Berkeley Fiction Review

Berkeley Fiction Review has been a member of Linktree for 6 years and joined in June 2020. The social media accounts linked to from Berkeley Fiction Review are: • Facebook • Instagram • Spotify • YouTube • X Besides social media accounts, berkeleyfictionreview has populated their site with: • Sudden Fiction Contest 2026 – Berkeley Fiction Review • “Horrifying” October Fiction Contest Guidelines • Online Magazine • Our website! • Staff Writer Application! • Become a Sponsor! • Art Submission Guidelines! • "A Message of Encouragement from Mark Salzman" by Audrey Ouh • The Sound of Miles – Berkeley Fiction Review • "Borderline," a Personal Essay by H.A. • The Celebrity Memoir – Berkeley Fiction Review • "A Writer’s World" by Maya Jimenez • Meaning and mortality in kaveh akbar’s MARTYR! – Berkeley Fiction Review • Spooky Stories Ranked by Your Resident Horror Expert – Berkeley Fiction Review • Variations of Summer by Stella Ho • I Don’t Care for Character-Driven Stories Anymore, and You Shouldn’t Either • Petal Heart By Gillian Murphy • The Parakeet by Mani Latifi • The Hatch by Michael T. Solberg • A Review of Shopgirls by Jessica Anya Blau • Growing Pains • Issue 44- Bayshore • Reimagining Gothic Literature: Sex, Shame, and Society in Nosferatu (2024) By Taline Hagopian • Collectively Conscious • My Brilliant Ferrante: A Retrospective on Elena Ferrante’s Neapolitan Quartet • Lending and Learning: The Revolution of the Library • Enlightenment • “But What Was She Wearing?”: Little Red Riding Hood and a Critique of Condemnation in Children’s Literature • The Places I Went but Did Not Stay: A Writer’s Cartography of Grief • Golgori • Inversed: A Review of Intermezzo by Sally Rooney • Learning to impede the movement: thoughts on Red Doc> by Anne Carson • Sudden Fiction Contest Submissions • Recycling • Japan’s Oppenheimer Problem: Fact, Fiction, and Storytelling in Modern Politics • Refuse • Don’t Kill the Bug! Kafka’s Plea for Self Preservation in The Metamorphosis • Order Issue 44! • Unrecorded Lives: A Review of Tell Me Everything By Elizabeth Strout • 20 Books That Have Shaped Me • Soundtrack Your Reading • Class and Connection in Sally Rooney’s “Mr. Salary” by Mary Leung • Authorial Projection: A Review of Writers & Lovers by Lily King • Interview with the Director: Natasha, Pierre & the Great Comet of 1812 • Meaning, Experience, and Changed Perspective in Joan Didion’s The White Album • How “Old” Literature Reminds Us of Our Humanity in the Modern Era • The Best Writer You’ve Never Heard Of: Richard Yates and the Dead Genius of American Suburbia by Romie Ashland • writingonwritingonwritingon: Craft as Inhabited Skin • The Summer of Disquiet: Finding Connection Amidst Existential Solitude by Mattis Gravingen • Astrological Placement of the Millennial Woman: A Review of Jenna Tico’s Cancer Moon • Heathcliff, it’s me, I’m Cathy: What to Expect from Emerald Fennell’s Wuthering Heights Adaptation by Giselle Lipsky • A Book Lover’s Bag by Julia Chiappe • On the Crimson Intensity of a Secret First Love: A Review of Sunburn by Chloe Michelle Howarth • Look Deeper into The Well of Loneliness: A Defense of the First Lesbian Novel by Alexa Vazquez • Love, Loss, and Longing in Haruki Murakami’s Norwegian Wood by Mary Leung • Robinson Crusoe to The Boxcar Children: A New Generation of Protestant Survivalist Story by Ella Kirshbaum • The Role of Violence In Claudia Hernandez’s “De Fronteras” by Celia Ruiz • Julia Chiappe's Commentary, "Rookie, Revisted" • Talking with Tavi Gevinson: An Interview by Julia Chiappe • Find a Black-owned bookstore near you