance: Anonymous Artists, Copyists, Architects • It’s a Match! Pietro Bianchi and Karina Pawlow on (Im)material Objects • Connected Teams • Podcast „Wird die Gesellschaft unfreier?“ • It’s a Match! Elise Misao Hunchuck and Ines Weizman on Carved Stones • Camere con vista: Aby Warburg, Firenze e il laboratorio delle immagini • Reflections on Animals, Architecture, and Aesthetics • App "Aby Warburg's Florence" • In Focus: Visual poetry • Deutschlandfunk: Hana Gründler im Interview zu "Eastern Underground" • Campus Extension and Extraordinary Closures • Appuntamento in Giardino 2026 • Zeitschrift für Ideengeschichte Heft XVIII/2 Sommer 2024: Eastern Underground • Notte degli Archivi 2026: Una stanza (d’archivio) tutta per sé • Dante Depicted • Preparing and Training the Occupier’s Gaze. Photobooks as Tools of Political Propaganda in WWII • MaxPlanckForschung 01/2024 • Fuori Formato – Books beyond the norm • An installation in memory of Alexander Kluge (1932–2026) • OSCOP Project • It’s a Match! Rosa Menkman and Jens Schröter on Compression Artifacts • Book of Gold: Exhibition at MAP Bangalore • Modes of Compression: Aesthetics, Operations, Formats • MS Wissenschaft 2024 • Graffiti Art in Prison • Mitteilungen des Kunsthistorischen Institutes in Florenz, LXV. Band (2023), Heft 1 (current issue) • Call for Applications: KHI Summer School 2026 • Carolina Mangone Material and Mimesis in Bernini’s Scogliera • Nadia von Maltzahn Lebanon's Art World in Catastrophic Times: Visual Arts in the 1980s and Art History Now • Reading Session: Kirsten Day, Peggy Deamer, Andrea Dietz, Tessa Forde, Jessica Garcia Fritz, Palmyra Geraki, and Valérie Lechêne, The Organizers’ Guide to Architecture Education, Routledge, 2024 • It’s a Match! Sietske Fransen and Gloria Chan Sook Kim on Visualizations as Conduits of Knowledge • Objects. Between Absorption and Isolation • From Living Organism to Silent Structure: Material and Environmental Perspectives on Wood in Premodern Architecture • Spiritual Landscapes and Photography: An Exploration from the Caucasus to the Mediterranean • artresearch.net • Christoph Rausch: A Good Day at the Treasury: On the Readymade Values of the Market in Art and Finance • Christine Göttler: “World” in early seventeenth-century Antwerp (and Florence): Rubens and Ximenes • Abolition Garden Lecture Performance by muSa Michelle Mattiuzzi with Garden Walk & Study Display • Howard Burns Seminar Series on Architectural Drawings • Time and Material Culture Rethinking Soviet Temporalities • Christoph Möllers: Why Freedom of the Arts? • Are You a Model? • Ecologies of marble • Pisac Seminar • Tim Ingold: Three Moments in the Birth of Marble: Ocean, Quarry, Workshop • Inactivity. Between Aesthetic Practice and Socio-Political Challenge • Tommaso Breccia Fratadocchi. I colori di un viaggio di studio 1966/1968 • Avinoam Shalem: Between Black and Brown Africa: For a Critical Re-Writing of Mediterranean Histories • Andreas Mayer The Physiognomist of the Body: Balzac’s Pedestrian Observations • Giulia Basilissi, Marco Mozzo “...l’acqua piove […] e colando fa dolcezza nell’udire e bellezza nel vedere”. Il restauro della Grotta degli Animali nel Giardino della Villa medicea di Castello. • Irina Mykhailova, The Italian Renaissance in the Early Soviet Era: Between Political Appropriation and Intellectual Connoisseurship • Christoph Brumann: One World Heritage? Culture, Nation and the North-South Divide in the UNESCO World Heritage Arena • Alisha Rankin: Picturing Expertise: Eye Surgeons, Images, and Innovation in Early Modern Germany • Intorno alla mostra "Angeli Caduti" di Anselm Kiefer a Palazzo Strozzi. Una conversazione con Philip Ursprung • Alisha Rankin (Tufts University) and Curator Julia Voss on the topic of ‘Medicine’ • It’s a Match! Flavia Benfante and Jocelyn Froimovich on the Production of Architectural Images • Lise Meitner Excellence Program • AC(H)E Matinée with Johannes Krause: Archaeoscience and Art Histories in Dialogue • Venezia e la Laguna. Immaginare una infrastruttura verde • Bethany Hucks: Reassembling aegyptiaca assemblages: Towards a more complete vision of Roman perceptions of Egypt • Global Perspectives on Lithographic Printing • Virtual Photothek • Deutscher Kongress für Kunstgeschichte • Exhibition Catalogue "Camere con vista" • Pandemic Histories in Transition I+II • Hilde in Italy • Armin Linke: The City as Archive. Florence. Guided Tour • Palazzo Buontalenti. A Photographic Campaign • Archives Unbound: Time and Memory in Romantic Visual Culture • Radio broadcast "If the Archive Holds a Seed": Kate Donovan with Markus Stein • Mapping Animals in Global Spaces • Luigi Dallapiccola e le arti del ’900 Omaggio a 50 anni dalla morte • Launch Event of the Lise Meitner Group "Coded Objects" • Department Bianca de Divitiis • Aby Warburg, il Kunsthistorisches