@africasalonuk
Vivid Escapisms for an Interior
Interview: Yussef Agbo-Ola and An Architecture of Ecological Systems
Ebun Sodipo’s “Mityima”
Amaarae — “Fluid”
Wura-Natasha Ogunji, “Untitled Drawing 1,” 2020
Oluremi Onabanjo’s “How Santu Mofokeng Shaped South African Photography”
Masande Ntshanga’s “The Reactive” (excerpt)
Spoek Mathambo — “eGoli (The Jackers Theme)”
The Future of Festivity at AfricaNXT
Panashe Chigumadzi’s “You Can’t Eat Beauty”
“Me Broni Ba” (2009) (trailer)
Nontsikelelo Mutiti, “Braiding Braiding,” 2015
“Keza Lyn” (2017)
Klein — “Marks of Worship”
ruby onyinyechi amanze, “the garden palace and the folly of innocence,” 2014
Sandra Mujinga, “You Are All You Need,” 2019
Helina Metaferia, “Against A Sharp White Background,” 2020
Natalie Paneng, “Whatever(whatever),” 2020
Zina Saro-Wiwa, “Table Manners,” 2014-2016
Billie Zangewa, “ma vie en rose,” 2015
Yemisi Aribisala's “The Girls Who Fainted at the Sight of an Egg”
MoAD: Diaspora Unite! Artists of African Descent Benefit Auction
Teju Cole’s “City of Pain”
Kae Sun — “BREATHING ROOM (MOODTAPE)”
“On Being Present Where You Wish to Disappear” by Nana Adusei-Poku
Bolade Banjo, “Darkroom Paintings,” 2019
Nkisi — “The Dark Orchestra”
Baloji — “Peau de Chagrin / Bleu de Nuit”
Rotimi Fani-Kayode, “Nothing to lose VIII,” 1989
Loza Maléombho Autumn/Winter 2016
ÌFÉ — “House of Love (Ogbe Yekun)”
“The Burial of Kojo” (2018)
Mohau Modisakeng, “Untitled 28,” 2018
“The Symbolic Use of Palm, Figurines and Hibiscus in Adichie’s ‘Purple Hibiscus’” by André Kaboré
Chigozie Obioma’s “An Orchestra of Minorities” (excerpt)
Kudzanai-Violet Hwami, “Family Portrait,” 2017
Musa N. Nxumalo, “Moonchild Sanelly — Anthology of Youth,” 2016
Belinda Zhawi's “Passing Clouds”
EA Wave Live House Set | Boiler Room x Ballantine’s True Music Kenya
“The Quiet Bohemia of Lynette Yiadom-Boakye’s Paintings” by Rizvana Bradley
Kenneth Ize Spring/Summer 2016
Harold Offeh, “Choreograph Me,” 2016–
Sefi Atta’s “Unsuitable Ties” (excerpt)
Toyin Ojih Odutola, “Industry (Husband and Wife),” 2017
Ego Ella May — “Table for One”
