To help keep our community authentic, we're showing information about accounts on Linktree.
Laura Moreton-Griffiths 🦋 has been a member of Linktree for 5 years and joined in March 2021. The social media accounts linked to from Laura Moreton-Griffiths 🦋 are: • Instagram • Email • Website Besides social media accounts, LauraMoretonGriffiths has populated their site with: • Drawing Walking London ~ Sunday 20 July 2025 • Substack: Future histories. Speculative fiction. • MY WEBSITE • Drawing Walking London: Olympic Park, Sunday 24 May 11am-5pm • BLINK PRESENTS ROOM SHARE 9 ~ SAFE HOUSE 1, 17-19 APRIL • Piña & Coladada with Bum Notes at Jamboree, King's Cross 03 May Doors 8pm • SOMETHING DIFFERENT ~ 04 JULY 2026 ~ BROCKLEY OPEN STUDIOS • If You Like Piña Coladas with Bum Notes at Club Silly - Arch 555 • Resistance ~ Limited edition silkscreen print available. Sales donated to help Palestinians in Gaza.. • If You Like Piña Coladas ~ 21 June 3pm & 8.15pm. Tickets £12. The Other Arch, St Mary's Church, Putney • Drawing Walking London 30 March 2025 ~ Canary Wharf, Mudchute Farm and The Isle of Dogs. £20 per person. Book via Eventbrite. • SPARKLING HEART 💖 ALT DELETE. A teenage girl confronts the technology in her life. The only problem is, she is the technology and she’s killed billions of people. Nobody told her not to. • ELEMENTAL: A collection of short stories about the near future. Read online or download. • Artists' Open House 2025: The Incidentals at Bell House. Curated by Kim Thornton. May 10/11 &17/18 11am-6pm • Foundation Station ~ Portfolio preparation & creative mentoring. • OUTLANDISH at Asylum Chapel. Curated by Rebekah Dean. 29 April to 02 May 12-5pm • Conversations between female artists, curators, gallerists, critics and art writers. • BLINK Presents ROOM SHARE 7. Curated by Lucy Soni. 26 & 27 April. Safehouse 1. • Studio address • Email me • Artist Open Studio. BowArts Durham Street SE11 5JA. Saturday 07 Dec 12 – 5pm • Earth: The Social Contract. Speculative fiction published in Platform: Journal of Theatre and Performing Arts. Vol. 17, No. 1 Winter 2023 The Future p117-122