Institut in Florenz e il laboratorio delle immagini • Rooms with a View: Aby Warburg, Florence and the Laboratory of Images • Roundtable: “The City as Archive”, Firenze e il futuro dei musei I • Into Sugar We Could Have Turned • EXHIBITION "Armin Linke: The City as Archive. Florence" • Matteo Bertelé, Unblocking the Blocs • Max-Planck Partner Group 2022-2027 "Empires, Environments, Objects" Annual Meeting • Roundtable: Aby Warburg, Florence, and the Laboratory of Images • Jonas Tinius: A para-archival anthropology. Thinking with Berlin’s awkward archives • Beato Angelico a Palazzo Strozzi e il Museo di San Marco. Una conversazione con Carl Brandon Strehlke, Patricia Rubin e Gerhard Wolf • Stillness in Motion Conversations on Maria Bartuszová • Conversation: “The City as Archive”, Firenze e il futuro dei musei I • It’s a Match! Petter Hellström and Toby Yuen-Gen Liang on Seeing Blank Spaces • LXVI. Band (2024), Heft 3 • Rooms with a view Aby Warburg. Florence and the laboratory of images • Rooms with a view | | Giunti Editore • Artresearch.net Launches November 3rd: A Transformative Platform for the Study of Art and Architecture • Coded. A Somewhat Emotional State. • Florentine Provenances. The circulation of cultural assets in Florence, 20th-21st Centuries • Decay, Persistance, Re-Posession, and the Archive • The Materiality of Ziyāra in the Early Islamic World: Tombs, Shrines, Practices and Politics (ca. 650-1300 CE) • Lucila Mallart: Archiving the Nation, Undermining the State: The Iconographic Repertoire of Spain (1914-1929) • Art History, Epistemic Injustice and Ideological Violence • It’s a Match! Jiangtao Harry Gu and Kylie Thomas on Resistant Objects • De reinos y naturalezas: ecologías, saberes y visiones del territorio • MaxPlanckForschung 3/2025: Was ist schön? • Forschungsquartett | Schönheit in der Wissenschaft | detektor.fm – Das Podcast-Radio • The Making Of: Stories Through Hot Wax with Elia Nurvista • Archives • Seed Sounds • Urban Images and Their Unpredictable Narratives 1450-1950: Stakeholders, Authorities, and ‘the Other' • Asian Art in Planetary Perspective • Art and Political Emotions in the 20th and 21st Century • Photography * Research * Library: An Online Exhibition by Photothek of the Kunsthistorisches Institut in Florenz • Who is Matthew? A New Interpretation of Caravaggio’s Calling of St. Matthew in the Contarelli Chapel • Das Paradies: The Anthropocene Extinction in the Early Modern World • Art and Conflict in Times of Climate Change • Ivan Foletti: Notre-Dame’s Myths. Gothic architecture, imperialism, and national identity • The Making Of: Recasting Organs and Rearranging Waste with Teodóra Róka • From Dante to Picasso. 12 works from the Serlupiana Library • It’s a Match! Paolo Scrivano and Neilabh Sinha on Distant Objects • gelatirehabilitation.ge • Rosinka Chaudhuri: Aesthetic Education in Schiller and Tagore • LXVI. Band (2024), Heft 1/2 • Trading Zones: Art and Philosophy in Eastern Europe since 1945 • Beatrice Trînca: Text Gardens: Mediological Perspectives on the Late Medieval Book of Nature • Lucia Raggetti: Street Science and Affordable Art: the Knowledge of Nature and its Properties in the Arabo-Islamic Mediaeval Tradition • Çiğdem Kafescioğlu: Hagia Sophia to Theotokos Mouchliotissa: structures and narratives of memory and erasure in early modern Istanbul • Da Dante a Picasso. 12 opere dalla Biblioteca Serlupiana • Frei Otto: Building with Nature • Kubikat • Nicola Berlucchi: Il restauro nel caso degli eventi traumatici. Una situazione al limite. • Photo Archives and the Place of Photography • Digital Photothek • Digital Humanities Lab – Kunsthistorisches Institut in Florenz • Chana – Estación para las ciencias del lenguaje y la interculturalidad • Research at the Photothek • CripTech Creativity: Rethinking Access through Art and Technology • Jasmin Mersmann: Dealing with the Devil, promoting the Virgin: The Case of Christoph Haizmann • Conversazioni Serlupiane I Anima, mondo, libro: Ficino • Kathryn Rudy: Touching narratives in prayerbooks: a taxonomy • Photography Reference Library • Urte Krass: Incorporations: Human Remains Entering Novel Constellations in Early Modern European Collections • Giuliano da Sangallo e le arti • Michaela Schäuble: Epistolary Ethnography: Accounts of a “tarantata” from Southern Italy • LXV. Band (2023), Heft 2/3 • Barbara Wittmann: Under the Spell of the Horizon: Life Path and Economy in Claude Lorrain’s Work • Silhouettes, Shadows and Masks as Thinking Models: Reflecting with Fanon, Mbembe, and Mudimbe • Eleonora Pistis: Liquid Knowledge: Antiquarians on Architecture, History, and Water • Via Gustavo Modena 13: KHI campus in Florence grows with addition of new building • TRANSITIONS: Via Modena 13 • Campus Extension • What's on • Subscribe to our newsletter • Vimeo • Imprint/Impressum