Andy Hazel

Andy Hazel has been a member of Linktree for 3 years and joined in December 2022. The social media accounts linked to from Andy Hazel are: • LinkedIn • X • Bluesky Besides social media accounts, andyhazel has populated their site with: • Mark Cousins on stories, documentaries, film and The Story of Documentary Film • Neil the seal and the problems of popularity • The Last Picture Show: a conversation with George Lucas - A Rabbit's Foot • Live Review: Al Jardine & The Pet Sounds Band @ Hamer Hall, Melbourne • Director James J. Robinson on First Light • Live Review: Stereolab, Mick Harvey & Amanda Acevedo @ Forum Melbourne • Live Review: Cass McCombs, Bodies Of Divine Infinite Eternal Spirit @ Thornbury Theatre, Melbourne • Diversity triumphs at Cannes Film Festival 2026 • Chuko and Arie Esiri on Clarissa, their Nigerian adaptation of Mrs. Dalloway - A Rabbit's Foot • Peter Jackson Compares New Gollum Movie to Joaquin Phoenix’s ‘Joker’ • Jodie Foster on Taxi Driver and why "I wasn't really designed to be an actor". • Live Review: The Beths, Womb @ Forum Melbourne • Live Review: Bic Runga @ Northcote Theatre • Live Review: Bluetile Lounge, Garage Sale, Wriding @ Brunswick Ballroom | The Music • What the 98th Academy Awards reveals about the film industry • Julia Ducournau tackles grief, shame and the AIDS crisis in Alpha • Natalie Portman, Ugo Bienvenu and ‘Arco’ • Alexander Skarsgård on love, sex and Pillion • A Year After David Lynch’s Death, the Band Xiu Xiu Is Keeping ‘Eraserhead’ Alive Onstage • ‘We’re doing it together’: Hamnet director Chloé Zhao on the power of grief • Andrew Dominik: Truth & Myth • ‎A 2025 playlist by Andrew Hazel - Apple Music • 2025 Marrakech International Film Festival reveals the contradictions of the city • Scarlett Johansson on her directorial debut Eleanor the Great • Andy Hazel talks Tacoma Radar on Future Perfect, Triple R Radio, November 17, 2025 • Live Review: Clap Your Hands Say Yeah, Loose Tooth @ The Night Cat, Melbourne • Filmmaker Lynne Ramsay on her return with Die My Love • KPop Demon Hunters Talk 'Golden': Inside The Biggest Song Of The Year • At Ellis Park, Justin Kurzel finds his own Heart of Darkness • No One Waved Goodbye • Kunsang Kyirong’s ‘100 Sunset’ • Splitsville: Michael Angelo Corvino and Kyle Marvin on Comedy, Craft, and Climbing Back - The Curb | Film and Culture • Robert Redford, the man who lived • Tears flow for Chloé Zhao’s Hamnet at Toronto International Film Festival • How Paul Greengrass Shot ‘The Lost Bus’ with a Real School Bus and an Actual Fire, with Matthew McConaughey and Producer Jamie Lee Curtis • Filmmaker Eva Victor tackles the ‘hard things’ in Sorry, Baby • MIFF Review: First Light is an astonishing debut feature from James J. Robinson - The Curb | Film and Culture • Charlotte Wells: From Aftersun to Jury President at the 2025 Melbourne International Film Festival - The Curb | Film and Culture • Live Review: Live Review: Dick Diver @ Thornbury Theatre, Melbourne • Actor Harris Dickinson tuns to directing with Urchin • An interview with Rebekah del Rio, and Twin Peaks: Conversations with the Stars • Gabrielle Brady, director of The Wolves Always Come at Night • The 100 Best Movies of the 2020s (So Far) • Live Review: Supergrass, Rocket Science @ The Forum • Director Wes Anderson on bringing The Phoenician Scheme to Cannes • Sydney Film Festival Interview: Cannes Palme d’Or winner Jafar Panahi - The Curb | Film and Culture • The best of Cannes Film Festival 2025 • Stellan Skarsgård Finds One of His Best Roles in ‘Sentimental Value’ • 'A unique interpretation of psychology': Julian McMahon and Lorcan Finnegan on making The Surfer - The Curb • How Jacob Elordi Physically Transformed for Justin Kurzel’s Piercing War Story ‘The Narrow Road to the Deep North’ • Live Review: Max Richter @ Hamer Hall, Melbourne • Getting to The Substance: An interview with director Coralie Fargeat • Beautiful Dark at Lulie Tavern + Wild at Heart • Live Review: Gillian Welch & David Rawlings @ Hamer Hall, Melbourne • "The power of both": A farewell to David Lynch • The Brutalist actor Adrien Brody on creating art that lasts • Patricia Arquette on ‘Severance’ and David Lynch’s ‘Lost Highway’: I ‘Met My Own Shadow’ • Live Review: Primal Scream • Donate to Fire relief for Ben and Daren, organized