@kathryn.tanaka

Tanuki in Popular Discourse: Cholera, COVID-19, and the Liminal Space Between the Supernatural and Science - Historifans

On the Body Makeup, Clothing, and Hansen’s Disease as Identity

Pandemic Performances: The New Noh Play Amabie and Amabie Noh Masks

The Amabie Boom: From Mizuki Shigeru fandoms to COVID-19

ejcjs - The Farce (1937) by Hōjō Tamio (Translation)

Amabie as Play in Kansai

Hansen’s Disease and Patient Writing in Colonial Taiwan’s Sanatorium, 1934-1944: The Affect of the Institution

Community and Matsuri in Hansen's Disease Literature from Nagashima Aisei-en

'Life's First Night' and the Treatment of Hansen's Disease in Japan 「いのちの初夜」　ハンセン病は日本でいかに扱われてきたか (Translation)

“They Are Not Human”: Hansen’s Disease and Medical Responses to Hōjō Tamio

Hojo Tamio's Children's Stories in the 1930s and Today, With Translations

Metonymy and Social Margins: Censorship and the Meaning of Hansen’s Disease in “The Farce"

The Abject Woman and the Meaning of Illness in Kōda Rohan’s ‘Tai Dokuro’ (Encounter with a Skull)

For the Purity of the Nation: Ogawa Masako and the Gendered Ethics of Spring on the Small Island (Kojima no haru)

Writing Ties in Japan: Family, Familialism, and children’s writing in an early twentieth century Hansen’s Disease hospital

Literature as Social Activism and Reconciliation: Survivors' Writing and the Meaning of Hansen's Disease in Japan

Review of Setouchi International Art Festival/Setouchi Triennale 2016

ロイス・ジョンソン・エリクソン夫人と長田穂波 ―キリスト教宣教師と癩文学の普及―

怪奇小説におけるハンセン病の肖像 ―幸田露伴『対髑髏』を中心に

Contested Histories and Happiness: Leprosy Literature in Japan

Foreign Language, Local Culture: How Familiar Contexts Impact Learning and Engagement

Culture and Constructivism: A New Approach to Student-Centered English Language Education in Japan

English Through Culturally Familiar Contexts: A Pilot Study in Japan

Women Writers by Kobayashi Hideo (translation)