@CycloneWehner

CycloneWehner has been a member of Linktree for 5 years and joined in June 2021. Resources CycloneWehner has populated their site with include: • Miss Kaninna Is Realising Her Own Black Ambition • Brooke McClymont and Adam Eckersley interview: Souls at home • Phil Jamieson interview: A new solo flight • The Year Of horsegiirL: The Equine DJ, Producer & Enigma Talks Debut Album, Ninajirachi Friendship & Aus Tour Plans • Country Grammar: The Explosion Of Country Rap • Party Like It's 2007: The Presets Are Putting Their Own Spin On The Indie Sleaze Revival • Simple Minds' Jim Kerr Reveals CHVRCHES' Iain Cook Appears On Forthcoming Album • Golden Age Hip Hop Trailblazers Salt-N-Pepa Are Returning To Australia As They Herald Their Own Renaissance • Your Favourite Artist's Favourite R&B Artist, Baby Rose, Is Bringing Yearning Back On 'YEARNALISM' • OP-ED: Madonna Is Back To Remind You That She's The (God) Mother Of Dance-Pop • Kelsey Lu – 'So Help Me God' review: ambitious pop auteur resurges with a riveting testimony • The Superjesus interview: Revisiting the Jet Age • www.jbhifi.com.au • 'I Wouldn't Change A Thing': Ecca Vandal Reaches New Heights With 'LOOKING FOR PEOPLE TO UNFOLLOW' • Dua Saleh – 'Of Earth & Wires' review: seeking love, hope and humanity in an age of conflict and disruption • Morgan Evans interview: Meat and greet • Buy TheOGLone a Coffee • 'An Album Purely For People': trials On The Journey To His Deeply Personal – And Raw – Solo Debut, 'hendle' • How Lily Allen Reclaimed Her Art, Life And Narrative With ‘West End Girl’ | The Music • Finally Returning To Australia, Faithless Are Paying Homage To The Beloved Maxi Jazz While Looking To The Future | The Music • Live Review: Transvision Vamp @ Northcote Theatre, Melbourne | The Music • Untitled Group's Past, Present And Bigger Future | The Music • THE NME 100: ESSENTIAL EMERGING ARTISTS FOR 2026 • Live Review: AO LIVE - Peggy Gou @ John Cain Arena, Melbourne | The Music • John "Jellybean" Benitez On The Secrets To His Decades-Long Career: 'When I Play Music And People Are Dancing, I'm So In That Moment' | The Music • Tom Odell interview: Things just keep happening • Live Review: 070 Shake @ 170 Russell, Melbourne | The Music • FLASHBACKS • Alison Wonderland: 'I've Become A Lot More Confident With My Creativity And What I Stand For' • Franz Ferdinand interview: Facing the fear • ATARASHII GAKKO!: 'We're Constantly Refining And Reimagining Our Performances' • The 046 Secure Their 'Legacy In Motion': 'We're Gonna Start Dropping Albums Again, Hopefully Every Year' • The best Melbourne bands and artists of all time • Hatchie interview: Some candy talking • Thompson Twins interview: Reclaiming their legacy • Sudan Archives interview: One-woman band show • 'My First Album Wasn't Quite Where I Am Now’: WILSN Is In Full Flower With ‘Bloom’ • 'The First Time I'd Written About Love In That Way': Ruel Returns To His Roots On 'Kicking My Feet' • The best Melbourne albums of all time • Cut Copy interview: Moments with frontman Dan Whitford • ‘Sonically, People Are Seeing The Weird Stuff Win’: Stevan Discusses The Maturity And Growth Of ‘Arrested Development’ • Swedish Superstar Zara Larsson Eyes Australian Tour • STACK #251 September 2025 • The Bamboos interview: Back with their Best • Wolf Alice interview: Coming in soft and clear • The Local Bands Lost in the 2010s • Ninajirachi Explores The 'World And Lore Building' Behind Debut LP 'I Love My Computer' • Darcus Beese On BIGSOUND & His Expansive Career: 'I Wanted To Wake Up Being In The Artist Business' • Can Music Tourism Shore Up The Australian Economy? • Touché Amoré on Weird Al Yankovic, Daniel Radcliffe, Coachella and 'hardcore kids' • Forest Swords review – hyper-textural electronic music • Caamp talk new album, tour – and their surprising ties to the King of Pop • Beth Gibbons review – emotional immediacy at Melbourne's