by Belinda Misevski • The tunes of 2024 • Joan Chen on Twin Peaks, motherhood, and finding new acclaim with Didi • Live Review: Superchunk, The Meanies, Delivery @ Corner Hotel • Marrakech International Film Festival showcases the future of cinema • Anora writer and director Sean Baker on ‘our oldest profession’ • Todd Haynes: “What Happened This Summer was Tough” • Tim Burton Rules Out ‘Scissorhands,’ ‘Nightmare Before’ Sequels but Says ‘I’m Sure There Will Be’ Another Johnny Depp Collaboration • Game of throwns: Dungeons and Dragons turns 50 • Mélita Toscan du Plantier and the Marrakech International Film Festival - The Curb • Bertrand Bonello on The Beast and Working With Léa Seydoux: 'I'm Not Here for Messages' - The Curb • From The Home Song Stories to Dìdi Joan Chen Says: “My Path is a Wild One” - The Curb • Live Review: Pearl Jam @ Marvel Stadium, Victoria • Live Review: Peggy Frew, Sweet Whirl @ Bergy Bandroom • Live Review: Buzzcocks, Modern English @ Northcote Theatre • Shotkickers Is Fundraising An Expansion: ‘We Want To Be Able To Give Bands That First Single Launch Level Gig’ • A new age in Bali • Live Review: Teeny Tiny Stevies @ Northcote Theatre • Live Review: Belle And Sebastian, Badly Drawn Boy @ The Palais • David Lowery Teases His ‘Weird, Weird Movie’ ‘Mother Mary’ and Acting for Luca Guadagnino in His ‘Queer’ • Justin Kurzel on ‘The Order’ and Making His ‘Life-Changing’ Doc ‘Ellis Park’: ‘I Didn’t Come Out the Same Person’ • Actor Austin Butler on masculinity and making movies • Live Review: Quivers @ Northcote Social Club • Live Review: Dirty Three @ Hamer Hall, Melbourne | The Music • LIVE REVIEW: Dirty Three • Live Review: Good Morning, Cool Sounds @ Melbourne Recital Centre • THE SATURDAY PAPER: #MeToo arrives at the 77th Cannes Film Festival • A ramble through the 77th Cannes Film Festival • Mad Max’s George Miller gets to the heart of epic stories • Cannes 2024: The Second Act review—a cinematic soufflé of satire • ‘Monster’ director Hirokazu Kore-eda • Filmmaker Tig Terera • Live Review: Nat Vazer, Willowbank Grove, Private Mountain @ Howler • Live Review: Chris Isaak @ Palais Theatre • Live Review: Love Of Diagrams, Scott & Charlene's Wedding, Thibault @ Northcote Social Club • Live Review: Teenage Fanclub & Euros Childs @ The Croxton • Live Review: Kings Of Convenience, Magic Steven, Banjo Lucia @ Forum • Live Review: Cavetown + Aleksiah @ The Forum • Live Review: Taylor Swift's Eras Tour • Live Review: The Native Cats, Parsnip, Ov Pain @ The Curtin • Composer and legend Ben Frost • My playlist of 2023 on Spotify • Actress Jessica Chastain • Live Review: Alvvays, Hatchie @ The Forum • 2023 Marrakech International Film Festival • Singer Margret RoadKnight • Memory, Mafalda and the ESMA Museum in Argentina • Live Review: Fazerdaze, Sweet Whirl, Garage Sale @ The Gasometer • “Making Sport White”: Paul Schrader on Taxi Driver • Actor Jason Schwartzman • Live Review: Body Type, Gut Health & Sweetie @ Corner Hotel • Beautiful Dark - The Music of Twin Peaks at the Astor • ‘How to Have Sex’ director Molly Manning Walker • Live Review: Slowdive @ Forum Melbourne • Director Warwick Thornton • Ben Frost / A Predatory Chord | NASTY Magazine • Cannes Film Festival 2023 • Cannes ’23: Indiana Jones and The Dial of Destiny Review • Cannes ’23: Jeanne du Barry Review • Live Review: The World Is A Vampire Festival @ Kryal Castle • Live Review: Flyying Colours, Blue Vedder, Emotion Picture @ Bergy Bandroom • Live Review: Beach Bunny, Voiid @ The Croxton • Live Review: Rod Stewart, Cyndi Lauper @ Rod Laver Arena • Live Review: Carly Rae Jepson @ Forum • Live Review: Stella Donnelly, Jade Imagine, Mia June @ Northcote Theatre • Live Review: Soccer Mommy, Phoebe Go, Garage Sale @ The Croxton Bandroom • Singer-songwriter Martha Marlow • Live Review: Cowboy Junkies @ Melbourne Recital Centre • Filmmaker Ruben Östlund • Top tunes of 2022 (with guitars) - Apple Music • Top tunes of 2022 (with guitars) - Spotify • Opening dialogues at the Marrakech International Film Festival 2022 • The Next Best Thing To Watching Your Arse For 42:05 • Live Review: Cut Copy @ Northcote Theatre • Live Review: Dry Cleaning @ Corner Hotel • Live Review: Ride @ The Forum • A chicken layover • Director Goran Stolevski • How native foods are transforming Australian cuisine