The Hudson Review

The Hudson Review has been a member of Linktree for 5 years and joined in May 2021. The social media accounts linked to from The Hudson Review are: • Facebook • Instagram • Email • Threads • X • Bluesky Besides social media accounts, thehudsonreview has populated their site with: • The Hudson Review Spring 2026 • The Mysterious Case of Gothic Verse Narratives | Brian Brodeur • The Intertidal Zone | Michael Carson • Krista Robinson, Age 21 3/4, Wants These Things to Be True | Leslie Pietrzyk • Stanley Moss | Priscilla Long • Memorable Figures | Ellen Kaufman • A Dance | Brian Swann • Sonnet Upon the James Webb Space Telescope; The Names of the Seasons | Robert Schultz • The Fells | Natania Rosenfeld • At the Galleries | Karen Wilkin • Balancing Acts | Becky Y. Lu • Recurring Themes at the New York Film Festival | Erick Neher • Dancing in New York: Variations on a Theme | Marina Harss • Transformed into Feeling: Constantine Cavafy | Rachel Hadas • Fox and Friend | Brooke Allen • Letters of T. S. Eliot, Vol. 10 | William H. Pritchard • Poet, Lucky Poet: The Poems of Seamus Heaney | Mark Jarman • Revivals, Pastorals, a Shroud of Golden Silk | Robert Archambeau • Witchcraft, Beauty, and Dark Waters | Cary Holladay • The Making of Gertrude Stein | David Mason • Letter from London | James Campbell • Lessons of the Masters | Lyndall Gordon • Trimalchio in West Egg at 100: Gatsby and Modern Character | Robert Archambeau • Reflections on Projection | Andrew Stark • The Only Real Thing | Elizabeth Hamilton • Poem Ending with Four Lines by Seneca; Subjunctive Mood | Maria Terrone • Eleven Lebens | Marilyn Nelson • Parsnips | Beverley Bie Brahic • I Listen to April; A Bog in Late March | Sydney Lea • Dilapidated Sonnet | Matt Quinn • Dreams of the Wind | Tom Wayman • Soul; Corrections | Judson Mitcham • I Would Have Left Behind; The garden was dense . . . | Maria Luisa Spaziani, Andrew Frisardi, trans. • Like Life | Mark Kraushaar • Day Lilies; Sonnet | Dylan Carpenter • The Life to Come | Stephen Edgar • The Other Side; At the Spaniard Inn; At Pillings Lake; Small Hours | David Livewell • Some Rare Finds | Brooke Allen • Summer Theater Festivals | Erick Neher • Dancing in NY: Great Performances | Marina Harss • Sharing the Tale: Or, So Many of Us Died for the Sake of Helen | Bruce Whiteman • Living in the Moment | Mark Jarman • What We Can Do Is to Use Our Minds: T. S. Eliot, Collected Prose | Michael Thurston • The Killer Bs (Books and Balls) | Susan Balée • Loving Dickens in a Time of Covid | Alexandra Mullen • The Gypsy Life of Robert Louis Stevenson | David Mason • John Updike’s Letters | William H. Pritchard • Letter from Copenhagen | Alfred Corn • Notes on Contributors | The Hudson Review • July | Stuart Dybek • 2026 open call for poetry submissions, closes June 30 | The Hudson Review • On Safari | Susan Balée • Orhan Pamuk, Curated | David Mason • Subscribe • Never Stop Writing: Sylvia Plath’s Prose | The Hudson Review • Celebrating Originality in Broadway’s Musical Lineup | Erick Neher • First Prize: The Riven; Egg Tooth | Arah Ko • Ode to the Indies | Louise Marburg • Second Prize: Inheritance; Built Close to Water, No. 1 | Mary Fontana • St. Aubyn Reconsidered | William H. Pritchard • Third Prize: Asking for Bread; The Secret to Immortality (As Sung by Ella