@tom_ss_morton

tom_ss_morton has been a member of Linktree for 3 years and joined in May 2023. Besides social media accounts, tom_ss_morton has populated their site with You Must Change Your Life | GRIMM, Artist Cyprien Gaillard touches the void | Art Basel, Wilhelm Sasnal and the Intimacy of History | Frieze, 'Weird Science': Essay on Max Boyla by Tom Morton for Palmer Gallery, London, Richard Walker Dismantles His Unstable Paintings | Frieze, Francesca Mollett Manipulates Form, Dan Coopey: Cage Animals, Jim Hodges: Of Ghosts and Men, Mark Leckey’s eternal search for the ecstatic, A Room Hung With Thoughts: British Painting Now | February 15 - May 11, 2025, Roger Hiorns, “Depotenziare”, Solo Show, Milan, Ella Walker Plucks the Bud, Robert Longo: ‘Montage Is a Way of Living’, Otobong Nkanga: What Are You Going to Do?, ‘On Feeling’ Is a Reflection on Generational Difference, Oscar Murillo’s epic Monet-inspired work to transform Tate Modern’s Turbine Hall, Hettie Inniss Transports Us to Her Floating World, Make me laugh: Harnessing the power of humor and satire, Gina Fischli's Makeshift Pet Show, Lewis Brander: En Plein Air, The Poise of Poppy Jones’s Solid Objects, Exhibition text: 'Jonas Burgert: sinnwild' at Tang Contemporary, Seoul, Why artist Matthew Darbyshire took to the woods, Saving nature, one artwork at a time, The rise and rise of Alvaro Barrington, Sarah Lucas: You’re All Tossers, Pam Evelyn’s Painterly Secrets, OMA Co-Founder Madelon Vriesendorp shows her art at Charles Jencks' Cosmic House, Marina Abramović: Part Warrior Queen, Part Suffering Christ, Ted Gahl – Café Nervosa, text by Tom Morton, Christian Marclay’s Nightmare of Opening and Closing Doors, The Art of War: Tom Morton on Camouflage and the Avant-Garde for Goodwood magazine, Otobong Nkanga chooses life, Hamishi Farah Paints Beyoncé and Roberto Cavalli, Chris Ofili’s Subsumed Sins, Alexander Tovborg’s Spiritual Yearning, Cathie Pilkington Reincarnates Equestrian Sculpture, Sam Jackson Retrospective: Fifteen Years by Tom Morton — GIANT, Exhibition text: 'Charles Avery - The Nothing of the Day' at GRIMM, London, Are You the Butt of Bedwyr Williams’s Jokes?, Exhibition catalogue: 'Ryan Mosley - The Disappearing Land', Tim Van Laere Gallery, Antwerp, Peter Doig’s Will to End, But is it art? Reinventing the readymade, Adulting According to Celeste Rapone, Mohammed Sami in the Theatre of Memory, Jonathan Baldock Cultivates an Unearthly Garden of Delights, The Masculine Vulnerability in Ken Kiff’s Daft, Infectious Paintings, Exhibition text: Cecilia Fiona, VITRINE Gallery, London, Stories We Missed: Celebrating the BBC at 100, Exhibition catalogue featuring a short story by Tom Morton: 'Alexander Tovborg - Sacrificial Love Beyond Devotion', Blum & Poe, Los Angeles, Damien Hirst’s Bonfire of NFTs, Exhibition catalogue featuring an essay by Tom Morton: 'Norbert Schoerner - The Nature of Nature, Fukushima Project', MAK Frankfurt, Etsu Egami : RAINBOW at tangcontemporary, Seoul, curated by Tom Morton, The Kingfisher's Wing at GRIMM, New York, curated by Tom Morton, Mahesh Baliga Paints to Remember, Monograph on AES+F with a text by Tom Morton for Rizzoli, Exhibition catalogue featuring a short story by Tom Morton: 'Uncombed, Unforeseen, Unconstrained', Parasol Unit (La Biennale di Venezia 2022 Collateral Event), ‘Testament’ Questions the Moments We Memorialize, Memeplex™ Invades Your Cerebral Cortex, Pamela Rosenkranz Searches for Ancient Wisdom in Modern Technology, The City & The City & The City at Frestonian Gallery, London, curated by Tom Morton, Louise Giovanelli’s Post-Pixel Pointillism, Public Art - Criticism - e-flux, Samson Kambalu Toys with Heidegger’s Bourgeois Romantic Fantasies, Avenue 5: Why Is Sci-Fi Comedy So Unfunny?, Will Disney Kill Your TV?, How Should We Define a Museum in the 21st Century?, Turner Prize 2019: Can the Art World Call an End to Competition Culture?, David Blandy and a Cadre of Essex Gamers Introduce us to a World After Homo Sapiens, The Spectacular Emptiness of Boris Johnson’s ‘Festival of Brexit’, With ‘Watchmen’ and ‘Joker’, Have Super Losers Replaced the Heroes?, MAA - A Roleplaying game by Matthew Day Jackson, Tom Morton & Juhana Pettersson, Roger Hiorns’s ‘A Retrospective View of the Pathway’, ‘Good Morning Midnight’ at De Ateliers, Amsterdam, curated by Tom Morton, Everything at Once, Erik van Lieshout.