@damiendavis

damiendavis has been a member of Linktree for 3 years and joined in January 2023. Besides social media accounts, damiendavis has populated their site with: • Against Default Settings • What Artists Sign Away • The Hidden Curriculum of Survival • On Refusal, or What I Won’t Say About Your Work • Awards Season and the Management of Cultural Power • When Artists Lose Their Archives • After the Strike, Will Art Galleries Be Allies? • Why Are We Paying for the Privilege of Rejection? • Everything Is Not Fine in the Art World • The Art School Debt Trap • Night at the Biennial • When Artists Are Too Old to Be “Emerging” • It’s Time to Rethink the 50/50 Split With Art Galleries • Rashaad Newsome’s Futurist Manifesto of Black Joy • Juneteenth Is the Story of a Freedom Withheld • We’re Not Your Pride Publicity Stunt • Let It Burn • Manufacturing "Black Fatigue" in the Art World • Who’s Afraid of Successful Black Artists? • Underground and Unapologetic: Culture Wars Anthems • Underground and Unapologetic: Civil Rights Sounds • Underground and Unapologetic: Harlem Renaissance Mix • Underground & Unapologetic: A Black Queer Zine Workshop • Store — Damien Davis • Returning the Gaze of Ancient Egyptian Funerary Portraits • The Native Son 101 List celebrates Black queer men who are disruptors creating change - Queerty • Ron Norsworthy’s Revolution of Queer Black Male Self-Love • NATIVE SON Class of 2023 • Damien Davis: Artists as Center of Ecosystem • SEARCHING. | Damien Davis in conversation with Emil Wilbekin • Get To Know Damien Davis - AFROPUNK • ARTFORUM: Damien Davis at Project For Empty Space • WEBSITE: Damien Davis • SEARCHING. — Project for Empty Space • Flowstate /North Brooklyn Artists | Damien Davis | Episode 4 | PBS • Mount Vernon, N.Y.: Can Public Art Help to Heal Old Divisions? (Published 2021) • 6 Art Gallery Shows to See Right Now (Published 2021) • Damien Davis: Color Cargo • Queer Artists in Their Own Words: Damien Davis Likes Science Fiction and Decoding Black Symbolism • Sugar Hill Museum Brings Art to New York’s Youngest (and Poorest) (Published 2018)