@Skinazi

Skinazi has been a member of Linktree for 5 years and joined in January 2021. Resources Skinazi has populated their site with include: • Fathom – The UK’s Sephardic Renaissance • Ping! Scan test results arrive in hours… if you’re in LA - The Jewish Chronicle • Blessed Hands: Cooking Up a Show With My Turkish Jewish Granny Tickets, Thursday, June 11 • 7 PM - 9:30 PM | Eventbrite • ‘Am I being charged for mentioning I had breast cancer?’ - The Jewish Chronicle - The Jewish Chronicle • Why I won’t take a test to see if my breast cancer will return - The Jewish Chronicle - The Jewish Chronicle • Guest Post: Colorizing History - by Alex Stein • Pilates? Isn’t that just stretching? - The Jewish Chronicle - The Jewish Chronicle • After my mastectomy, I wondered: Is life too short to watch The Walking Dead? - The Jewish Chronicle - The Jewish Chronicle • Yiddish, Arabic, and the Searc… - Heritage Words - Apple Podcasts • ‘I heard you had breast cancer, and I meant to text’ - The Jewish Chronicle - The Jewish Chronicle • Is this what it is to be a Jewish patient in the UK today? - The Jewish Chronicle - The Jewish Chronicle • Where ISIS and the UN Converge: A Jewish Reading of “Fundamentally” by Nussaibah Younis • How mysterious garden decor made me feel at home as a Jew in Bob Vylan's England - Jewish Telegraphic Agency • By the Thames, There We Sat Down, Yea, We Wept, When We Remembered Babylon • I wish my new toy was more stimulating company! - The Jewish Chronicle • “Chutzpah”: The Story of a Haredi, Queer Role Model • My bodywork decisions are NOT for Mom to make - The Jewish Chronicle • My silicon implants feel like two permanent ice packs - The Jewish Chronicle • Generations of Love and Loss in Zeeva Bukai’s “The Anatomy of Exile” • In Michael Weingrad’s “Eugene Nadelman,” Eugene Onegin Plays Spin the Bottle at a Bar Mitzvah and Hilarity Ensues • How I got to give a Shoah lecture on January 27 - The Jewish Chronicle • ‘Here’s why I need to be fatter ’ • Sixty Years Ago, A Crime-Solving Rabbi Appeared: Remembering Harry Kemelman’s Rabbi Small Series • ‘I feel self-conscious about my post-masectomy body, but no one raised an eyebrow’ • My Tour of Jewish Pico • Venice and Murano through Time: Tracy Chevalier’s 'The Glass Maker' • My mother insists that I’m hot • Songs for our Time: A Review of Ayelet Tsabari’s 'Songs for the Brokenhearted' • Why I’d rather tough it out than take painkillers • Halachic Spouse Swapping, a Haredi Rabbi Lover, and Five-Star Mishloach Manot: A Review of “Olive Days” by Jessica Elisheva Emerson • Jewish History Inside the Camphorwood Chest: Jay Prosser’s “Loving Strangers” • Inspiration from a Sicilian mikveh • My cancer diary: I’m reconstructing me… a bit at a time • Why we need a month dedicated to Britain’s Jewry • The Modernist Novel You’ve Never Heard of: A Review of Blanche Bendahan’s “Mazaltob” • This was Robert Downey Jr.'s most Jewish (or at least most Talmudic) movie • My reminder that life is not a real • A Testament to Friendship: Gabrielle Zevin’s “Tomorrow and Tomorrow and Tomorrow” • “The People Had Done it to Themselves”: Sarah Bernstein’s “Study for Obedience” • Women mentors backed off until I got the big C • Dreaming of retirement in the Shtetl-by-the-Sea • 100 days since October 7: I just wish this ‘match’ would end • Review of The Wolf Hunt • How I turned to blue-sky thinking • Some happy tears • An Interview with Yaniv Iczkovits, Author of 'The Slaughterman’s Daughter • My Barbie Body • Read these 6 novels of 5783! • Review of Anne Berest’s “The Postcard” • Why I Scaled a Peak before Surgery • Nerdy Jews and Glamorous Gentiles: A Review of Curtis Sittenfeld’s “Romantic Comedy • Goodbye, breasts. You no longer spark joy. • Say a little prayer for me, if you like • If Only They Knew: A Review of Jonathan Freedland’s “The Escape Artist” • Karen's Giving Page • I’m going to dance the mezinke • My dad was a feminist • PSA: Get your Mammogram • A day of chaos in Mumbai • The Rise of the Orthodyke: A Review of Melissa Broder’s “Milk Fed” • The chance to emerge as a writer • Tracy Chevalier at the University of Bristol: Free to the public • A story told in song: review of Elizabeth Graver’s Kantika • Mrs. Maisel Meets the Son of Zion: Joshua Cohen’s “The Netanyahus” • The Lady Doth Reveal Too Much (aka Haarts and Boobs) • Review of Victoria Goldman’s The Redeemer • Shalom, Sensei! Cobra Kai and Judaism • Top 5 shows for the 10 Days! • Help! The Evil Weevils have taken over my house! • Review of The Forest of Vanishing Stars • Review of Meira Drazin’s Honey and Me • Review of Brett Kaplan’s Rare Stuff • Jasper finally has his barmi • Is this Charedi feminist defending a rapist? • Jewish life in Marseille • Jewish and Muslim women come together for charity • Shababnikim season 2–with English subtitles! • Genesis JBW Emerging Writers’ Programme • Fundraiser iftar • Israeli Suffragettes of the 21st Century • Review of Johanna Kaplan’s “Loss of Memory is only Temporary” • Like ‘Unorthodox’ and ‘Shtisel’? ‘Shababnikim’ offers a fresh, funny new view into Orthodox life • The Ambiguous Jews of The Morning Show • Our irrational fears are also entirely rational • Exclusion Training • Miami: a glitzy Gan Eden • The return of the in-person conference: the association for Jewish studies • Sephardiface in new Israeli drama • Why am I not sad about the end of Chanukah? • Review of Dalia Sofer’s Man of my Time • Tracy Chevalier and Karen Skinazi —Delving into the Past through Fiction • Review of From the Jewish Provinces • Review of The Doll • Jewish News podcast on My Unorthodox Life • Twenty-first century Jewish literature by women in the US • Review of Sidura Ludwig’s You are not what we expected • Review of Mira Sucharov’s Borders and Belonging • Women of Valor • Part Tarantino, Part ‘Parasite,’ totally Jewish: Michael Mayer’s Israeli Hollywood Nightmare • A Scholarly Unorthodox • Visiting Jewish Essaouira • Review of Shababnikim • A trip to (Jewish) Shanghai • Relatable Romances in Ramy • Sneak peek at Shtisel season 3 • The art of Mizrahiness • I May destroy you: the Jewish connection • Why the shofar is the perfect soundtrack for I May Destroy You • Momo’s Minecraft creation in Kveller! • The year my name turned toxic • Our special issue of Shofar on the art and feminism of Orthodox Jewish women • I’m Jewish. She’s Muslim • Jewish and Muslim women join forces • Women of Valor reminds us Orthodox Women are More than Caged Birds • Canadian Friends of Hebrew U Valentine’s Day spotlight • My son’s Orthodox Jewish school is 85% Muslim