@AlakaSahani

AlakaSahani has been a member of Linktree for 5 years and joined in June 2021. The social media accounts linked to from AlakaSahani are: • X Besides social media accounts, AlakaSahani has populated their site with: • Jafar Panahi complicates the revenge tale in his latest film, ‘It Was Just An Accident’. It turned out to be one of the best films of the year • indianexpress.com • KPOP Demon Hunters • 'Sharing Our Vulnerabilities With Each Other Helped Us Bond': Ishaan Khatter | Homebound | Screen • In ‘Ba***ds of Bollywood’, Bollywood’s ‘crown prince’ Aryan Khan debuts with a curve ball • Saiyaara director Mohit Suri: ‘No matter what you do online, you still wish to hold someone’s hand’ • GURU DUTT @ 100: Granddaughters recall their grandfather’s legacy • Guru Dutt@100: Here’s looking at the man behind the artist • Siddharth Roy Kapur: ‘Biggest challenge is finding story that would appeal to wider section of audience’ • I didn’t want to shy away from showing intimacy between two men: Sabar Bonda director Rohan Kanawade • 'I didn't want to shy away from showing intimacy between two men' | SCREEN • Junaid Khan says Khushi Kapoor has given up on him: ‘I am thinking of taking fashion inspiration from Boney Kapoor’ • Prithvi Theatre feels like “home” to its visitors because we fostered an atmosphere of acceptance: Actor Zahan Kapoor • Vikramaditya Motwane on the making of Black Warrant: ‘We have not done this kind of prison drama in India before’ • Filmmaker Shyam Benegal passes away • Why music icon AR Rahman feels his seventh National Film Award is like his first • ‘In South Asian movies, we hardly talk about racism and colourism’: Deepak Rauniyar, Pooja, Sir’s director • Santosh doesn’t point fingers. Instead, it asks a lot of questions: Director Sandhya Suri • ‘For CTRL we needed a young actor, like Ananya Panday, who is troll-able’: Vikramaditya Motwane • CTRL Interview: 'Stars today are open to step outside Bollywood box' | Ananya Panday • Kareena Kapoor at 44: Constant reinvention and longevity, here’s what her 25-year career signifies • Shabana Azmi looks back at her 50 years: ‘Change in cinema has to come from the mainstream. Otherwise, you are preaching to the converted’ • Ananya Pandey’s ‘Call Me Bae’ and Uorfi Javed’s ‘Follow Kar Lo Yaar’: Anyone can be a star • With elegance and glamour: How Deepika Padukone has shut down those who doubted her pregnancy • Spotlight on a timeless Odia classic, Maya Miriga, at Italian festival • ‘Directing Naseeruddin Shah means being a good sounding board,’ says Arghya Lahiri as ‘Old-World’ returns to Mumbai • Oscar-winner Resul Pookutty on the significance of India’s big win at Cannes • How Shyam Benegal’s Manthan, to be screened at Cannes, was one of the earliest examples of a crowdfunded film • Payal Kapadia’s Grand Prix at Cannes: ‘Weird’, wonderful and historic • Payal Kapadia: ‘Indian films have their own ethos, performative quality… but it’s not well understood in West’ • Dil Dosti Dilemma review: A delightful teenage drama that glosses over class conflict • Heeramandi actors on playing women with different shades: ‘For Sanjay Leela Bhansali, all women are beautiful’ • Imtiaz Ali on collaborating with Diljit Dosanjh for Chamkila, calls AR Rahman his ‘co-storyteller’ for the film • ‘Crew’ allows its women be women, and not just ‘smashers of patriarchy’ • How Kiran Rao’s Laapataa Ladies prepares us for unexpected encounters, smashing patriarchy along the way • How the critically-acclaimed Finnish film Fallen Leaves is minimalist yet full of life • Every time I have written a script keeping an actor in mind, it hasn’t worked: Sriram Raghavan • Fallen Leaves: Finnish master Aki Kaurismäki’s latest is a feel-good movie about two lonely souls finding love • Manoj Bajpayee & Konkona Sen Sharma Interview: Killer Soup Is a Crazy, Amazing, Fun Series • Several filmmakers rejected me because they wanted someone with more Instagram followers: Wamiqa Gabbi • When I am offered roles like a ‘hero’s friend’ or ‘heroine’s brother’, I don’t understand what it means: Gagan Dev Riar • Zoya Akhtar Interview: Zoya Akhtar On 'The Archies', Star Kid Casting and Filmmaking | Netflix • Maestro movie review: Bradley Cooper presents a nuanced biopic of a genius • The Hunger Games The Ballad of Songbirds and Snakes review: The dystopian saga lives up to the promise • Apurva movie review: Tara Sutaria headlines a predictable tale of brutality and bravery • Dev Anand: The man who never stopped romancing with life • VIDEO: Jaane Jaan Interview: Vijay Varma and Jaideep Ahlawat On Struggle, Success, Friendship and More • ‘We were ready to kill it 10 years ago’: Vijay Varma • Asha Bhosle to celebrate 90th birthday with a Broadway-style show • How Ira Khan, Aamir Khan’s daughter, battled her lows and decided to become a mental health crusader • Is Rocky Aur Rani Kii Prem Kahani Karan Johar’s most socio-political film yet? • Kajol Interview: Web-series debut Experience, a Mother's Guilt, Social