@roughcutfilm

roughcutfilm has been a member of Linktree for 2 years and joined in February 2024. The social media accounts linked to from roughcutfilm are: Facebook, Instagram, X. Besides social media accounts, roughcutfilm has populated their site with Win a copy of Cast Mates by Sam Twyford-Moore!, Rough Cut, “Stories Help. We Live”: Somatic Memory in Australian Women’s Animation – Rough Cut, To See or Not to See: Looking at ‘A Portrait of the Artist as Filipino’  – Rough Cut, Traces and Outlines: Chantal Akerman’s Fractured Oeuvre – Rough Cut, Dead Dreams: Netflix’s ‘The Perfect Neighbor’ and the Body Camera Image – Rough Cut, At the Cinémathèque: Faith and Futility in the Golden Age of Mexican Cinema – Rough Cut, At the Cinémathèque: Lino Brocka’s Scenes of Defiance – Rough Cut, “Cinema as a Recorder of Humanity”: An Interview with Apichatpong Weerasethakul – Rough Cut, Out of the Ruins: An Interview with Azza El-Hassan – Rough Cut, Review: Hitting Rock Bottom in ‘The Smashing Machine’ – Rough Cut, Buy tickets for Gaza fundraiser screening, At the Cinémathèque: ‘Stranger Desires’ – Rough Cut, Piecing it Together: An Interview with ‘Pasa Faho’ Director Kalu Oji, “Embracing the Possibility of Failure”: An Interview with Emily Browning, Closing the Curtains, Historical Imagination: An Interview with Pascal Bonitzer, At the Cinémathèque: On Delphine Seyrig, Alain Resnais, and Remoulding Memory, Filmmaking in Exile: An Interview with Cherien Dabis, “Cinema is Undead”: An Interview with Athina Rachel Tsangari, ‘Night at the Gates of Hell’ Games Horror’s Maestros, Sabotaging the Archive: ‘A Fidai Film’, Arousing Discovery: An Interview with ‘The Lost Sex Films of Kings Cross’ Restorer Leon O’Regan, On Moviejuice’s Microbudget Revolutions, Review: ‘The Final Reckoning’ is an Unwieldy yet Fascinating Star Text, A Fiction of Echoes: An Interview with Laura Citarella, Arrivals and Departures: An Interview with ‘Universal Language’ Creators Matthew Rankin and Ila Firouzabadi, Voices of Restitution: On Mati Diop’s ‘Dahomey’, A Small Universe: An Interview with ‘Tendaberry’ director Haley Elizabeth Anderson, Review: ‘Salt Along the Tongue’ is a Ripe, Multi-Layered Reckoning, MGM Pets: Elizabeth Taylor and Her Animals, Beyond the Frame: A Q&A with Cinema Reborn Programmers James Vaughan and Angelica Waite, “A New Sound Cinema”: An Interview with Composer Eiko Ishibashi and Producer Satoshi Takata, Review: In ‘Warfare,’ Real is Not Real Enough, “Something Shifts”: A Conversation Between ‘When Clouds Hide the Shadow’ Director José Luis Torres Leiva and Actor María Alché, Review: ‘Oh, Canada’ is Like a Whiskey Nap on a Rocking Chair, Left of Field: An Interview with ‘In Vitro’ Directors Will Howarth and Tom McKeith, Special Delivery: Acting Styles in Video Games, We’re All Margarets: An Interview with Alexei Toliopoulos and Zachary Ruane, ‘City of Lost Souls,’ Trans Optimism and Germany’s Cultural Anxieties, “You Cut Your Cloth According to Its Length”: An Interview with Mike Leigh, Paths to Change: An Interview with ‘Inside’ Director Charles Williams, Editors’ Diaries: Summer Sacraments, Summer Sacraments | Static Vision x Rough Cut, Beyond the Frame: A Q&A with Australian Cinémathèque Associate Curator Robert Hughes, Review: Chaos and Renewal in ‘The Brutalist’, A Star is Salvaged: Holly Woodlawn in ‘Scarecrow in a Garden of Cucumbers’, Living Archives: An Interview with ‘A River in the Middle of the Sky’ Filmmakers Victor Konda, Chris C. F. and Wahyu Al Mardhani, Review: ‘Black Dog’ is a Beguiling Take on an Age-Old Adage, Rewatching ‘The Exorcist’ Every Year, Ages 15-25, Review: Death and Nonsense in ‘The Room Next Door’, Todd Haynes’ ‘I’m Not There’ Reinvents the Biopic Myth Machine, At the Cinémathèque: Three Nights with Derek Jarman, Circle Jerk: An Interview with Guy Maddin, Evan Johnson and Galen Johnson, Raining Cats and… Drones?, A Magician’s Cinema: An Interview with ‘Michel Gondry, Do it Yourself’ Director François Nemeta, Here and Now: Barbara Creed and Anat Pick Discuss ‘Showing Up’, When the Pixels Meet the Flesh: An Interview with ‘Gooners’ Director Nick Murcott and Actor Kai Perrignon, Tainted Silver and Digital Strings: The Sound of Music in ‘My Darling in Stirling’, At the Cinémathèque: The Intertextual Cine-Essays of Jeni Thornley, Review: The Wobbly Foundations of ‘Trust’, Review: The Troubled Reflections of ‘In the Mirror’, At the Cinémathèque: The Two Jiřís, Review: ‘Gloria!’ Sings with Sincerity, On Being in Love, Lovers, and Having Loved in Luca Guadagnino’s ‘I Am Love’, Review: ‘The Visitor’ Chokes on its Own Transgressions, Three Critics on ‘Megalopolis’, A Patient Tempest: An Interview with ‘Some Rain Must Fall’ Director Qiu Yang, Performances of Pain, Processes of Healing, The Ghost of Howard Hawks: Dispatches from MIFF 72, The Silence Within: An Interview with Leonardo Van Dijl, Review: ‘On Becoming a Guinea Fowl’ Boldly Breaks the Silence, Review: ‘I Saw the TV Glow’ Questions Whether Fandom Can Save You, ‘Janet Planet’ in Four Movements, Review: ‘Secret Mall Apartment’ is a Testament to Radical Community, In the Heart of the Earth: An Interview with Trương Minh Quý, Queer Gestures: The Films of Stephen Cummins, Review: Abjection, Entropy, and ‘Armand’, Review: ‘All We Imagine as Light’ is a Stunning Tale of Intimacy as Dissent, Monstrous Creations: 70 Years of Godzilla, Review: ‘Motel Destino’ is All Tease, No Climax, Film Rewrites Itself: An Interview with ‘Us and the Night’ Director Audrey Lam, ‘Twisters’: A Love Story in Three Parts, ‘Aggro Dr1ft’ is More Than What Burns the Retina, How ‘In a Violent Nature’ Made Me Root For a Killer, At the Cinémathèque: the Well-Kept Secrets of ‘L’amour fou’, Review: ‘Longlegs’ (Mostly) Earns its Hype, Review: ‘Birdeater’ is an Empty Thrill Ride, Beyond the Frame: A Q&A with Trash Night X Static Vision Programmers Kai Perrignon and Felix Hubble, Review Round-Up: Four Highlights from the Inaugural Africa Film Fest Australia, Actors’ Playground: ‘Kinds of Kindness’ and Yorgos Lanthimos’ Punishing Freedoms, Review: ‘MaXXXine’ Trades the Perverse for the Predictable, Review: The Familiar Thrum of ‘The Bikeriders’, Review: ‘Sunflower’ is Too Sentimental an Education, Horror and Hope: An Interview with ‘In the Room Where He Waits’ Director Timothy Despina Marshall, “How Do You Film Shame?”: An Interview with Joachim Lafosse and Emmanuelle Devos on ‘A Silence’, Beyond the Frame: A Q&A with Melbourne Cinémathèque Co-Curator Eloise Ross, By the Sea: An Interview with ‘Life Burns High’ Director Rachel Lane, Review: ‘There’s Still Tomorrow’ Finds Warmth and Humour Amid Tragedy, Review: ‘Sasquatch Sunset’ Radiates Pure Magic, Three Highlights from Dogmilk: Collection at St Kilda Film Festival, Editors’ Diaries: A Week of Silent Cinema Before Dawn, Connective Sparks: An Interview with ‘Rewards for the Tribe’ Director Rhys Graham, Celebrity Séance: An Interview with Theda Hammel, The Ethics of Exposure: An Interview with ‘Subject’ Co-director Jennifer Tiexiera, Canva-ssing the Room: A Letter from Los Angeles and Nicole Kidman’s AFI Life Achievement Award Ceremony, Fear is a Beautiful Feeling: An Interview with ‘The Beast’ Director Bertrand Bonello, Review: The Slick Expanses of ‘Furiosa: A Mad Max Saga’, “Hyper Material For Our Very Brain”: An Interview with ‘Body Melt’ Director Philip Brophy, Review: ‘Things Will Be Different’ is a Melodic Documentary about the Importance of Public Housing, Leaving a Light on in ‘Housekeeping for Beginners’, The Affective Landscapes of ‘I Know Where I’m Going!’, Innocence and Cruelty: An Interview with Hirokazu Kore-eda, Review: Spectacle and Simple Pleasure in ‘The Taste of Things’, Incidental Magic: An Interview with ‘Fremont’ Director Babak Jalali, Review: the Piano is the Loneliest Instrument in ‘Ryuichi Sakamoto | Opus’, Review: ‘Mars Express’ is an Animated Noir with its Eye to the Cosmos, Review: ‘The Fall Guy’ is all Star Power and Practical Stunts, Review: Riar Rizaldi’s ‘Monisme’ is a Bold yet Bemusing Ethnography Project, Review: In Matteo Garrone’s Epic ‘Io Capitano,’ Myth Melds with Truth, Review: The Lustful Rally of ‘Challengers’, Review: Alice Rohrwacher’s ‘La Chimera’ is a Sublime Excavation of the Spaces Between, Broadcast, Interrupted: An Interview with ‘Late Night with the Devil’ Directors Colin and Cameron Cairnes, Review: ‘Civil War’ Honours Photojournalists But Misses the Big Picture, Beyond the Wall: ‘The Zone of Interest,’ Ambient Sound, and the Savagery of Politeness, Imaginative Resistance: An Interview with ‘Lyd’ Directors Rami Younis and Sarah Friedland, Review: Isabelle Huppert’s Singular Mystique is the Life Force Behind ‘The Sitting Duck’, Communion and Control: An Interview with ‘Goodbye Julia’ Director Mohamed Kordofani, Review: ‘Àma Gloria’ is Minor-Key Tragedy Seen through a Child’s Eyes, Review: ‘Last Summer’ is a Lush Damnation of Righteousness, Review: Filmmaking is Child’s Play in Michel Gondry’s Brilliant ‘The Book of Solutions’, Review: ‘Love Lies Bleeding’ Hangs in the Sticky Grip of Desire, Video: A Dirty Crash, Review: ‘Bye Bye Tiberias’ is a Superbly Woven Ode to Generations of Palestinian Women, Review: ‘Revolution +1’ is an Experiment in Forthright Frenzy, Review: ‘River’ Makes for Tender Time Loop Fun, Review: ‘The Sweet East’ is a Road Movie About Motionlessness, Editor’s Welcome: On Failing, ROUGH CUT Founders Pass On The Mantle and Reflect on the OG Era.