Fitzgerald to Chang’e) | Ethan Chua • What Draws Us Together | Lorna Knowles Blake • Honorable Mention: Feast of the First Fruits; The Shrew | Daniel Cowper • The Sorrowful Fates of Lyric Poets | Bruce Whiteman • Rethinking Boulez | Becky Y. Lu • The Shabby Curate and the Imagiste | Charles Martin • Too Much Is Not Enough | Charles McGrath • “An Extraordinary Transformation”: Mikhail Baryshnikov’s 15 Months at New York City Ballet | Marina Harss • Voyager 1 | Kieron Winn • His Glasses | Joyce Schmid • The Gates of Love | Cary Holladay • Whale; Murmuration, | Grace Schulman • Bliss | Louise Marburg • Changing Times Chronicle; Braking News | J. Allyn Rosser • Tumbledown Mountain Burials; After My Father’s Memorial Service; Witching Hour Beneath Moose Mountain | Henry Hart • At the Cemetery, Again; These Days; Absquatulate | Robert Cording • We Admire the Kung Fu Nuns; Reading Ruth Stone | Susan Gubernat • Big-Leaf Maple | Michael Spence • Sound & Light Open the Sky; Isles of the Blest; Winter’s End in the Arbor | W. J. Herbert • Downpour | Jeanne Foster • The Gates of War; Rose Petals; Secondhand Prose | Rachel Hadas • Salvage; December Elegy | Sydney Lea • At Sunday Morning AA; Another Summer Solstice | Ted Kooser • History | Eugenio Montale, trans. Nicholas Adams & David Schenck • War and Peace | Brian Culhane • A Prison Workshop; My Ignorance | D. Nurkse • Zinnias in the Graveyard | Annie Zaidi • Handwriting; Ars Poetica | Michael McFee • Catullus | Charles McGrath • Footnote; Summer Wind | David Lehman • James Baldwin’s Apotheosis | Brooke Allen • The Lives of Edna Ferber | Beth Gutcheon • Dancing in New York: Resonances | Marina Harss • Excavating the Theatrical Past | Erick Neher • All of Heaven We Have Below | Brooke Allen • Wandering Star Charts | Mark Jarman • Tennyson, Young and Old | David Mason • All Mother Tongues Are One | Rachel Hadas • Vintage Players | Tom Wilhelmus • Half-Life: A New Biography of Lawrence Durrell | Michael Thurston • Looking Closer? | William H. Pritchard • What Is Actual Is Actual Only for One Time | Bruce Whiteman • Giving Voice to Rivers | Dean Flower • Letter from Italy | Perri Klass & Larry Wolff • Notes on Contributors Spring 2026 • Poetry contest information; open July 1 to July 31, 2025 • Ice Cream Code | David Bishop • Report from the New York Film Festival | Erick Neher • River Dock Cafe; Silence | Anne Pierson Wiese • The Beginning of Abstraction; In the Channel, Out of the Boat; An Act of Homage | Jeanine Hathaway • Rain | Jodie Hollander • Epilogue | Tomas Tranströmer, trans. by Bill Coyle • Let Me Talk to Goldberg | Robert Archambeau • The Geography of the Imagination | Bruce Whiteman • Where’s Waldo?: Emerson as Emersonian | Mark Jarman • Poor Folks and Dreamers | Cary Holladay • The Sense and Sensibility of an Ending: Accepting the Evitable | Alexandra Mullen • Borgesian Realities | David Mason • The Operatic Art of War | Larry Wolff • A Divided Opera | Becky Y. Lu • Rain, in Riverview Cemetery, Martins Ferry, Ohio | Mary Jane White • Venetian Miniature; Direct Objects | Maura Stanton • In Defense of Doris Day | Michael Salcman • Kristallnacht | Suzanne Rhodenbaugh • On Being Asked Why the Years Grow Shorter; The Last Station; Silverfish | Daniel Mark Epstein • Hard-Hat; Ring; Identity Crisis; Paradise Lost | Richard Cecil • Full Term | Reyumeh Ejue • A Ritchie Boy from Training to War | Victor Brombert • Reading on One’s Own | William H. Pritchard • Classic Essays Revisited | Brooke Allen • The Art of Escape | Michael Carson • Taming a Madcap Day | Becky Y. Lu • The Sound of Broadway Music | Erick Neher • Family Values | Brooke Allen • Song of the Pines; Seashell | Rubén Darío, Jonathan Simkins, trans. • Paraguay: Versions of Unknowability | Mark Jacobs • Personal, Private, Public | Alfred Corn • The Nature of Not Knowing | Mark Jarman • The True-Life Confessions of the Poet in Love | Bruce Whiteman • Isherwood Overwritten | William H. Pritchard • The Heroic Industry of the Brothers Grimm | David Mason • Sin-Eaters and Other Characters | Susan Balée • Round and Round and Round | Sydney Lea • No Known Address; Stealing the Show; The Sparrow and the Raven | Wendy Videlock • From a Safe Distance; Snapshot from the Days of Covid | Joan Murray • Logogeny | Frederick Turner • Random Sestina; On Capital | Charles Martin • Patient Portal | Stephen Bluestone • Decorative Plate; From State to State; Roberto Clemente | Robert Cording • The Mists of Autumn | Patricia Hooper • At Coole | Len Krisak • Salamander | Evan Howell • At Lady Violet’s | Hilary Spurling • Imagining the Real | Antonio Muñoz Molina, Guillermo Bleichmar, trans. • Letter from Lombardy | Perri Klass and Larry Wolff • Poor Carlyle | William H. Pritchard • Samuel Adams, Propagandist | Brooke Allen • Auden’s Way | David Mason • Inheritance | Lorna Knowles Blake • The Thrill of a Brand-New Book | Louise Marburg • Old Men | Terence P. Paré • “Poor Eddy”: A New Life of Edgar Allan Poe | Mark Jarman • Plays of the Spring 2024 Season | Erick Neher • The Cabaret Paradox | Becky Y. Lu • Cellar Poem; New York City Ballet, 1963; What I Did One Sunday Morning | Priscilla Long • Double Take | Jeffrey Harrison • Smelling Horses | John Riley • The Last Time; Unforgettable | David J. Rothman • Little Yew; Lamentation | Yvonne Zipter • Lime Kiln Point Lighthouse: San Juan Island, October 2014; Summer Summation | Michael Spence • Reading Lamp | Brian Culhane • Cold Fire | David Mason • Flood and Fire and Bureau Drawer; Warming the Wax; The Pool | Rachel Hadas • Raymond Loses His Bishop | Garret Keizer • Hello, I Love You! Jim Haynes, the American Dreamer in Edinburgh and Paris | James Campbell • Byron’s Don Juan | Charles McGrath • On Pedantry, with Afterword | Michel de Montaigne, Tess Lewis, trans. • Journaling the Plague Years | Tom Wilhelmus • Too Much Dazzle | William H. Pritchard • “One Day It Was Just No Longer There” | Bruce Whiteman • “To be alive, is power”: Emily Dickinson’s Letters | Meg Schoerke • The Burden of Music History | Becky Y. Lu • A Tale of Two Composers | Dana Gioia • Best Pictures: A 2023 Recap | Erick Neher • World | Daniel Tobin • The Widow’s Cloud; The Shadowlet | Molly Peacock • The Treachery of Titles | Tom Wayman • Vellum; Forgetting; In Act V, Lear Attempts a Sonnet | Brian Culhane • Outside the Door | Elise Paschen • Late Afflictions | Natania Rosenfeld • Life Lessons; “Not that he was here . . .” | David Lehman • Approaching Zero | A. M. Juster • Against the Blue | Christopher Buckley • My Other Life; Solstice in Age; Trees Full of Prayers; The Way It Is | David Mason • Sofa Sessions with Babushka: In the Weimar Years | Victor Brombert