Media and Ajay Devgn • Will Alia Bhatt’s chiffon saris in ‘Rocky Aur Raani Kii Prem Kahaani’ draw audiences? • Lust Stories 2 Interview: Konkana Sen, Amruta Subhash and Tillotma Shome Share Their Experiences • Konkona Sen Sharma on Lust Stories 2: ‘We worked towards depicting a woman owning her desire’ • The Three Musketeers D’Artagnan movie review: A lavish period saga • Jee Karda review: Low impact in spite of high drama • One Fine Morning movie review: Poignant and poetic • What makes Vijay Varma the bad guy we love • Never Have I Ever review: A bland goodbye • Transformers: Rise of the Beasts review: Yet another round of good vs evil • Scoop review: Powerful retelling of a real-life crime, this show puts the spotlight on media and mafia • 2018 Everyone is a Hero: An exemplary story of human spirit that suffers from lack of nuance • Jogira Sara Ra Ra movie review: Nawazuddin Siddiqui film aims for the laughs and succeeds, mostly • The Little Mermaid movie review: Makes a splash, just about • Restored Manipuri film to be screened in Cannes Classic section • Kalgitura, a theatrical ode to unique Marathi folk art • Tooth Pari review: Love powers this vampire saga • In the latest big-screen retelling of her story, Shakuntala is short-changed once again • A star is reborn: Zeenat Aman • John Wick Chapter 4 movie review: When Keanu Reeves suits up to kill • Mrs Chatterjee Vs Norway review: Rani Mukerji tries too hard when less could’ve been more • RRR’s ‘Naatu Naatu’ and The Elephant Whisperers make history at the Oscars 2023. Indian cinema must make the most of these wins • Kishore Kumar: The Ultimate Biography pieces together the many ups and downs of the actor-singer’s life • ‘Art should make us explore new thoughts’: Ruben Östlund • Gulmohar movie review: Sharmila Tagore, Manoj Bajpayee drive engrossing family drama • Impressions of life and loneliness in the work of Lalitha Lajmi • Action hero, patriot, ‘Pathaan’: The recasting of Shah Rukh Khan • The Banshees of Inisherin movie review: Martin McDonagh’s film exudes comedic flair and wit • Ariyippu director Mahesh Narayanan: ‘Filmmakers now don’t have to filter everything, they can choose to be more raw and sensitive’ • For Hindi film industry, have Amitabh Bachchan and Shah Rukh Khan set template to counter detractors? • How Ektara Collective’s latest feature, Ek Jagah Apni, champions the cause of transgenders and challenges our reactions to their way of life • Babil Khan: ‘Baba would have been happy watching Qala… and would’ve then said, let’s get back to work’ • Babil Khan: A Star is Born🌟 (Video) • Interview with Umesh Kulkarni • Prithvi Festival back after two years • With excellent performances, the Good Nurse lacks a feeling of dread • What makes Rishab Shetty’s Kantara one of the highest-grossing Kannada films of all time • How the pandemic influenced filmmaker Rima Das’s latest film • ‘Amitabh Bachchan is eternally aspirational’: Filmmaker R Balki • How KA Abbas’s book on Hindi cinema holds the mirror to the industry • Diljit Dosanjh on Jogi, standing with people of Punjab, social media and his love for cooking • Raju Srivastava: Junior Bachchan to Gajodhar Bhaiya • VIDEO: In conversation with Delhi Crime actors • Delhi Crime S2 • Onir talks about writing his memoir and the importance of telling his story • My interview with Fahadh Faasil (VIDEO) • Kareena Kapoor Khan unplugged • Ranveer Singh: Bare Truth • Ranbir Kapoor Reloaded • Taapsee Pannu on the toughest role of her career • Koffee with Karan: It's Streaming Hot • My first SRK interview. And it's a good one • http://Pride Month: ‘Usually, caste discourse is not tolerated in queer spaces’ • Interview with director of Flee • Modern love: When the stars align • Interview with Pada director Kamal KM • Nagraj Manjule's movies and methods • Actor Agathe Rousselle talks about her life before and after Titane • Lamb: The folk horror set in Iceland is a poignant portrayal of motherhood&loneliness • Madhuri Dixit on stardom and its challenges • Deepika Padukone continues to make waves • Céline Sciamma talks about Petite Maman &her cinema • Lata Mangeshkar: An Artiste Beyond Extraordinaire • The importance of being Ritwik Ghatak • Meenu Gaur's Qatil Haseenaon Ke Naam • The Army denies clearance to Onir's script that features a gay officer • Pure Evil • Minnal Murali: Tovino Thomas plays a homegrown superhero • Azor: The discreet world of private banking • Vicky Kaushal: What makes him a dependable 'star' • Tabu on the importance of writing&her relationship with directors • Aparna Sen: My morality teaches me to speak up • Ashwiny Iyer Tiwari on the Lee-Hesh docu-series • The amazing book collection of Nargis and Sunil Dutt • Dolly Thakore's memoir Regrets, None • Once Upon A Time In Calcutta • Interview with Cathy Yan, director of Birds of Prey • Sweat: Highs&Lows of being an Influencer • Interview with Abhishek Chaubey • Devika Rani: The Leading Star • Manto: In search of a star • Why show can't go on in Bollywood