Rising • James Vincent McMorrow on ditching a major label obsessed with TikTok for indie freedom • Dope Lemon: Waking up to Golden Wolf • Like A Rolling Stone: Why Are So Many DJs Leaving Australia? • BIG WETT On Her Empowering, Edgy New EP 'RISK IT': 'I've Always Had An Anarchist Spirit' • Toto, Christopher Cross review – yacht rock revival in Melbourne • Daylight Ravings • Live Review: Cyndi Lauper, The Veronicas @ Rod Laver Arena, Melbourne • Victor Ray On His Debut Australian Tour: 'It's Quite A Soulful Experience; It's Very Raw' • The Horrors interview: New beginnings • Live Review: Groove Armada @ Live At The Gardens, Melbourne • Meet The Australian DJs Making Waves Across The Globe • Ganavya On The Thrills Of Music: 'Love Keeps Finding Us, Even If We're Not Looking' • Black Country Artists To Listen To In 2025 • THE NME 100: ESSENTIAL EMERGING ARTISTS FOR 2025 • SZA – 'SOS Deluxe: Lana' review: chasing tranquility amid the chaos of love, life and fame • 'A primal release': The Prodigy continue the legacy of Keith Flint • Live Review: Kaytranada, Channel Tres @ AO Live, John Cain Arena, Melbourne • 20 years on, a look back at Melbourne's iconic '90s rave movie One Perfect Day • Boyd Holbrook On Portraying Johnny Cash In 'A Complete Unknown': 'We're Here To Celebrate These People's Lives' • David Gray interview: Is new album Dear Life his first art-pop project? • Live Review: Black Coffee @ Coburg Velodrome, Melbourne • Spotify • Lauren Mayberry interview: Taking time out for self-discovery • 10 Australian albums that won't be on critics' best of 2024 lists, but should be • Garfunkel & Garfunkel interview: Father and son speak • Live Review: Kim Wilde @ Palais Theatre, Melbourne • Episode 2: The Shrinking Music Media Landscape • Thelma Plum: 'I Like To Think Of This Record As Better In Blak's Big Sister' • Kim Wilde Is Brat • When Kim Wilde’s Audience Get Excited About ‘Kids In America,’ ‘It's Hard Not To Get Excited With Them’ • The Blessed Madonna On Debut LP 'Godspeed': 'I've Always Wanted More. I'm Greedy For Heart' • Esperanza Spalding On The Intergenerational Appeal Of Jazz: 'It Is So Much The Fabric Of This Music' • Album review: Jamie xx delivers In Waves • VERTTIGO: Charting the Rise of a Dream Pop Phenomenon • THE DISCOVERY - ASHRR • Forest Claudette is making layered, celebratory R&B: "It's hard to articulate happiness in a way that doesn’t feel flippant" • STACK #239 September 2024 • Jon Hopkins interview: Self-care, beer, and RITUAL • BARKAA On Her Bold New EP 'Big Tidda': 'I Wanted To Showcase All Parts Of Me As A Woman' • Elijah On BIGSOUND, AI, Being An Influencer & More: 'Nearly Everything I Do Is Creativity' • Live Review: Now Or Never @ Royal Exhibition Building, Melbourne • Henry Moodie Writes About Mental Health Without Falling Into Sad Boy Tropes: 'I'm Willing To Be Vulnerable' • Ravyn Lenae – ‘Bird’s Eye’ review: a slept-on auteur takes flight • 3% On NIMAs & Their Debut LP: 'We Made The Album That Needed To Be Made At This Moment In Time' • Artemas On The 'Spectacle' Of His Live Shows: 'My Music Has Always Been Super Melodramatic' • From Darwin To Deutschland, CYRIL Eyes A Bright Future: ‘There's A Lot Of New Music Coming’ • Maina Doe: reinventing the torch singer for a progressive R&B era • Hiatus Kaiyote Charge Ahead With Bright & Bold New Album: ‘People Like Our Music Because We Break The Rules’ • Macy Gray On Living Without Regrets & How Nicole Kidman Made Her A Better Singer • J Balvin Is Elevating Without Ego • Xzibit: 'I Love What Hip-Hop's Done For My Life, But I Don't Want Hip-Hop To Consume My Life' | theMusic.com.au | Australian music news, gig guide, music reviews • Fever Ray: ‘Getting To Know Yourself Is A Big Part Of Being Able To Be Open’ | theMusic.com.au | Australian music news, gig guide, music reviews • 'We Wanted Our Music To Be Bigger Than Our Personalities': On 'Hyperdrama', Justice Are Still Disrupters | theMusic.com.au | Australian music news, gig guide, music reviews • The Secret History Of 3D World Magazine | theMusic.com.au | Australian music news, gig guide, music reviews • Shanae Unveils 'reset': An Odyssey of R&B, Authenticity, and Artistic Evolution • INTERVIEW: Nia Archives On Her New Album ‘Silence Is Loud’ • Jeff Mills Is Still the Man From Tomorrow • PNAU On Driving A Global Phenomenon: ‘How Could That Not Shift Things?’ | theMusic.com.au | Australian music news, gig guide, music reviews • Live Review: The Human League @ Palais Theatre, Melbourne | theMusic.com.au | Australian music news, gig guide, music reviews • ‘Kids Are Growing Up: A Story About A Kid Named LAROI’ review: the Australian hip-hop superstar ponders the price of fame • The Chemical Brothers: 'When It Sounds Good, People Will Respond In An Excited Manner' | theMusic.com.au | Australian music news, gig guide, music reviews • Live Review: Texas @ Forum Melbourne | theMusic.com.au | Australian music news, gig guide, music reviews • Live Review: Australian Open Finals Festival - Men's Final Day | theMusic.com.au | Australian music news, gig guide, music reviews • Live Review: Australian Open Finals Festival - Pride Day | theMusic.com.au | Australian music news, gig guide, music reviews • Steve Lacy On Going With The Flow For New Era: ‘It's Gonna Be Very Elegant And Very Beautiful’ | theMusic.com.au | Australian music news, gig guide, music reviews • Milan Ring Is Figuring Herself Out: ‘I Just Wanna Make Some Fun Songs And Be Silly And Playful’ | theMusic.com.au | Australian music news, gig guide, music reviews • Miss Kaninna: ‘Blak Women Have Always Been At The Bottom But If You Give Us The Chance, We'll Outshine All Of You’ | theMusic.com.au | Australian music news, gig guide, music reviews • The 25 best Australian albums of 2023 • Lol Tolhurst x Budgie x Jacknife Lee On Bringing Goth & Electronica 'Full Circle' | theMusic.com.au | Australian music news, gig guide, music reviews • TLC On Their Past, Present And Future As The Girl Group That Defined A Generation: ‘It’s Always The Best With Us Together’ | theMusic.com.au | Australian music news, gig guide, music reviews • Haiku Hands Protest Hypercapitalism And Corporate Culture On The Ravey ‘Pleasure Beast’ • Album Review: Daft Punk - 'Random Access Memories (Drumless Edition)' | theMusic.com.au | Australian music news, gig guide, music reviews • Rosano Martinez On The Impact Of Sound Unlimited: 'We Were Probably The First Multicultural Act Out There' | theMusic.com.au | Australian music news, gig guide, music reviews • Roger Taylor Reveals The Key To Duran Duran's Longevity: '40 Years Later, Something Really Special Seems To Happen' | theMusic.com.au | Australian music news, gig guide, music reviews • The Boy Of Many Colors: 'Music's Just One Form Of My Culture' | Purple Sneakers | Trusted For Taste • Are We Currently Experiencing The Drum 'N' Bass Renaissance? | Purple Sneakers | Trusted For Taste • Holly Humberstone: "I Really Needed To Get Into The Studio For My Mental Health" - • Jessie Ware Promises High-Energy Opulence In Summer Camp Performance: ‘It Will Be Amazing’ | theMusic.com.au | Australian music news, gig guide, music reviews • Tkay Maidza's 'Sweet Justice' Is An Epic Ode To Growth And Evolution: 'My Music Is About Overcoming Things' | theMusic.com.au | Australian music news, gig guide, music reviews • Holy Holy: 'If You Travel Outside Australia & Come Back, You Realise How Interesting Australian Music Is' | theMusic.com.au | Australian music news, gig guide, music reviews • BIG WETT Is The Melbourne Punk Taking Slut-Pop To New Extremes: ‘Some People Love It And Some Are Just So Horrified’ | theMusic.com.au | Australian music news, gig guide, music reviews • MAY-A returns with boundary-pushing new EP ‘Analysis Paralysis’: “I really wanted to experiment” • Yung Gravy And bbno$ Hit A New Peak With ‘GOAT’ Third Mixtape: ‘It’s The Most Fire Of All Of Our Shit' | Purple Sneakers | Trusted For Taste • Bag Raiders: ‘The Scene Here Is Just So Watered-down & Weird’ | theMusic.com.au | Australian music news, gig guide, music reviews • From LEFT TO RIGHT: Odd Mob's Rise To DJ Stardom, Coachella + More | Purple Sneakers | Trusted For Taste • TESTAMENT: Reliving the Nostalgia of the 90s + 2000s with International Acts and Iconic Rave Stars | Purple Sneakers | Trusted For Taste • Bang Gang DJs' Dan Single: 'We Love That We're Seen As A Heritage Act' | Purple Sneakers | Trusted For Taste • 070 Shake Live Review: Unleashing Melancholic Euphoria At Melbourne's Northcote Theatre | Purple Sneakers | Trusted For Taste • INTERVIEW: Sydney Producer Golden Features Is Ready To Unmask • Golden Features – 'Sisyphus' review: enigmatic producer keeps himself elusive on this techno venture • Thandi Phoenix: “We can’t understand the highs of life without those severe lows” • The Evolution Of Hot Dub Time Machine: Tom Lowndes Reflects On Career Ahead Of 'Boogie 1977-2023' Show | Purple Sneakers | Trusted For Taste • The Year Of Dom Dolla: Melb Muso Reflects On 'Rocket Ship' Career | theMusic.com.au | Australian music news, gig guide, music reviews • How Fractures Went From Folk Success to Full Electronic • Midnight Juggernauts: Reflecting On The Legacy Of Australia's Most Mysterious Band | Purple Sneakers | Trusted For Taste • A Decade Of Diverse Harmonies: Unsound Adelaide Marks its 10th Anniversary | Purple Sneakers | Trusted For Taste • The 15 best Australian albums of 2023 – so far • DJ Sarah Main Gets Candid About The Future Of NFT's In Music Ahead of Future Art Festival | Purple Sneakers | Trusted For Taste • Live Review: Ásgeir @ Melbourne Recital Centre | theMusic.com.au | Australian music news, gig guide, music reviews • Authenticity, creativity and the renewed rise of Australian R&B • Yacht Techno • Does Daft Punk's 'Random Access Memories' Hold Up 10 Years Later? • Snakehips Drop Debut Album 'Never Worry': 'The Vibes Were Just Right' | Purple Sneakers | Trusted For Taste • Melissa Leong • Hardwell Reflects On Legendary Career Ahead of Ultra Australia Headline Set | Purple Sneakers | Trusted For Taste • A Look Back At The History Of Ultra Music Festival | Purple Sneakers | Trusted For Taste • Live Review: Wanderlust 'True North' @ The Plaza, Melbourne | theMusic.com.au | Australian music news, gig guide, music reviews • The Doobie Brothers: ‘We Don't Try To Beat People Over The Head With Our New Material’ | theMusic.com.au | Australian music news, gig guide, music reviews • Gold Fang: Sydney's enigmatic dancehall artist making a bid for crossover stardom • SONICA Music Festival Review – On Point Programming at Inaugural Asian Pop Event • Tash Sultana: ‘I Just Don't Give A F**k About Competing With Anyone’ | theMusic.com.au | Australian music news, gig guide, music reviews • Nakhane: “I've Always Promised Myself That I'd Make a Dance Album” • Snoop Dogg Review – Hits, Covers and Tributes to Departed Greats in Melbourne • Soul II Soul: 'Let's Not Compartmentalise Us Any More Than We Need To' | theMusic.com.au | Australian music news, gig guide, music reviews • Duke Dumont: "My Only Goal is to Have a Very Good Catalogue of Music" • Live Review: Future Islands @ Forum Melbourne | theMusic.com.au | Australian music news, gig guide, music reviews • Big Freedia Talks Her New Album, Working With Beyoncé & Australian Shows | Purple Sneakers | Trusted For Taste • Kimbra: “If You Try To Annihilate Parts Of Yourself, They Just Get Stronger” • Christine Anu On Stylin Up, Passing The Baton & Revisiting Old Stomping Grounds | theMusic.com.au | Australian music news, gig guide, music reviews • Kaiit: "We Continue to Keep Pushing, Despite Not Getting the Recognition We Feel We Deserve" • Is Nostalgia Killing New Music? Vengaboys Chime In Ahead Of Aus Tour | theMusic.com.au | Australian music news, gig guide, music reviews • Live Review: Australian Open Finals Festival @ Kia Arena Sunday 29th Jan | theMusic.com.au | Australian music news, gig guide, music reviews • Live Review: Australian Open Finals Festival @ Kia Arena | theMusic.com.au | Australian music news, gig guide, music reviews • Peaches: ‘People Couldn't Tell If I Was A Joke Or If I Was Super Serious’ | theMusic.com.au | Australian music news, gig guide, music reviews • Automatic: "The Kind of Music We Write is Always a Little Bit Sinister" • Live Review: Falls Festival Sidney Myer Music Bowl 29-31 December | theMusic.com.au | Australian music news, gig guide, music reviews • The 25 best Australian albums of 2022 • Richie Hawtin: 'I'm 52, I Have A Family To Support, And This Is How I Make My Money' | theMusic.com.au | Australian music news, gig guide, music reviews • Lil Jaye Mixtape Review, NME Australia • Flume Story, TheMusic • Groove Armada Story, MusicFeeds • PANIA Cover Story, TheMusic • Craig David Story (Australian Exclusive), MusicFeeds • The Australian Trip-Hop Story, Part 2, TheMusic • The Australian Trip-Hop Story, Part 1, TheMusic • Beckah Amani, Music Feeds • Vicious Recordings, 30th Anniversary Retrospective with Andy Van & John Course, TheMusic • Coolio, Music Feeds, 2017 (Throwback) • Billie Eilish Live Review, Music Feeds • Marlon Williams, TheMusic • Montaigne, TheMusic • Pussy Riot Review, Music Feeds • Thelma Plum, Cover Story, The Music • Alex The Astronaut, Music Feeds • Jitwam, Album Review, Music Feeds • Rina Sawayama, Cover Story, TheMusic • Cap Carter, TheMusic • Tasman Keith, Music Feeds • Hoodzy, Music Feeds • Tasman Keith Album Review, NME Australia • RY X, TheMusic • Flume + Hatchie, Mid-2022 Album Wrap, NME Australia • Neneh Cherry, TheMusic • 070 Shake Review, TheMusic • Kojey Radical Interview, Cool Accidents • BLESSED Album Review, NME Australia • Sampa The Great Cover Story, TheMusic • Emeli Sandé, Music Feeds • Tate McRae Cover Story, TheMusic • BOY SODA Q&A Interview, Music Feeds • Charlie Collins Cover Story, TheMusic • Snakehips, TheMusic • Triple One Mixtape Review, NME • George Benson, TheMusic • How To Be A Music Mogul According To Industry Expert Adrian Marchesani, Music Feeds • Tai Verdes, TheMusic Cover Story • Elsy Wameyo, TheMusic Cover Story • ACRAZE, TheMusic Cover Story • Rex Orange County Album Review, Music Feeds • BOY SODA Cover Story, TheMusic • Dallas Woods, NME Australia • Beach House Album Review, Music Feeds • Tears For Fears Album Review, TheMusic • White Lies, Guest Reviewer, Press Play Podcast • Alice Glass, Music Feeds • BROODS, TheMusic Cover Story • Mild Orange Review, TheMusic • Huskii, NME Australia • Yacht Goth 2: Sea Shanties • A Yacht Goth Mixtape • Cloe Terare Cover Story, TheMusic • Years And Years Album Review, TheMusic • Bonobo Album Review, TheMusic • 2022 Album Preview, Music Feeds • My 2021 Writers' Poll for TheMusic • TheMusic's "Best Albums Of 2021" List (Contributor) • Baker Boy, Best Australian Albums Of 2021, NME Australia • Milan Ring, NME Australia • ChillinIt, NME Australia • Mo'Ju Q&A, NME Australia • BLESSED Interview, Music Feeds • Liyah Knight Q&A, NME Australia • Wave Racer Album Review, NME • RÜFÜS DU SOL, Music Feeds • Baker Boy Album Review, Music Feeds • James Blake Album Review, TheMusic • Baker Boy Cover Story, NME Australia • Kee'ahn Interview, Music Feeds • SANDITON IS RAVED! Playlist • Little Simz Album Review, Music Feeds • CHVRCHES Interview, Music Feeds • Holy Holy Album Review, NME Australia • B Wise Interview, NME Australia • Prince Album Review, Music Feeds • Youngn Lipz, NME Australia Cover Story • Chet Faker Review, Music Feeds • Tkay Maidza Review, Music Feeds • iDKHOW, Music Feeds • Hiatus Kaiyote Album Review, NME Australia • Jessie Ware, Music Feeds • Allday Album Review, TheMusic • Kali Uchis, Music Feeds • Tkay Maidza, NME Australia Cover Story